Creating a hard-sync lead, S pitch. see “creating a hard-sync – Sequential Take 5 Compact Synthesizer User Manual

Page 74

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65

Take 5 User’s Guide

Creating a Hard-Sync Lead

Creating a Hard-Sync Lead

Here’s another classic sound: a hard-sync lead. A famous example of this

is “Let’s Go” by the Cars (performed on a Prophet-5). In this example

you’ll learn how to hard-sync the oscillators, pitch-modulate one of them

with an auxiliary envelope, then add effects.

To create a hard-sync lead:

1. Press the

global

button.

2. Use the

select

knob to navigate to the

basic

program

command, then

press the

write

button to set the synth to the Basic Program.

3. In the mixer, turn up Oscillator 2 to 127. (Osc 1 is already at 127.)
4. In the

oscillators

section, set both oscillators to sawtooth.

5. Enable the

sync

2-

1

button. (See page 19 for an explanation of hard

sync.)

6. Set Oscillator 1’s

octave

to 1. This will allow for a wide range of pitch

modulation in step 9.

7. Set Oscillator 2’s

octave

to -2. This will help create a more aggressive

hard-sync effect.

8. In the

envelope

section, set the envelopes to

env

1:

aux

and

env

2

filter

+

amp

.

This will allow you to use Envelope 1 as an auxiliary

envelope that will modulate the pitch of oscillator 1.

9. Press the

mod

button. In the display, use the

select

knob to choose

env

1

as the source

.

10.

Set the

amount

to 127

.

11. Set the

destination

to

osc

1

fine

.

12. This

routes Envelope 1 to modulate Oscillator 1 pitch according to its

ADSR (attack, decay, sustain, release) settings

.

13. Set Envelope 1 (Aux) to

attack

:

9 o’clock,

decay

2 o’clock,

sustain

9 o’clock,, and

release

to 12 o’clock,. This will set the amount and

“shape” of the modulation.

14. Play some notes. Classic hard-sync lead!
15. Experiment with Envelope 1’s Attack, Decay, Sustain, and Release

settings to better understand how these affect the shape of pitch modu-

lation routed to Oscillator 1.

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