Sweepfilter wah – Lexicon MPX 1 User Manual

Page 89

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7-15

The Effects and Parameters

Mix

0-100%

Dry/Wet ratio

Level*

Off, -89 to +6dB

Amount of effect in the processed signal

Fc*

20-20000Hz

Corner frequency offset of filter

FRes*

1-100

Filter resonance: 7=a maximally flat filter

Mod*

20-20000Hz

added to corner frequency offset to produce corner fre-
quency

Scale*

-100 to +100%

scales Mod

Pan*

50L to C to 50R

Left/right pan control

Mix

0-100%

Dry/Wet ratio

Level*

Off, -89 to +6dB

Amount of effect in the processed signal

Sweep*

0-100

Wah center frequency

(Type)

C, V

C=Crybaby, V=Vox

Bass

0-100

Adds a low frequency boost to the wah

Resp

0-100

Responsiveness to changes in Sweep

Wah is a mono wah filter mod-

elled after two classic wah-wah
pedals. With Sweep selected,
press Options to select Model C
(CryBaby) or Model V (Vox).
These models capture both the
characteristic signature and non-
linear pedal response of the origi-
nal pedals. The Bass control al-
lows you to change the wah from a
band-pass type effect to a low-
pass type effect by progressively
adding more low end into the ef-
fect. (Try it with bass and key-
boards.) Resp controls how
quickly the wah responds to
changes of Sweep. (100 is very
fast, 0 is very, very slow).

To make a Mutron-like enve-

lope filter, patch sweep to Env1 or
Env2. Use Resp to control the
effect’s responsiveness to chang-
ing dynamics.

To make an Auto Wah effect, try

patching Sweep to an LFO sine or
triangle wave.

SweepFilter simulates a Moog-

type resonant low-pass filter. Cut-
off frequency and output level are
interpolated, and can be swept.
The performance of this filter is
high enough that it can be used as
a lowpass filter for hiss reduction.

The parameters were de-

signed to allow synthesizer-like
control of the filter. For example:
Use FC like the manual “cutoff”
knob of an analog synth – set it to
the filter frequency desired when
all modulation sources are at mini-
mum.

Use Mod as the patch destina-

tion for as many as five modulation
sources (LFO, ADR, Env,
LastNote, S/H. etc.).

Use Scale as a master depth

control for all modulation sources.

* = Interpolated; ( ) = Option of preceding parameter

SweepFilter

Wah

EkoSweepFltr

SynthChmbr

AutoWah Chrs Wah Pedal

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