N 4.1–2c: ams, into to a, int to b, N 4.1–2d: utility, 1–3: mod.2 (filter1 modulation2) – KORG TRITON STUDIO music workstation User Manual

Page 27: 1–3a: filter-a modulation, N 4.1–3b: filter-b modulation, N 4.1–3c: utility, 1–4: lfomod (lfo modulation), 1–4a: filter lfo1 modulation, 1–3: mod.2, 1–4: lfomod

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PROG

1.1

2.1

2.2

2.3

3.1

4.1

4.2

5.1

5.2

5.3

6.1

6.2

6.3

6.4

7.1

7.2

7.3

17

4.1–2c: AMS, Into to A, Int to B

AMS (Filter EG AMS)

[Off, (EXT)]

Indicates the source that will control the depth and direction
of the effect that the time-varying changes produced by the
filter 1 EG will have on the cutoff frequency of filters 1A and
1B (

p.222 “AMS List”).

Int. to A (AMS Int. to A)

[–99…+99]

Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1A. For details on how
this will apply, refer to “Int. to A (Intensity to A).”

Int. to B (AMS Int. to B)

[–99…+99]

Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1B. For details on how
this will apply, refer to “Int. to A (Intensity to A).”

The sum of the settings for “Int. to A (B),” “Vel to A
(B),” and “Int. to A (B) (AMS Int. to A/B)” will deter-
mine the depth and direction of the effect produced by
the filter EG.

4.1–2d: UTILITY

“Write Program” (1.1–1c), “Copy Oscillator,” “Swap
Oscillator” (2.1–1d)

4.1–3: Mod.2

(Filter1 Modulation2)

Indicates settings for the controller that will modify the tone
by applying modulation to the filter 1 cutoff frequency “Fre-
quency (A/B Frequency).”
If “Type (Filter Type)” (4.1–1a) is Low Pass Resonance, the
filter B parameters will not be displayed.

4.1–3a: Filter-A Modulation

AMS1 (Filter A AMS1)

[Off, (PEG, AEG, EXT)]

Indicates the source that will control modulation of the filter
1A cutoff frequency (

p.222 “AMS List”).

Intensity (A AMS1 Intensity)

[–99…+99]

Specifies the depth and direction of the effect that “AMS1
(Filter A AMS1)” will have.
When “AMS1 (Filter A AMS1)” is JS X, a positive (+) value
for this parameter will cause the cutoff frequency to rise
when the joystick is moved toward the right, and fall when
the joystick is moved toward the left. With a negative (–)

value

for this parameter, the opposite will occur.

This value is added to the setting of the Filter A “Frequency
(A Frequency)”(4.1–1b).

AMS2 (Filter A AMS2)

[Off, (PEG, AEG, EXT)]

Intensity (A AMS2 Intensity)

[–99…+99]

Selects “AMS2 (Filter A AMS2),” and specify the depth and
direction of the effect that the selected source will have
(

“AMS1,” “Intensity”).

4.1–3b: Filter-B Modulation

This will be displayed when “Type (Filter Type)” (4.1–1a) is
Low Pass & High Pass

.

Two alternate modulation sources can be used to modulate
the cutoff frequency of filter 1B (

“Filter-A Modulation”).

4.1–3c: UTILITY

“Write Program” (1.1–1c), “Copy Oscillator,” “Swap
Oscillator” (2.1–1d)

4.1–4: lfoMod

(LFO Modulation)

Here you can use the filter 1 LFO to apply cyclic modulation
to the cutoff frequency of filter 1 (for oscillator 1) to create
cyclical changes in tone.

4.1–4a: Filter LFO1 Modulation

Intensity to A (LFO1 Int. to A)

[–99…+99]

Specifies the depth and direction of the modulation that
OSC1 LFO1 (set by “OSC1 LFO1” 5.3–1a) will have on the
cutoff frequency of filter 1A.
Negative (–)

settings will invert the phase.

Intensity to B (LFO1 Int. to B)

[–99…+99]

Specifies the depth and direction of the modulation that
OSC1 LFO1 will have on the cutoff frequency of filter 1B
(

“Intensity to A”).

JS–Y Int. to A (LFO1 JS–Y Int. to A)

[–99…+99]

By moving the joystick in the Y direction (toward yourself),
you can control the depth at which OSC1 LFO1 modulates
the cutoff frequency of filter 1A. This parameter specifies the
depth and direction of the control.

For example, as this value is raised, OSC1 LFO1 will have a
correspondingly greater effect on filter 1 when the joystick is
moved in the –Y direction.

Changes in cutoff frequency

Softly played
(The setting of Intensity to A (4.1–2b))

Strongly played
Setting to –

Strongly played
Setting to +

Note-on

Note-off

Note-on

Note-off

Note-on

Note-off

4.1–3a

4.1–3b

4.1–3b

4.1–4a

4.1–4b

4.1–4c

Change in cutoff

Low setting

High setting

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