KORG TRITON STUDIO V2 - Manual (Page 7)

2
Disk mode
1. “Advanced Conversion Load” for loading AKAI
Programs ( ☞ p.48)
In addition to previously supported keymap-related param-
eters, version 2.0 also supports parameters such as key
groups, key group zones, velocity-switching, oscillators,
pitch, filter, amp/pan, and EG. These parameters will be
preserved when convert-loading an AKAI program into a
TRITON STUDIO program (or programs and combination).
This allows AKAI Program files to be reproduced with a
more accurately, and to be instantly playable.
2. Edit WAVE function ( ☞ p.45)
WAVE files saved on the internal hard drive (or an external
drive), can now be edited on the TRITON STUDIO. WAVE
files copied from a sample CD, ripped from an audio CD, or
sampled on the TRITON STUDIO can be edited directly
without the need for loading into RAM.
In addition to basic editing commands such as “Cut,” you
can use a variety of operations such as “Time Stretch” and
“Transfer WAVE To Track” (placing the data on one of the
sequencer’s audio tracks).
3. KARMA Music Workstation and TRITON Le
.PCG/.SNG files compatibility ( ☞ p.54)
Sound data (.PCG files) and song data (.SNG files) from the
KARMA Music Workstation (versions 1.0 and 2.0) and TRI-
TON Le can now be loaded into the TRITON STUDIO.
4. “Load PCG (RAM) and Samples” page menu
command ( ☞ p.49)
This new command loads only the programs and drum kits
that use RAM samples, and the songs and combinations that
use those programs. This allows you to merge sample-based
sounds from various .PCG files to a single bank. This also
provides an efficient way to load KORG TRITON format
sample data from CD libraries available from third party
vendors.
5. “Collect Audio Track File” page menu command
( ☞ p.52)
This command moves or copies the WAVE file created by the
HD Audio Track function to the same folder level as the
.SNG file (song data). This makes it easy to manage data
when backing up to external media such as CD.
6. “Optimize Media” page menu command
( ☞ p.51)
This command creates improves the performance and access
time of HD Audio recording, by creating large continuous
open areas of free space on MS-DOS formatted media.
Global mode
1. “SCSI Mode” parameter ( ☞ p.56)
A “SCSI Mode” parameter has been added.
You can now assign a SCSI ID to the TRITON STUDIO’s
internal hard disk so that it can be recognized by an external
computer. This makes it easy to exchange data with an
external computer.
2. Foot Switch Assign ( ☞ p.57)
You can now use a foot switch to control the tap tempo func-
tion; and in Song Play mode to Start and Stop SMF play-
back.
Other new functions
1. Tap tempo control ( ☞ p.70)
The front panel [ENTER] key can be used to control tap
tempo. By lightly pressing the key at the desired tempo, you
can control the arpeggiator, sequencer, or SMF playback
tempo in realtime. You can also use a foot switch connected
to the rear panel ASSIGNABLE FOOT SWITCH jack to con-
trol tap tempo.