Matching frames between sequence and master clips, Matching, Frames between sequence and master clips – Apple Final Cut Express HD User Manual

Page 554: P. 554)

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554

Part VII

Fine-Tuning Your Edit

To make a ripple, roll, slip, or duration change to a sequence clip in the Viewer:

1

Open the sequence clip in the Viewer.

2

Select the appropriate tool for the type of edit you want to do.

3

In the Viewer, navigate to the frame you want to use for the clip’s new In point.

4

Press I to set a new In point.

5

Navigate to a new Out point and press O to set a new Out point.

If the new In or Out point is not accepted, check to see if Final Cut Express HD displays
an alert message. Some edits are not possible because they would cause other
sequence clips to be partially overwritten or moved out of sync. For more information,
see “

Understanding Alert Messages When Trimming

” on page 491.

Using the Viewer to Adjust Motion and Filter Parameters

When you want to adjust effects and motion parameters for a sequence clip, you open
the clip in the Viewer to make adjustments in the Motion and Filters tabs. For more
information, see “

Changing Motion Parameters

” on page 689. You can also refer to

Video Filters

” on page 663.

Matching Frames Between Sequence and Master Clips

Sequence clips, which are usually affiliate clips, have a relationship to other clips in your
project. Because of this relationship, you can tell Final Cut Express HD to open the
following clips in the Viewer:

 The sequence clip’s master clip, located in the Browser
 The sequence clip’s source media file, located on disk

When Final Cut Express HD opens one of these items in the Viewer, the playhead is
positioned at exactly the same frame in the Viewer as in the Canvas and Timeline. This
is known as a match frame.

Important:

If a sequence clip is not an affiliate clip, it is independent, so it isn’t related to

a master clip in the Browser. You can’t match an independent clip back to a master clip,
because it doesn’t have one. However, you can still match back to the original media
file. For more information about master-affiliate clip relationships, see “

Working With

Master and Affiliate Clips

” on page 921.

To check if a sequence clip is independent:

1

Select a clip in the Timeline, or move the playhead over a clip in the Canvas or Timeline.

2

Choose View > Reveal Master Clip.

If the Reveal Master Clip menu item is dimmed, the selected sequence clip does not
have a master clip, and it is therefore independent.

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