KORG TRINITY HDR-TRI - Manual (Page 26)

Sequencer P1
23
Introduction
Operation
Parameters
Appendix
1–5f: Take
Specify the name of the “take” that you are about to record.
Press the text edit button, and the rename page will appear. (
☞ Basic Guide
page 6). Up to 13 characters can be used here.
If you wish to append a number at the end of the take name to manage your
takes, check “1–5g: Take Number.” When you stop recording, the number will
be automatically incremented, and added to the take name (for the next record-
ing).
If you re-assign the take name here, the incremented number will begin from 00.
Also, if in “1–5g: Take Number” you change the number to a value other than
00, the count-up will begin from that number.
If you wish to change the sound name that was recorded, use the “Trimming an
audio event” command (
☞ page 39 of this manual) that appears when you press
the Trim button in “5–3J: Audio Event Edit.”
1–5g: Take Number
If this is checked , the number shown at right will be automatically added to the
take name (up to 13 characters) that was assigned in “1–5f: Take.”
This number will be incremented each time you record using the same take
name.
If you re-assign the take name in “1–6f: Take,” the incremented number will
begin from 00. Also, if you change the number to a value other than 00, the
count-up will begin from that number.
If this is un-checked , an incremented number will not be added to the take
name of the sound that you are about to record.
1–5h: Rehearsal
If this is checked , recording operations will be simulated (recording will not
actually take place).
Monitoring during rehearsal will depend on the selection in “1–5m: Monitor
Mode Select.” When Auto Input is ON, you will be able to monitor the external
input between the punch-in and punch-out points, and at other times you will
be able to monitor the previously-recorded sound. For example if you have set
punch-in at 005 (measure 5) and punch-out at 008 (measure 8), you will be mon-
itoring the previously-recorded sound for the first four measures, and will mon-
itor the external input sound during measures 5 through 8.
1–5i: Input Select [Analog, Digital]
Select either Analog or Digital as appropriate for the signal that is being input.
When Digital is selected, please input a digital signal at a sampling frequency of
When you begin recording, a sound will be
created and a name assigned to it. The sound
name will consist of the take name you specify
here plus the incrementing number. When
recording in stereo, an
L or R will be added.
The sound name will be displayed during the event edit or sound trim opera-
tions performed in “5–3J: Audio Event Edit.”
Sound name = first 13 characters of Take name + 2 digit
number + 1 character L/R
Take name
(for stereo)