Part names and functions, Top panel – Roland V-800HD MKII Multi-Format Video Switcher User Manual

Page 14

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Part Names and Functions

fig.top-panel.eps

1

USB Port

This is for connecting a USB memory device when importing a still image or when saving/loading settings (p. 44).

* Open the sliding cover only when you are using the USB port. When this is not in use, be sure to keep the sliding cover closed to protect the

connector inside.

2 Setup

Section

Use these menu controls to change settings on the V-800HD.

3 Scaling

Section

You can zoom in/out the screen or adjust the display location. When you are applying Picture-in-Picture, you can use controls in
this section to adjust the display location and size of the inset screen (p. 36, p. 41).

4 Compositing

Section

Use the controls in this section when compositing two screens like Picture-in-Picture (p. 35), key compositing (p. 37), or DSK (p. 39).

5

INPUT STATUS Indicators

The indicators here indicate the input status for cross-points. They light up when valid signals are input.

6 Cross-Points

10 buttons each on the [PGM] and [PST/EFFECT] sides. Use these to select the output video and standby video.

• PGM

The button for the channel currently being output lights up in red, and the channel is displayed in [PGM] section of the multi-view monitor.

• PST/EFFECT

These select the video you want to output (put into standby) next, and the source for compositing, such as the inset screen for Picture-in-

Picture. Pressing a button to select the source makes the button light up in green. (When a compositing effect is applied, the button lights up in

red.) The video is also displayed in the [PVW] section of the multi-view monitor. You can switch from standby to output by operating the [CUT]

or [AUTO] button or the video fader.

By default, inputs from source devices are assigned to [1] through [8]. A still image is assigned to [9], and plain color video (by
default, black) is assigned to [10]. For information on changing button and source combinations, refer to “Changing Cross-Points”
(p. 49).

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