Anthem Audio D2 - Manual (Page 65)

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4. OPERATION
continued …
Why can’t I select a surround mode when playing a 5.1-channel source?
If you are using 5.1 speakers, with rears correctly set to None in the speaker configuration, modes that
require 6.1 or 7.1 speakers cannot be selected.
4.8.4 DOLBY DIGITAL EX / PRO LOGIC IIx FOR 5.1 SOURCES
Dolby Digital EX and Pro Logic IIx can be used to decode DVDs encoded in Dolby Digital Surround EX by
extracting rear channel information from the surround channels. Dolby Digital EX creates a mono rear signal
whereas with Pro Logic IIx, the rear channels play a stereo signal. Either of these modes can be applied to
any 5.1-channel material except DTS 96/24.
A list of movies encoded in Dolby Digital Surround EX can be found on the Dolby web site at www.dolby.com
and on the THX web site at www.thx.com. A flag to engage Dolby Digital EX / Pro Logic IIx is usually
contained in newer titles. Press MODE when a movie starts playing and use the Master Control Knob to
select the mode that sounds best – the display says “DOLBY D 5.1 INPUT” if the soundtrack is unflagged, and
“DOLBY D EX AUTO” if it is flagged.
4.8.5 DTS-ES
There are two ways that rear channel information is encoded in DTS-ES – Matrix and Discrete:
• Matrix – DTS-ES Matrix movies contain a matrixed rear channel. The processor engages Neo:6 to
decode DTS-ES Matrix. Neo:6 can also be turned on manually and applied to any other
5.1-channel material except DTS 96/24 – when a movie starts playing, press MODE and use the
Master Control Knob to select. A mono rear channel is derived from the left and right surround
channels. This rear channel may or may not be pleasing depending the soundtrack.
• Discrete – DTS-ES Discrete soundtracks contain 6.1 channels with an independent rear channel.
The processor engages DTS-ES Discrete decoding.
4.8.6 THX ULTRA2 / THX SURROUND EX
THX is an exclusive set of standards and technologies established by the world-renowned film production
company, Lucasfilm Ltd. THX grew from George Lucas’ desire to make your experience of the film
soundtrack, both in movie theaters and in your home theater, as faithful as possible to what the director
intended. Movie soundtracks are mixed in special movie theaters called dubbing stages and are designed to
be played back in movie theaters with similar equipment and conditions. This same soundtrack is very often
transferred to DVD, Laserdisc, VHS tape, etc. without any adjustments for playback in the smaller home
theater environment. THX engineers developed patented technologies to accurately translate the sound
from the movie theater environment into the home, restoring proper tonal and spatial balance.
Each THX mode includes a combination of the following:
• Re-Equalization – Restores the correct tonal balance for home playback. A film soundtrack may
sound too bright when played in the home, because film soundtracks are designed for large movie
theaters where acoustical properties are different. To enable or disable Re-EQ, press THX twice to
display “THX RE-EQUALIZATION”, then select On or Off with the Master Control Knob or
(up/down) on the remote control. You can even apply Re-EQ when THX is Off – this can be useful if
the high-pitched noise produced by standard CRT monitors accidentally leaked into the audio while
it was being recorded, and you would like to filter it out.