The macros module – Applied Acoustics Systems Chromaphone 3 Upgrade Acoustic Object Synthesizer Plug-In (Download) User Manual

Page 33

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5.2

The Modes Section

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voices can be desynchronized by adding a small time lag between their triggering with the

Delay

knob. There is no delay when the knob is in its leftmost position and it increases (units in ms) as it
is turned clockwise.

5.2.4

The Macros Module

The

Macros

module includes four different macros associated with different high-level qualities or

characteristics of the sound. These macros are used to easily control general aspects of the sound
and therefore rapidly obtain different variations. These modules, labelled

Modulation

,

Timbre

,

Envelope

, and

Effects

, correspond to the macro controls found on the

Home

view introduced in

section 2.3.1. The modules are used to create the assignments between specific synthesis parame-
ters and each macro and control the amount of possible modulation for each parameter.

The

Modulation

macro is used to control the amount of modulation in the sound and it is

usually assigned to parameters from the vibrato module (frequency modulation) or the tremolo
effect module (amplitude modulation). The

Timbre

macro is used to modify the tone quality of

a sound and is typically mapped to parameters from the filter modules of the synthesizer. The

Envelope

macro is used to adjust the time-domain characteristics of the sound and make it shorter

or longer for example. This parameter is usually mapped to the parameters from the different
envelope modules of the synthesizer. Finally, the

Effects

macro allows one to controls the amount

of effect applied to the sound. This knob is typically mapped to key parameters of the effect
modules used in each sound. Note that there is formally no restriction on the parameters which can
be assigned to a macro and they do not necessarily need to correspond to the macro label. These
labels have been chosen as indications and corresponds to sound qualities which are normally most
relevant in the majority of sounds. Assignments for the sounds from the factory library have been
chosen to follow these categories as much as possible.

Up to four synthesis parameters can be assigned with each macro. Assignments are created

by clicking on the label located to the right of the four

range

knobs in each macro module (or the

small horizontal line when there is no assignment yet). This reveals a drop-down menu with a list
of possible destination parameters. These

range

knobs are used to specify the amount of allowed

modulation of the corresponding destination parameter. Their range varies between -100 % in their

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