Selecting the desired effect type, Details about each mastering effect type, Using the mastering effects – Fostex MR-8 User Manual

Page 41: Mr-8 owner’s manual

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41

MR-8 Owner’s Manual

MASTERING

BRIGHT

NATURAL

POWERFUL

+ - _ 0

POWERFUL

NATURAL

BRIGHT

<Bouncing tracks 1 through 4 to track 5/6>

<Bouncing tracks 1 through 6 to track 7/8>

<Mixing down tracks 1 through 8>

Trk 4

Trk 3

Trk 2

Trk 1

Trk 5

Trk 6

playback

playback

playback

playback

recording

recording

Delay

or

Reverb

Mixing

Mastering

Effect

Bounce

Trk 4

Trk 3

Trk 2

Trk 1

Trk 5

Trk 6

Trk 7

Trk 8

playback

playback

recording

Delay

or

Reverb

Mixing

Mastering

Effect

Bounce

recording

playback

playback

playback

playback

Trk 4

Trk 3

Trk 2

Trk 1

Trk 5

Trk 6

Trk 7

Trk 8

D/A

playback

playback

playback

Delay

or

Reverb

Mixing

Mastering

Effect

playback

playback

playback

playback

playback

Using the mastering effects

The MR-8 provides the dedicated mastering ef-
fects for the stereo busses (L and R).
You can use the mastering effects when bounc-
ing more than one track to stereo tracks or when
mixing down tracks 1 through 8 to stereo and
sent to an external master recorder for record-
ing.

Selecting the desired effect type

Three mastering effect types are available. You
can select a desired type using the [MASTERING]
keys (POWERFUL, NATURAL and BRIGHT).

The

selected key is lit.

Details about each mastering effect type

Each effect type has the following character. Use
the appropriate type.

Adds power to the sound. Good for rock.

Slightly adds power to the sound. Good for
acoustic music.

Add brightness to the sound. Good for use when
the mixed sound is dark.

<Note>

When making the mastering effect active, the
audio output level increases. Therefore, if you
make it active or deactive while monitoring
audio, the monitoring level suddenly changes.

[DIGITAL OUT] connector

[STEREO OUT L, R] jacks

Mastering Effects

Mastering Effects

Mastering Effects

See "Track bounce" on page 42 for details
about track bounce which allows mix multiple
tracks to stereo. See "Mixdown" on page 47
for details about mixdown.

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