Pitch shifter, Flanger, Phaser – Tascam 788 User Manual

Page 90: Reverb + gate, Dynamics processor, Pitch shifter flanger phaser reverb + gate, 9 – effects–parameter details

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9 – Effects–Parameter details

90

TASCAM 788 Digital PortaStudio

PITCH SHIFTER

A pitch shifter, allowing har-

monization of the effected sound with the original
(the pitch shifted sounds may sound a little strange in
character—this is not a substitute for real harmony

singing, but can be a very effective special effect). A
delay setting provides additional ‘harmonies” shift-
ing the pitch by the specified amount on each repeat.

FLANGER

A swirling sound, adding depth to the

original sound. At high settings, this can produce a

jet-like “swooshing” sound. The built-in delay adds
more life to this effect.

PHASER

A more gentle effect than the flanger,

which is similar, but a slightly more subtle effect (it’s

difficult to describe these things in words, sometimes
you just have to try them!).

REVERB + GATE

The signal goes through a

reverberator, and the reverb signal is then passed
through a gate, which opens when it is above a given

level (threshold) and closes again after a set time. Try
this with a snare drum sound.

Dynamics processor

When

EFFECT 2

is used as a compressor for chan-

nels and the stereo output, the following settings may
be made:

Parameter

Min.

Max.

Explanation

PITCH

-12

+12

The amount by which the pitch is shifted expressed in semitones (coarse tuning)

FINE

-50

+50

The fine tuning amount, added to the coarse tuning, by which the pitch is shifted
expressed in cents (100 cents = 1 semitone)

FB DELAY

0ms

500ms

The time between repeats

FEEDBACK

0

100

The level of the repeated sounds (in practical terms, this controls the number of audible
repeats—note that a high value here may result in runaway feedback, which is
unpleasant)

Parameter

Min.

Max.

Explanation

RATE

0.1Hz

10.0Hz

The speed of the flanging effect

DEPTH

0

100

The strength of the effect

FB DELAY

0ms

1000ms

The time between repeats

FEEDBACK

0

100

The level of the repeated sounds (in practical terms, this controls the number of audible
repeats—note that a high value here may result in runaway feedback, which is
unpleasant)

Parameter

Min.

Max.

Explanation

RATE

0.1Hz

10.0Hz

The speed of the phasing effect

DEPTH

0

100

The strength of the effect

RESONANCE

0

100

The way in which the filter works inside the effect. High values produce a “wah” effect

STEP

4

16

4, 8, 12 or 16 — affecting the quality and character of the phase effect.

Parameter

Min.

Max.

Explanation

TYPE

Normal

Reverse

The reverb can be reversed (i.e. it starts quietly, and gets louder)

THRESHOLD

-46dB

-16dB

The level at which the gate opens to let the sound through

GATE TIME

0ms

3000ms

The time that the gate stays open before the threshold setting starts to take effect

DENSITY

0

100

The “thickness” of the reverb—low settings provide a sparse sound, and higher values
make a complex, thicker sound.

Parameter

Min.

Max.

Explanation

THRESHOLD

-46dB

-16dB

The level at which the compressor starts to have an effect

ATTACK

0.1ms

10ms

The speed with which the signal is compressed

RATIO

1.0:1

:1

Expressed as a ratio. 1.0:1, 1.1:1, 1.3:1, 1.6:1, 2.0:1, 2.7:1, 4.0:1, 8.0:1,

:1 — 1.0:1

means no compression, and

:1 means full compression.

POST GAIN

0dB

30dB

Makes up any volume lost as the result of the compression settings.

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