Tone (m), 3-tone (s) and 3-tone (d) – Lexicon MPX 1 User Manual

Page 92

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Lexicon

7-18

MPX 1 User Guide

Mix

0-100%

Dry/Wet ratio

Level

Off, -89 to +6dB

Amount of effect in the processed signal

Fc 1, Fc-L1, Fc-L2

100-10000Hz

Corner frequency of low band

Fc 2, Fc-R1, Fc-R2

100-10000Hz

Corner frequency of high band

Gain1, GL-1,GR-1

-90 to +6dB

Level of low band(s) (frequencies below
Fc1, Fc-L1 or Fc-L2)

Gain2, GL-2, GR-2

-90 to +6dB

Level of mid band(s) (frequencies between Fc1 and 2)

Gain3, GL-3, GR-3

-90 to +6dB

Level of high band(s) (frequencies above

Fc2, Fc-R1 or Fc-R2)

The 3-Tone (M) effect splits the

signal into low, mid, and high
bands, and allows the user to ad-
just the three levels, as well as the
two split frequencies to create both
low and high shelving filters in a
single effect. Setting the frequen-
cies to the same value and the mid
and high levels to Off creates a 4-
pole low-pass filter.

3-Tone (S) is a stereo version of

3-Tone (M). 3-Tone (D) is a dual
version.

3-Tone (M)

3-Tone (S)

3-Tone (D)

The 3-Tone effects have two selectable frequency selectors (Fc1 and Fc2) which
split the signal into three bands controlled by Gain1, Gain2 and Gain3. The
diagram below shows a few of the infinite variety of EQ curves which can be
obtained from the 3-Tone effects.

3-Tone (M), 3-Tone (S) and 3-Tone (D)

* = Interpolated; ( ) = Option of preceding parameter

3-Tone

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