KORG Professional Engineer PA3 - Manual (Page 140)

138 Effects
Modulation and Pitch Shift (Mod./P.Shift)
a: Type
a: LFO Phase [degree]
Select the type of phaser LFO and tremolo LFO for the “Type”
parameter. How the effect sound moves or rotates depends on
the type of LFO. Selecting “LFO Phase” enables you to offset the
timing of the phaser peak and control a subtle movement and
rotation of the sound.
f: Phaser Wet/Dry
i: Wet/Dry
PHASER Wet/Dry sets the balance between the phaser output
and the dry sound. OUTPUT Wet/Dry sets the balance between
the final phaser and tremolo output level and the dry sound.
57: St. Ring Modulator
(Stereo Ring Modulator)
This effect creates a metallic sound by applying the oscillators to
the input signal. Use the LFO or Dynamic Modulation to modu-
late the oscillator to create a radical modulation. Matching the
oscillator frequency with a note number will produce a ring
modulation effect in specific key ranges.
a: OSC Mode
This parameter determines whether or not the oscillator fre-
quency follows the note number.
a: Pre LPF
This parameter enables you to set the damping amount of the
high range sound input to the ring modulator. If the input sound
contains lots of harmonics, the effect may sound dirty. In this
case, cut a certain amount of high range.
b: Fixed Frequency [Hz]
This parameter sets the oscillator frequency when “OSC Mode”
is set to Fixed.
c: Note Offset
c: Note Fine
These parameters for the oscillator are used when “OSC Mode”
is set to Note (Key Follow). The “Note Offset” sets the pitch dif-
ference from the original note in semitone steps. The “Note
Fine” parameter fine-adjusts the pitch in cent steps. Matching
the oscillator frequency with the note number produces a ring
modulation effect in the correct key.
i
Wet/Dry
Dry, 1:99...99:1,
Wet Balance between the wet and dry
signal
Src Off...Tempo
Table , “Dynamic Modulation
sources,” on page 106
Amt –100...+100 Amount of modulation source
a
OSC Mode
Fixed, Note
(Key Follow)
Switching between specifying the
oscillator frequency and using a
note number
Pre LPF 0...100
Sets the damping amount of the
high range input to the ring
modulator
b
Fixed
Frequency [Hz]
0...12.00k
Sets the oscillator frequency when
OSC Mode is set to Fixed
Src Off...Tempo
Selects the modulation source for
the oscillator frequency when OSC
Mode is set to Fixed
Amt
–12.00k...
+12.00k
Sets the modulation amount of the
oscillator frequency when OSC
Mode is set to Fixed
c
Note Offset –48...+48
Sets the pitch difference from the
original note when OSC Mode is set to
Note (Key Follow)
Note Fine –100...+100 Fine-adjusts the oscillator frequency
d
LFO Frequency
[Hz]
0.02...20.00 Sets the speed of the LFO
Src Off...Tempo
Selects a modulation source for LFO
speed
Amt
–20.00...
+20.00 Sets the modulation amount of LFO
speed
Left
Right
FX Amt
FX Amt
Stereo In - Stereo Out
Pre LPF
Ring Modulator
Pre LPF
Ring Modulator
Note No.
OSC Mode
Fixed
Note (Key Follow)
Fixed Frequency
Pitch
Note Offset, Fine
Sine Oscillator
LFO
e
MIDI Sync Off, On
When this is on, the LFO speed is set
by BPM, Base Note, and Times,
instead of Frequency
BPM
MIDI,
40.00...
300.00 MIDI syncs to the system tempo; 40–
300 sets the tempo manually for this
individual effect
Base Note r...w
Selects the type of notes that
specify the LFO speed
Times x1...x32
Sets the number of notes that
specify the LFO speed
f
LFO Depth 0...100
Sets the depth of LFO modulation
for the oscillator frequency
Src Off...Tempo
Selects the modulation source of
the depth of modulation
Amt –100...+100
Sets the modulation amount of the
depth of modulation
g
Wet/Dry
Dry, 1:99...99:1,
Wet Balance between the wet and dry
signal
Src Off...Tempo
Table , “Dynamic Modulation
sources,” on page 106
Amt –100...+100 Amount of modulation source