Warping audio – M-AUDIO Pro Tools Recording Studio User Manual

Page 798

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Pro Tools Reference Guide

780

To relocate a Warp marker (without applying
warping):

„

With the Grabber or the Pencil tool, Start-

click (Windows) or Control-click (Mac) and drag
a Warp marker to a new location.

To delete a Warp marker:

„

In Warp view, do one of the following:

• With the Grabber tool, double-click a Warp

marker.

• With the Grabber or the Pencil tool, Alt-

click (Windows) or Option-click (Mac) a
Warp marker.

• With any Edit tool, Right-click a Warp

marker and select Remove Warp Marker from
the pop-up menu.

To delete all Warp markers in a selection:

1

In Warp view, make an Edit selection that in-

cludes only the Warp markers you want to de-
lete (and none of the Warp markers you want to
keep).

2

Do one of the following:

• Press Delete or Backspace on your com-

puter keyboard.

– or –

• With any Edit tool, Right-click the Edit se-

lection and select Remove Warp Marker from
the pop-up menu.

Tempo Event–Generated Warp Markers

Tempo Event–generated Warp markers are not
editable and are only displayed to indicate
where Elastic Audio processing has been applied
to conform the audio to Tempo Events. You will
only see Tempo Event–generated Warp markers
on tick-based tracks.

If you change the track timebase from ticks to
samples, any Tempo Event–generated Warp
markers convert to regular, editable Warp mark-
ers.

Warping Audio

In Warp view, you can manually warp audio in
three specific ways: Telescoping Warp, Accor-
dion Warp, and Range Warp.

Telescoping Warp

Telescoping Warp can be applied to any audio
region before or after a Warp marker as long as
no other Warp marker precedes or follows it ac-
cordingly. The audio can be on a sample- or tick-
based track. Telescoping Warp is especially use-
ful for adjusting audio files to match the session
tempo map and Bar|Beat grid.

For more information, see “Tempo Changes
and Tick-Based Elastic Audio Tracks” on
page 674.

Automation does not follow manual warp-
ing of audio regions, including TCE trim-
ming and quantization of Elastic Audio.
However, automation does follow tempo
changes on tick-based tracks.

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