Dolby Laboratories DP570 - Manual (Page 67)

Using the DP570 in Postproduction Using the DP570 with Other Dolby Equipment
Dolby ® DP570 Multichannel Audio Tool User’s Manual 55
Identified Clips on page 31 for more information on these modes and to understand the
differences between them.
7.2.3 Monitoring Downmixes
Once dialnorm has been set and a measurement mode selected, check downmixes and
make any adjustments necessary so that the mix translates best across the appropriate
listening environments.
A full dynamic range 5.1 mix may sound more pleasing than the same mix that is stereo or
Pro Logic
® downmixed. In some cases, a compromise on downmixes must be made to
ensure that the 5.1 mix remains the best.
Use the downmix options shown in Figure 7‐3 to help create the best downmix possible
from your original multichannel mix.
Figure 7-3 Typical Options for Monitoring Downmixes
Check both compression modes on the full 5.1 mix as well as downmixes. This is an
important step because you cannot be certain which mode consumers may be using. See
Dynamic Range Control on page 88 for detailed information on the DRC modes.
7.3 Using the DP570 with Other Dolby Equipment
The Cat. No. 549 GPI/O Controller provides a quick method to change downmix and
compression modes while monitoring. The DP570 can be used either with the DP569 Dolby
Digital or DP571 Dolby E Encoders by attaching the metadata connectors.
Note: Remember to prioritize your mixes.