KORG TRITON STUDIO music workstation - Manual (Page 60)

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MIDI Channel [01...16, Gch]
Set the MIDI transmit/receive channel for each timbre 1–8.
Gch: The timbre will use the channel that has been selected
as the global MIDI channel “MIDI Channel” (Global 2.1–1a).
When “Status” is INT, MIDI messages will be received on
the channel you specify here. If this setting is the same as the
global MIDI channel, the internal tone generator will sound
according to the internal settings. If this is set to EXT or EX2,
playing this instrument will transmit MIDI messages on the
MIDI channel specified here. (Messages will also be trans-
mitted simultaneously on the global MIDI channel.)
Bank(EX2) MSB [000:000...127:127]
Bank(EX2) LSB [000:000...127:127]
Specifies the bank number that will be transmitted when
“Status” is set to EX2. If “Status” is not set to EX2, this set-
ting has no effect.
■ 3.1–1b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
3.1–2: OSC
These settings specify how each timbre will be sounded.
3.1–2a: Force OSC Mode, OSC Select, Portamento
Force OSC Mode [PRG, Poly, Mono, LGT]
Specifies the “Mode (Voice Assign Mode)” (PROG 2.1–1b) of
the program selected for each timbre 1–8.
PRG: The settings of the program will be used.
Poly: The timbre will play polyphonically, regardless of the
settings of the program.
Mono:
The timbre will play monophonically, regardless of
the settings of the program.
LGT (Legato):
The timbre will play monophonically, with
single triggering (legato).
With settings of Mono or LGT, the note priority will be
according to the “Priority” (PROG 2.1–1b) setting of the pro-
gram.
OSC Select [Both, OSC1, OSC2]
Specifies the “Mode (Oscillator Mode)” (PROG 2.1–1a) of
the program selected for each timbre 1–8. If the “Mode
(Oscillator Mode)” is Double, you can specify that either or
both oscillators sound.
Both: OSC1 and 2 will sound as specified by the settings of
the program.
OSC1:
Only OSC1 will sound.
OSC2: Only OSC2 will sound. If “Mode (Oscillator Mode)”
is Single or Drums, there will be no sound.
Portamento [PRG, Off, 001...127]
Indicates portamento settings for each timbre 1–8.
PRG: Portamento will be applied as specified by the pro-
gram settings.
Off:
Portamento will be off, even if the original program set-
tings specified for it to be on.
001...127:
Portamento will be applied with the portamento
time you specify here, even if it is turned off by the program
settings.
If the “Status” (3.1–1a) is set to INT, CC#05 (portamento
time) and CC#65 (portamento switch) messages will be
received to control and change this setting. (If the set-
ting is PRG, CC#05 portamento time will not be
received.) These messages will be received on the MIDI
channel specified for each timbre by “MIDI Channel”
(3.1–1a).
■ 3.1–2b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
3.1–3: Pitch
Here you can make pitch-related settings for each timbre.
3.1–3a: Transpose, Detune, Bend Range
Transpose [–24…+24]
Adjusts the pitch of each timbre in semitone steps.
12
units equal one octave.
Detune (BPM Adj) [–1200...+1200]
Adjusts the pitch of each timbre in one-cent units.
0:
Normal pitch.
You can also use the Utility “Detune BPM Adj.” (3.1–3b)
page menu command to automatically make a detune
setting from a calculation in BPM units.
“Transpose” and “Detune” can be controlled via MIDI
RPN messages. Depending on the “Mode (Oscillator
Mode)” (PROG 2.1–1a) settings of the programs used
by timbres 1–8, they can be controlled as follows.
When “Mode (Oscillator Mode)” is Single or Double
MIDI RPN Coarse Tune can be received to control and
change the setting of “Transpose,” and RPN Fine Tune
can be received to control and change the setting of
“Detune.”
When “Mode (Oscillator Mode)” is Drums
MIDI RPN Coarse Tune and Fine Tune can be received
to control and change the setting of “Detune.” The con-
trollable range is
±1 octave for coarse tune and fine tune
together.
3.1–2a
3.1–2b
3.1–3a
3.1–3b