How downmixing to stereo works, Adjusting a channel’s downmix volume – Apple Final Cut Pro 7 User Manual

Page 855

Advertising
background image

• Exporting to multiple audio channels. For more information, see

“Exporting Audio

Output Groups to AIFF Files”

and

“Exporting Multichannel QuickTime Files.”

How Downmixing to Stereo Works

When a sequence is downmixed, all output busses are mixed together in a downmix
stereo bus and then sent to outputs 1 and 2 on your audio interface. Stereo output busses
are sent to the downmix bus in stereo; mono output busses are centered in the downmix
bus.

2

1

Busses

Hardware

outputs

Timeline tracks

Audio clip

Audio clip

Audio clip

Audio clip

Audio clip

Audio clip

1

2

3

4

5

6

Tracks 1 and 2

(stereo)

Tracks 3 and 4

(centered)

Tracks 5 and 6

(stereo)

Three bus groups

downmixed to

two channels

Adjusting a Channel’s Downmix Volume

Each audio output bus has an adjustable downmix level that is applied only when you
downmix your audio. Each audio output bus’s level is attenuated (or increased) by the
number of decibels specified in the Downmix pop-up menu for the bus, in the Audio
Outputs tab of the Sequence Settings window for the current sequence.

You should use the default settings unless your stereo downmix has distortion or is too
quiet. If your downmix level exceeds 0 dBFS, you may need to attenuate the downmix
level of some of your output busses. If your downmix is too low, you can boost downmix
levels to increase output level. Typically, the more channels you are downmixing, the
more reduction is necessary for each channel to make sure the downmixed stereo signal
doesn’t exceed 0 dBFS, which would cause distortion.

855

Chapter 53

Assigning Output Channels and External Audio Monitors

Advertising