Apple Final Cut Express HD User Manual
Page 1151
Index
1151
video equipment
capturing video with 181–185
controlling 152
external monitors 161, 162
troubleshooting 1070
video signals 1042–1044
video filter icon 916
video filters 676–687
advantages of 663
applying 664–666
categories 668
copying and pasting into clips 674–675
filter bars 673
keyframing 664
multiple filters 666
rearranging 674
removing 675
settings 667–669
turning on or off 673
using controls 669–672
Video Format option 1006
video formats
characteristics 1025–1041
frame rates 1034
history of 1045–1046
keying 808
video frames 1025, 1031
video generator icon 915
videographers 1103
video interfaces 568
video monitors
vs. broadcast monitors 162
color and 161
connecting 161
NTSC video monitors 162
PAL video monitors 162
setup 146
video monitors. See broadcast monitors
video render bars 122, 204
video render status bar 880
video signals 1028, 1042–1044
video switchers 1103
Video tab 83
videotape
archiving 908
audio on 36
blacking tapes 196
cueing 963
duplicate timecode numbers 195–197
dynamic range 598
labeling audio levels 600
output requirements 961
output settings 963
outputting to 161
printing to VHS 970
Print to Video operations 962, 965, 966–968
recording from Timeline 962
recording to 963, 965–970
television broadcast 161
timecode on 1055
types of 1026
write-protection tab 963
videotape recorders. See video decks, VTRs
video tracks
See also audio tracks, tracks
adding 116
adding to sequences 326
applying filters to multiple tracks 749
compression 1008
described 305, 1103
destination tracks 309–312
disabling 116
disabling in clips 802–804
display size 126
dragging clips into 313
for DVDs 973
invisible 951
locking 116, 314
number of 124
in QuickTime movies 981, 993
resizing 316
scrolling through 133
selecting all clips on 364
soloing 804
Source controls 115
source tracks 311
in Timeline 115, 116
video transition icon 916
video transitions. See transitions
Vid Rate property 920, 931
Viewer
activating 80
adjusting audio levels 565, 605–607
audio controls 428–430
clips in 436, 486–487
closing 80
compared to Canvas 101
controls in 82–83, 84–86
creating motion effects in 697–707
described 79–83, 1103
editing audio in 431–432, 436–437
Filters tab 668–669
illustrated 56
In and Out point settings 286–287
markers in 235–236, 238
match frame operations 555
moving and resizing window 135
navigating in 101–108
opening 80
overlapping 1071
playing clips in 102–104