TC Electronic G-Major 2 - Manual (Page 48)

47
E
N
G
L
IS
H
DELAY
The Feedback High-Cut parameter attenuates
the frequencies over the set frequency,
resulting in a more “analog” sound that in many
cases that will blend in better with the overall
sound.
Fblcut – Feedback LoCut
Range: 20 Hz to 20 kHz
Use this parameter to attenuate the frequencies
below a given frequency.
As with the Feedback High-Cut parameter, the
delays may blend in more nicely with the
overall sound if you “thin out” the effect at the
low end.
Mix
Range: 0 to 100 %
This parameter sets the relationship between
the level of the dry signal and the level of the
effect in this block.
OutLev – Out Level
Range: -100 to 0 dB
This parameter sets the overall output level for
this effect.
Ping Pong
The Ping Pong delay causes the delay to
alternate between the left and right channels,
resulting in a very nice stereo feel. Use the
Width parameter to determine how “stereo” you
want this effect to be.
In addition to the “common” parameters
described in the introduction of the delay
section, this delay has the following
parameters:
Width
Range: 0 to 100 %
The Width parameter determines how far the
left and right repetitions should spread from the
center.
Common Parameters – Delay
The following parameters are identical for all
Delay types. Parameters specific to certain
delays are described in the relevant sections.
Delay
Range: 0 to 1800 ms
This parameter sets the time between the
delay repeats. This is also known as the
“length” of the delay.
Tempo
Range: Ignored, 1 to 1/32T
(T= Triplet & D= Dotted)
When set to any value between 2 and 1/32T,
the Global Tempo is subdivided according to
this setting. When set to “Ignored”, the speed
set using the Speed parameter is used instead.
The Tap Master parameter – located in
the Global menu – specifies whether
the Global tempo or the tempo set by
the Speed parameter in each preset
should be used at preset change.
Fb – Feedback
Range: 0 to 120 %
This parameter sets the amount of feedback
from the output of the effect back to its input.
Use the Feedback parameter to set how many
repeats of the signal you would like to have.
Please use high settings with extreme
caution. Due to the Spillover feature,
there is no way to immediately cut off
the delay when you get an internal
feedback at settings above 100 %. If
you do get internal feedback, either
switch to a different Delay Type or to a
different preset that uses the Delay,
two times in succession.
Fbhcut – Feedback High-Cut
Range: 20 Hz to 20 kHz
With digital technology, every delay can be a
precise reproduction of the input signal. But
especially with long Delay times, this is not
always desirable, as these pristine delays may
disturb the original signal, resulting in a
“washed-out” sound. To compensate for this,
use the high-cut filter, thereby emulating analog
or tape style delay units.