Specifying destination tracks in the timeline, Understanding source and destination controls, Setting destination tracks – Apple Final Cut Pro 7 User Manual

Page 499

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Specifying Destination Tracks in the Timeline

When you edit a source clip into a sequence, you need to specify the sequence tracks
where your source clip items are placed. You use the Source and Destination controls in
the Timeline to specify which sequence tracks receive clip items from the source clip.
Source and Destination controls are most often used when you perform three-point edits,
but they can also affect some aspects of drag-to-Timeline editing. For more information,
see

“Three-Point Editing.”

Understanding Source and Destination Controls

The number of available Source controls corresponds to the number of clip items in the
source clip currently open in the Viewer. For example, a typical clip has one video clip
item and two audio clip items. In this case, one video and two audio Source controls
appear in the Timeline. If, instead, you open a clip in the Viewer that has one video item
and four audio items, one video and four audio Source controls appear in the Timeline.

A maximum of one video and
twenty-four audio Source controls
appear in the Timeline, depending
on the number of clip items
currently open in the Viewer.

Source control

Destination control

Timeline patch panel

Every track in your sequence has a Destination control. By assigning source clip items to
destination tracks using these controls, you determine which items from your source clip
go into which tracks when edits are performed.

Important:

If you copy and paste clips, the paste destination is determined by Auto Select

controls, not Source and Destination controls. For more information, see

“Using Auto

Select to Specify Tracks for Selections.”

Setting Destination Tracks

To control which sequence track a source clip item is placed in, you connect the Source
control to the corresponding Destination control. There are several different ways to do
this.

499

Chapter 34

Working with Tracks in the Timeline

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