Serial copy management system, Three sampling frequencies, Long play mode – Sony DTC-57ES User Manual

Page 5: Visible cassette loading, Excellent sound quality 1-bit a/d converter, Rich variety of subcode information, Digital tade-in/fade-out, Post edit recording of sub codes

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Serial copy management system

This unit utiiizes the seriai copy management system that

permits digital-to-digital recording for one generation. You

can record CD sound or other digital formats through a

digital-to-digital connection. (See page 42.)

Date Function automatically memories the
recording date and time

The year, month, day, day of the week. hour, minute and

second are automatically memorized in the subcode area
during recording, so that during playback you can display
this data to check when the tape was recorded. This
function is especially convenient when recording live
performances, etc.

Three sampling frequencies

Recording/piayback can be done with three sampling

frequencies (48 kHz. 44.1 kHz and 32 kHz).
48 kHz: For analog and digital input signals in a standard

mode.

44.1 kHz; For compact disc and pre-recorded DAT tape.
32 kHz: For analog input signals in a long-play mode.

Long play mode

This unit can operate in a long-play mode. Analog input
signals can be recorded or playback for up to four
consecutive hours when the DT-120 DAT cassette tape is
used. The sampling frequency will be 32 kHz in the long-

play mode.

Visible cassette loading

You can view the tape operation through the lid of the
cassette compartment. Due to a revolutionary new
transport mechanism, cassette loading time has been

significantly reduced.

Excellent sound quality

1-bit A/D converter

For the A/D converter section which converts analog input
signals to digital signals, the unit employs a 1-bit A/D
converter which theoretically generates no zero-cross
distortion for a clear, elegant sound quality.

Pulse D/A converter

Superior playback performance is achieved with a 1-bit D/A
converter.

Rich variety of subcode information

This unit can record subcode information such as Start IDs.

program numbers. Skip IDs, and absolute time data,

enabling you to quickly locate tunes and display the

playback time in the same manner as when playing

compact discs.

Digital tade-in/fade-out

Professional sounding fade-in/fade-out of either digital or

analog signals can be accomplished by use of the FADER

button.

Post edit recording of sub codes

You can record or rewrite the following sub codes after the
audio signal recording has been completed.
Start ID: Signifies the beginning of a seiection.
Program number; Gives a number to the selection.
Skip ID; Signifies the beginning of a portion to be skipped.

End ID; Signifies the end position of recording/piayback.
Since sub codes are written on the tape separately from
audio signals, the audio signals are not affected.

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