Menu, Red-eye reduction, From the menu, select [red-eye on/off – Canon EOS D60 User Manual

Page 91: Set the red-eye reduction function, Em red-eye reduction

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Using the Built-in Flash

MENU

Red-eye Reduction

When you use flash in low-light conditions, it can reflect off your subject’s pupils and make

their eyes look red in the recorded imge. This effect is called “red-eye,” and is caused by the

light of the flash reflecting off the retina of the eye. The Red-eye reduction function uses the

camera’s red-eye reduction lamp, which gently shines into the subject’s eyes to constrict the

pupils and thereby reduces the likelihood that red-eye will occur. You can use red-eye reduc­

tion in any picture-taking mode except <S

a

> and <'^> modes.

From

the

menu,

select

[Red-eye

on/off].

# Press the <MENU> button.
9 Turn the <0> dial to select [Red-eye on/

off], then press the <©> button.

Quality

Red-eye >

LCD illumi.

Beep

Custom WB

Set

the

Red-eye

reduction

func­

tion.

® Turn the <0> dial to select [On], then

press the <@> button.

The red-eye reduction function is turned
On, and the display returns to the Menu.

9 Press the <MENU> button to clear the

screen and exit the menu.

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s When you press the shutter button down halfway, the red­

eye reduction lamp indicator appears in the viewfinder.

' Red-eye reduction is effective only when the subject is

looking at the red-eye reduction lamp. Be sure to tell your
subjects to look at the lamp.

> To increase the effectiveness of red-eye reduction, press the

shutter button down fully after the red-eye reduction lamp

(which lights for approximately 1.5 seconds) indicator goes

off.
You can take a picture anytime by pressing the shutter

button down fully, even if the red-eye reduction lamp is on.
Red-eye reduction also operates when you use an EOS-

dedicated Speedlite.

The effectiveness of red-eye reduction varies from subject to
subject.

l l l l l l l l l

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m i l

I I I

Red-eye reduction

lamp indicator

\ I /

Red-eye reduction is more effective in bright interior locations, with the camera

closer to the subject.

89

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