Chapter 3 multi-track recording, Recording – Roland VS-880EX User Manual

Page 40

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This chapter explains the operations necessary for
recording with the VS-880EX. Try out each operation
as you read these instructions.

Recording

Items Necessary for Multi-Track
Recording

• VS-880EX (1)

• Internal IDE hard disk

• Audio equipment for the Master Out signal, or

stereo headphones

• Recording source (electric guitar, synthesizer, CD

player, etc.) or microphone

Creating a New Song (Song New)

Recording cannot take place while a demo song is
selected.

This is because the contents of the demo

songs are protected from being changed or over-
written

(p. 64). Use the following procedure to prepare

a new song. This process is analogous to exchanging
cassettes on a multi-track tape recorder.

1. Press [SONG] several times until “SNG Song New

?” appears in the display.

2. Press [YES].

3. “SNG SampleRate=” appears in the display. Use

the TIME/VALUE dial to select a sample rate.

Sample Rate
Select a sample rate (32 kHz, 44.1 kHz, or 48.0 kHz).
When you want to use a digital connection to a digital
audio device, much the sample rate to that of the con-
nected device. Furthermore,

when making an origi-

nal audio CD, select 44.1 kHz

. You cannot change

the sample rate after the song is recorded. In addition,
you cannot mix different sample rates in the same
song.

4. Press PARAMETER [

].

5. “Record Mode=” appears in the display. Use the

TIME/VALUE dial to select a recording mode.

Record Mode (Recording Mode)
Select the sound’s quality and time based on the
recorded contents. Once a song is recorded, these set-
tings cannot be changed.

MAS (Mastering):

With this setting, you can get the high-quality sounds
compatible to that’s quality of CD player or DAT
recorder. However a song for which this mode is
selected will function as a 6-track recorder (1–6). This
mode is appropriate when recording edited two-chan-
nel stereo songs.

MT1 (Multi-Track 1):

While maintaining high-quality sound, recording time
is approximately twice that available in “Mastering”
mode. This mode is good when doing a lot of track
bouncing.

MT2 (Multi-Track 2):

While maintaining high-quality sound, recording time
is longer than that available in “Multi-Track 1” mode.
This mode is good for normal operations.

LIV (Live):

Recording time is longer than with “Multi-Track 2”
mode. This mode is appropriate when your hard disk
lacks much free space or when recording live perfor-
mances.

6. Press [YES].
“Create New - Sure?” appears in the display.

7. Press [YES].
“STORE Current?” appears in the display.

8. If you wish to save the current song, press [YES];

if not, press [NO].

If you have selected a demo

song, then press [NO]

.

9. When a new song has been created, you will return

to Play condition. The newly created song will be
selected as the song for recording/playback.

Chapter 3 Multi-Track Recording

40

About Recording Time
The recording time (track minutes) of both sam-
pling rate and recording mode are as shown
below (for one track, with 2 GB free space).

Track Minutes

(Appendices p. 125)

Recording

Sample Rate

Mode

48.0 kHz

44.1 kHz

32.0 kHz

MAS

185+185 mins.

202+202 mins.

278+278 mins.

MT1

371+371 mins.

404+404 mins.

557+557 mins.

MT2

495+495 mins.

539+539 mins.

742+742 mins.

LIV

594+594 mins.

646+646 mins.

891+891 mins.

(All times approximate)

* The above chart is a general yardstick for estimating

recording times. Actual times may be somewhat
shorter depending on your hard disk’s specifications
or the number of songs created.

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