Adjust the brightness using the filter-[f3] filter, Adjust the brightness using the filter—[f3] filter, Selecting a filter type—[sf1] type – Yamaha MOTIF XS7 EN User Manual

Page 117: Center key, 1 type, About filter types

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Editing a Normal Voice

MOTIF XS Owner’s Manual

117

V

oice mode

Song mode

P

attern mode

Mixing mode

Master mode

Utility mode

File mode

P

erf

ormance

mode

Sampling

mode 1

Sampling

mode 2

Ref

erence

& Center Key

Determines the central note or pitch for the EG Time Key
Follow (

^). When the Center Key note is played, the PEG

behaves according to its actual settings.

Settings: C -2 – G8

EG Time Key Follow and Center Key

n You can also set the note directly from the Keyboard, by

holding down the [SF6] button and pressing the desired key.
See “Basic Operation” on page 82.

Adjust the brightness using the
Filter—[F3] Filter

From this display you can select a Filter Type for the
current Element. The tonal characteristics of the Voice and
Filter functions differ depending on which Filter type is
selected here.

1 Type*

Determines the Filter Type for the current Element.

Settings: LPF24D, LPF24A, LPF18, LPF18s, LPF12, LPF6, HPF24D,

HPF12, BPF12D, BPFw, BPF6, BEF12, BEF6, Dual LPF, Dual
HPF, Dual BPF, Dual BEF, LPF12+BPF6, thru

About Filter Types

LPF (Low Pass Filter)

This is a Filter type that only passes signals below the Cutoff
Frequency. The sound can be brightened by raising the cutoff
frequency of the filter. On the other hand, the sound can be
darkened by lowering the cutoff frequency of the filter. You can
produce a distinctive “peaky” sound by raising the Resonance
to boost the signal level in the area of the Cutoff Frequency.
This filter type is most popular and useful for producing classic
synthesizer sounds.

LPF24D
A dynamic 24 dB/oct low-pass filter with a characteristic digital sound.
Compared to the LPF24A type (below), this filter can produce a more
pronounced resonance effect.

LPF24A
A digital dynamic low-pass filter with characteristics similar to a 4-pole
analog synthesizer filter.

LPF18
3-pole 18 dB/oct low-pass filter.

LPF18s
3-pole 18 dB/oct low-pass filter. This filter has a smoother cutoff slope
than the LPF18 type.

HPF (High Pass Filter)

This is a Filter type that only passes signals above the Cutoff
Frequency. You can then use the Resonance to add further
character to the sound.

HPF24D
A dynamic 24 dB/oct high-pass filter with a characteristic digital sound.
This filter can produce a pronounced resonance effect.

HPF12
12 dB/oct dynamic high-pass filter.

BPF (Band Pass Filter)

This Filter type is a combination of a LPF and HPF. When this
Filter Type is selected, you can set the Cutoff Frequency
around which the audio signal is passed.

BPF12D
The combination of a -12 dB/oct HPF and LPF with a characteristic
digital sound.

Selecting a Filter Type—[SF1] Type

+63

+30

-40

Positive value

Negative value

Faster
speed

Higher range

Lower range

Slower speed

Center key

4

5

6

1

2

3

!

@

)

7

8

9

Level

These frequencies are
“passed” by the filter.

Resonance (

4)

Cutoff Frequency (

2)

Frequency

Cutoff range

Level

These frequencies are
“passed” by the filter.

Resonance (

4)

Cutoff Frequency (

2)

Frequency

Cutoff range

Level

Resonance (

4)

Frequency

Cutoff range

Cutoff range

Range passed

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