Control change messages, Enabling/disabling control change messages, Mixer control change – Tascam 788 User Manual

Page 106

Advertising
background image

12 – MMC and MIDI functions–Control Change messages

106

TASCAM 788 Digital PortaStudio

Control Change messages

The 788 can also respond to Control Change mes-
sages in real time in order to allow control of individ-
ual parameters.

It cannot transmit Control Change messages.

Enabling/disabling Control Change messages

You can enable or disable the 788 response to Con-
trol Change messages, as explained here.

1

With the transport stopped, press the

MENU

key.

2

Use the dial to scroll down to the

SYNC/

MIDI

menu and press

ENTER

.

3

Use the dial to scroll down to the

CONTROL

menu item and press

ENTER

.

4

There are two tabs on this screen. Use the Á
key to ensure that the

PC/CC

tab is visible.

5

Highlight the

CTLCHG

(Control Change)

menu item.

6

Use the dial to turn the appropriate parameter
on (

Mix/Eff

) or

OFF

.

Mixer Control Change

The MIDI channel numbers are used to determine the
mixer channel that will be affected by the Control
Change messages.

Note that for channels 7 and 8 (and any stereo linked
channels) that a Control Change command sent to
one of the MIDI channels corresponding to these
linked mixer channels will have an effect on the
parameters of both mixer channels.

The Control Change messages for the mixer are as
follows:

MIDI channel Target

Remark

1– 8

Mixer channel mixer channels1 through 8

16

Master block

Fader, Effect Level, Aux Level

Control No

Parameter

Range

7

Fader

a

0 through 100 through 127 = –

,through 0 through +6 dB

10

Pan

1 through 64 through 127 = L63 through C through R63

11

Pad/gain

0 through 8 = -42,-36,-30,-24,-18,-12,-6, 0,+6 dB

16

Low Frequency

0 through 31 = 32, 40, 50, 60, 70, 80, 90, 100, 125, 150, 175, 200, 225, 250, 300, 350,
400, 450, 500, 600, 700, 800, 850, 900, 950, 1.0k, 1.1k, 1.2k, 1.3k, 1.4k, 1.5k, 1.6k

17

Low Gain

0 through 12 through 24 = -12 through 0 through +12 dB

18

Mid Frequency

0 through 64 = 32, 40, 50, 60, 70, 80, 90, 100, 125, 150, 175, 200, 225, 250, 300, 350,
400, 450, 500, 600, 700, 800, 850, 900, 950, 1.0k, 1.1k, 1.2k, 1.3k, 1.4k, 1.5k, 1.6k,
1.7k, 1.8k, 1.9k, 2.0k, 2.2k, 2.4k, 2.6k, 2.8k, 3.0k, 3.2k, 3.4k, 3.6k, 3.8k, 4.0k, 4.5k,
5.0k, 5.5k, 6.0k, 6.5k, 7.0k, 7.5k, 8.0k, 9.0k, 10k, 11k, 12k, 13k, 14k, 15k, 16k, 17k, 18k

19

Mid Gain

0 through 12 through 24 = -12 through 0 through +12 dB

20

Mid Q

0 through 6 = 0.25, 0.5, 1, 2, 4, 8 , 16

21

High Frequency

0 through 31 = 1.7k, 1.8k, 1.9k, 2.0k, 2.2k, 2.4k, 2.6k, 2.8k, 3.0k, 3.2k, 3.4k, 3.6k, 3.8k,
4.0k, 4.5k, 5.0k, 5.5k, 6.0k, 6.5k, 7.0k, 7.5k, 8.0k, 9.0k, 10k, 11k, 12k, 13k, 14k, 15k,
16k, 17k, 18k

22

High Gain

0 through 12 through 24 = -12 through 0 through +12 dB

23

Effect Level

a

0 through 100 through 127 = -

through 0 through +6 dB

24

Effect Pan

1 through 64 through 127 = L63 through C through R63

25

Aux Level

a

0 through 100 through 127 = -

through 0 through +6 dB

Advertising