Roland XP-30 User Manual
Page 89
89
Chapter 3. Creating Your Own Sounds
Chapter 3
PERFORM EFX CTRL
(Performance EFX control)
Use this parameter when you wish to use a specific controller
to control an EFX parameter. The types of EFX parameters
available for control will depend on the EFX type. For details
refer to
“Multi-Effects Types (EFX Parameter)”
The upper line of the display will show the EFX parameter to
be controlled. For each EFX parameter you can specify the
EFX Control Source and the EFX Control Depth.
EFX Control Source 1, 2
The MIDI controllers that can be used are shown below. If
you wish to use a controller that is common to all Patches, or
a controller that cannot be selected here, first select SYS-
CTRL1 or SYS-CTRL2, and then use the Control 1/2
parameter (SYSTEM/CONTROL/SYS-CTRL ASSIGN) to
select the controller.
OFF:
a controller will not be used
SYS-CTRL1:
System controller (Control 1)
SYS-CTRL2:
System controller (Control 2)
MODULATION:
Modulation (MIDI controller number 1)
BREATH:
Breath (MIDI controller number 2)
FOOT:
Foot (MIDI controller number 4)
VOLUME:
Volume (MIDI controller number 7)
PAN:
Pan (MIDI controller number 10)
EXPRESSION:
Expression (MIDI controller number 11)
PITCH BEND:
Pitch bend
AFTERTOUCH:
Aftertouch
EFX Control Depth 1, 2
Adjust the amount of change that will occur in response to
controller movement. Higher values will result in greater
change. Negative (-) values will invert the direction of the
change.
PERFORM CHORUS
Make settings for the Chorus effect of the Performance.
Rate (Chorus Rate)
Adjust the speed of modulation for the chorus.
Depth (Chorus Depth)
Adjust the depth of modulation for the chorus.
Delay (Chorus Pre Delay)
Adjust the time delay from when the direct sound begins
until the chorus sound is heard. Higher values will create a
more spacious sound.
Fbk (Chorus Feedback Level)
Adjust the amount of chorus sound that is returned (fed back)
into the chorus. Higher values will create a more intense
effect.
Level (Chorus Level)
Adjust the volume level of the chorus sound.
Out (Chorus Output Assign)
Select the way in which the Chorus and Reverb are
connected.
MIX:
The Chorus sound and the Reverb sound are mixed.
fig.3-27.e
REV:
Apply reverb to the chorus sound.
fig.3-28.e
M+R:
Mix the chorus sound to which reverb is not applied
and the chorus sound to which reverb is applied.
fig.3-29.e
PERFORM REVERB
Make settings for the Reverb effect of the Performance.
Type (Reverb/Delay Type)
Select the type of Reverb effect.
ROOM1:
dense reverb with short decay
ROOM2:
sparse reverb with short decay
STAGE1:
reverb with greater late reverberation
STAGE2:
reverb with strong early reflections
HALL1:
reverb with clear reverberance
HALL2:
reverb with rich reverberance
DELAY:
a conventional delay
PAN-DLY:
a delay with echoes that move left and right
Time (Reverb/Delay Time)
Adjust the time of the reverberation. If you have selected
DELAY or PAN-DLY, this parameter will adjust the time
delay from the original sound until the first echo will sound.
OUTPUT
Reverb
Chorus input
Chorus
Reverb input
OUTPUT
Reverb
input
Chorus
input
Chorus
Reverb
OUTPUT
Reverb
input
Chorus
input
Chorus
Reverb