Recording from a digital source – M-AUDIO Pro Tools Recording Studio User Manual

Page 404

Advertising
background image

Pro Tools Reference Guide

386

Expanding Alternate Takes to New
Tracks

Expanding alternate takes to new tracks readily
facilitates auditioning, editing, and mixing al-
ternate takes, each on separate tracks.

To expand alternate takes to new tracks:

1

Identify the region on the main playlist with

matching alternate regions (takes).

2

Do one of the following:

• Right-click the region and choose Matches

> Expand Alternates To New Tracks

.

• If the region is selected, with the Selector

tool, Control-click (Windows) or Com-
mand-click (Mac) anywhere on the selected
region and choose Matches > Expand Alter-
nates To New Tracks

.

• If the region is not selected, with the Selec-

tor tool, Control-click (Windows) or Com-
mand-click (Mac) at the precise beginning
of the loop or punch range and choose
Matches > Expand Alternates To New Tracks

.

3

Then choose one of the following from the Ex-

pand Alternates To New Tracks sub-menu:

By Track Name

Names all new tracks after the

source track name.

By Region Name

Names each new tracks after

the corresponding original region names that
you see in the Matches list.

By Track and Region Name

Names all new tracks

after the source track name, but with the corre-
sponding original region names in parenthesis.

All matching alternate regions are copied to new
tracks.

Recording from a Digital
Source

If you plan to use a DAT player, digital-output
CD recorder, or other digital device with your
Pro Tools system, make sure it supports the cor-
rect digital format. For example, your Pro Tools
audio interface’s AES/EBU inputs and outputs
should only be connected to another AES/EBU
device.

Pro Tools|HD Digital Options

The 192 I/O, 192 Digital I/O, and 96 I/O include
AES/EBU, S/PDIF, and ADAT digital options. Ad-
ditionally, the 192 I/O and 192 Digital I/O in-
clude TDIF digital I/O options. The 96i I/O in-
cludes only the S/PDIF digital option.

On a 192 I/O, 192 Digital I/O, or 96 I/O,
Pro Tools can receive digital audio from the fac-
tory-installed Optical (ADAT) I/O at any time (if
it is not set to S/PDIF). However, Pro Tools can
only receive digital audio from one of its enclo-
sure [Encl] digital sources—AES/EBU, S/PDIF, or
Optical (S/PDIF) at a time.

Enclosure digital sources come standard with
Pro Tools|HD I/Os and are labelled on-screen as
[Encl] versions, to differentiate them from digi-
tal inputs and outputs available on the 192’s
Digital I/O card. For example, the AES/EBU in-
puts and outputs that come standard in the
192 I/O enclosure are identified as AES/EBU
[Encl].

For additional information on configuring
your particular Pro Tools system for record-
ing from a digital source, see your Setup
Guide.

Advertising