Global controls, Tone controls – Aviom A-16R/A-16CS User Manual

Page 30

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21

A-16R P

eRsonAl

M

ixeR

And

A-16Cs C

ontRol

s

uRfACe

u

seR

G

uide

Some important points to keep in mind:

Set the

Remote/Local switch to the l

ocal

position to use

the front panel of the A‑16R for editing and save/recall of

Presets. MIDI can also be used for changing mix param‑

eters and for Preset save/recall. (The A‑16CS is disabled.)
Set the

Remote/Local switch to the R

emote

position to use

an A‑16CS Control Surface to remotely control the A‑16R.

Editing mixes and save/recall of your Presets only works

from the A‑16CS in this case. MIDI is disabled.
Only the

Mix In knob on the A‑16R rack will function when

the Remote/Local switch is set to the R

emote

position. This

is an analog control.

When using an A‑16CS with an A‑16R the settings of the Bass, Treble, and

Master Volume knobs are independent. Switching mix control between the

Local and Remote settings can cause unexpected changes in volume and EQ

if the settings of the knobs are not similar. Remember that the master Volume

on the A‑16R sets to total mix level.

Global Controls

The three knobs in the upper right section of the A‑16R Personal Mixer affect

your overall mix volume and tone directly. The Bass, Treble, and Master

volume controls are always active, regardless of the state of the current mix

or selected Preset. These are analog controls and their settings are not stored

as part of a mix preset.

Tone Controls

Use the Bass and Treble controls to change the overall balance of bass or

treble frequencies in your mix. These controls affect the entire mix, not the

individual channels.

The default position for the B

aSS

and t

ReBle

knobs is at 12 o’clock. To add more

low frequencies to your monitor mix, turn the B

aSS

knob to the right of the 12

o’clock position. To remove lows, turn the knob counterclockwise past the

center. To change the high‑frequency content, follow the same procedure;

turn the t

ReBle

knob right to add highs, left to diminish them.

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