Key layer, Part ix sound edit – Technics sx-PR604/M User Manual

Page 112

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6.

Use the DETUNE

and

buttons for fine

adjustment of the pitch deviation.

7.

Use the PANNING

and

buttons to adjust

the stereo balance.

• PAN: CTR is the center point. At L64, the sound is all the

way to the left, at R63 all the way to the right.

• If STEREO R or STEREO L is selected for the MODE,

the balance is fixed (cannot be moved).

8.

Use the DELAY

and

buttons to adjust the

delay time of the sound.

• The higher the number, the longer the delay before sound

output.

9.

Use the TRIGGER

and

buttons to select

a trigger mode.

KEY ON:

The normal mode, in which sound is emitted when the
key is played.

KEY OFF:

Sound is emitted when the key is released (like muted
strings, for example).

LEGATO:

Sound is emitted only when the key is played legato.

NON LEG:

Sound is not emitted when the key is played legato.

PEDAL:

The sound is produced only while the SUSTAIN button is
on.

CHORD:

The sound is emphasized when chords are played (like
the cutting sound of a guitar, for example).

TONE COPY

You can copy the tone of a particular sound to a specified
tone in the sound you are editing.

1.

On the 1/4 display, press the TONE COPY
button.

2.

Use the FROM

and

buttons to select the

tone to copy from.

• Use the OPTION

and

buttons to select the item you

wish to copy.

3.

Use the TO

and

buttons to select the tone

you wish to copy to.

4.

Press the OK button.

• Tone copy is executed.

KEY LAYER

Adjust the relation of tone output to keyboard location.

1.

Use the PAGE buttons to view the 2/4 display.

• The display looks similar to the following.

2.

Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).

3.

Use the L-FADE

and

buttons and the LOW

and

buttons to define the area of the lower

range of tone output.

• By entering different values for the L-FADE and LOW

settings, you can define a sloping volume increase to the
peak output volume which corresponds to the note pitch.

4.

Use the HIGH

and

buttons and the H-

FADE

and

buttons to define the area of

the higher range of tone output.

• By entering different values for the H-FADE and HIGH

settings, you can define a sloping volume decrease from
the peak output which corresponds to the note pitch.

• By overlapping the L-FADE and H-FADE curves of each

different tone, you can achieve a cross-fade effect, where
the sound gradually changes in relation to pitch.

5.

Repeat steps 2 to 4 for the other tones, as
desired.

S

o

un

d E

d

it

Part IX

Sound Edit

112

QQTG0665

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