Stereo isolator, St. wah/auto wah (stereo wah/auto wah), Effects – KORG Professional Engineer PA3 User Manual

Page 114: Eq and filters (eq/filter) b: emphasis freq

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112

Effects

EQ and Filters (EQ/Filter)

b: Emphasis Freq

This parameter sets the frequency to be emphasized. Higher val-
ues will emphasize lower frequencies.

c: Enhancer Delay L [msec]
d: Enhancer Delay R [msec]

These parameters set the delay time for the Enhancer left and
right channel. Specifying a slightly different delay time for the
left and right channel will add a stereo image, depth, and width
to the sound.

10: Stereo Isolator

This is a stereo effect that separates the input signal into low,
mid, and high-frequency bands, and controls the volume of each
band independently. For example you can separately boost or cut
the kick, snare, and hi-hat sounds from a drum signal in real-
time.

11: St. Wah/Auto Wah

(Stereo Wah/Auto Wah)

This stereo wah effect allows you to create sounds from vintage
wah pedal simulation to auto-wah simulation, and much
broader range settings.

a

Trim

0...100

Sets the input level

b

Low/Mid [Hz]

100...500

Sets the frequency at which the low
and mid bands are divided

c

Mid/High [Hz]

2000...6000

Sets the frequency at which the mid
and high bands are divided

d

Low Gain [dB]

–Inf,
–59...+12

Sets the low-frequency gain

Src

Off...Tempo

Selects the source that will
modulate low-frequency gain

Amt

–72...+72

Sets the amount by which the low-
frequency gain will be modulated

e

Mid Gain [dB]

–Inf,
–59...+12

Sets the mid-frequency gain

Src

Off...Tempo

Selects the modulation source for
mid-frequency gain

Amt

–72...+72

Sets the amount by which the mid-
frequency gain will be modulated

f

High Gain [dB]

–Inf,
–59...+12

Sets the high-frequency gain

Src

Off...Tempo

Selects the modulation source for
high-frequency gain

Amt

–72...+72

Sets the amount by which the high-
frequency gain will be modulated

g

Wet/Dry

Dry, 1:99...99:1,
Wet

Balance between the wet and dry
signal

Src

Off...Tempo

Table , “Dynamic Modulation
sources,” on page 106

Amt

–100...+100

Amount of modulation source

D

-mod

D

-mod

D

-mod

Left

Right

FX Amt

FX Amt

Stereo In - Stereo Out

Trim

Isolator

Low

Mid

High

Trim

Low

Mid

High

a

Frequency
Bottom

0...100

Sets the lower limit of the wah
center frequency

Frequency Top 0...100

Sets the upper limit of the wah
center frequency

b

Sweep Mode

Auto,
D-mod,
LFO

Selects the control from auto-wah,
modulation source, and LFO

Src

Off...Tempo

Selects the modulation source for
the wah when Sweep Mode=D-mod

Respon

0...100

Sets the response speed when
Sweep Mode = Auto or D-mod

c

Envelope Sens 0...100

Sets the sensitivity of auto-wah

Envelope
Shape

–100...+100

Sets the sweep curve of auto-wah

d

LFO Frequency
[Hz]

0.02...20.00

Sets the speed of the LFO

Src

Off...Tempo

Selects a modulation source for LFO
speed

Amt

–20.00...
+20.00

Sets the modulation amount of LFO
speed

e

MIDI Sync

Off, On

When this is on, the LFO speed is set
by BPM, Base Note, and Times,
instead of Frequency

BPM

MIDI,
40.00...
300.00

MIDI syncs to the system tempo; 40–
300 sets the tempo manually for this
individual effect

Base Note

r...w

Selects the type of notes that
specify the LFO speed

Times

x1...x32

Sets the number of notes that
specify the LFO speed

f

Resonance

0...100

Sets the resonance amount

Low Pass Filter Off, On

Switches the wah low pass filter on
and off

g

Output Level

0...100

Sets the output level of the effect
sound

Src

Off...Tempo

Selects the modulation source that
will control the effect output level

Amt

–100...+100

Sets the modulation amount of the
effect output level

h

Wet/Dry

Dry, 1:99...99:1,
Wet

Balance between the wet and dry
signal

Src

Off...Tempo

Table , “Dynamic Modulation
sources,” on page 106

Amt

–100...+100

Amount of modulation source

Stereo In - Stereo Out

D

-mod

Envelope Sens

Envelope Shape

Response

FX Amt

Wah

Sweep Mode

D-mod

Auto

Left

Right

FX Amt

LFO

LFO

Wah

+

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