Vox wah, St. random filter (stereo random filter), Effects – KORG Professional Engineer PA3 User Manual

Page 116

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114

Effects

EQ and Filters (EQ/Filter)

a: Mode
b: Frequency Bottom
b: Frequency Top
c: Resonance Bottom
c: Resonance Top

If Mode=Preset, this simulates a vintage wah pedal. In this case,
internally fixed values are used for Frequency Bottom/Top and
Resonance Bottom/Top, and these settings will be ignored. The
settings for Frequency Bottom/Top and Resonance Bottom/Top
are valid if Mode=Custom.

13: VOX Wah

This models the legendary VOX V847 and V848 Clyde McCoy
wah pedals. Its distinctive tone, sounding as though it were
wrung from the throat, made this pedal a favorite of many pro
musicians.

14: St. Random Filter

(Stereo Random Filter)

This stereo band pass filter uses a step-shape waveform and ran-
dom LFO for modulation. You can create a special effect from
filter oscillation.

a: LFO Phase [degree]

Offsetting the left and right phases alters how modulation is
applied to the left and right channels, creating a swelling affect.

a: LFO Waveform
b: LFO Frequency [Hz]
c: LFO Step Freq [Hz]

When “LFO Waveform” is set to Step-Tri, LFO is a step-shape,
triangle waveform. The “LFO Frequency” parameter sets the
original triangle waveform speed. Changing the “LFO Step Freq”
parameter enables you to adjust the width of the steps.

When “LFO Waveform” is set to Random, the “LFO Step Freq”
parameter uses a random LFO cycle.

Type

V847, V848

Selects the type of wah

Open

1...100

Sets the lower limit of the wah center
frequency

page 113

Close

1...100

Sets the upper limit of the wah center
frequency

page 113

Mode

Pedal(Dmod)
, Auto

Switches between pedal wah and auto-
wah

Pedal Source

0...100

Specifies the modulation source that will
use the pedal wah

Pedal Manual

0...100

Sets the center frequency for the pedal
wah when the modulation source is not
moved

Auto Sensitivity

0...100

Sets the auto-wah sensitivity

Auto Polarity

Auto,
D-mod,
LFO

Specifies whether the auto-wah sweep is
normal or inverted

Auto Attack

Sets the auto-wah’s attack speed

Wet/Dry

Balance between the wet and dry signal

Source

Table , “Selects a modulation source for
Wet/Dry,” on page 107

Amount

Table , “Sets the modulation amount for
Wet/Dry,” on page 107

a

LFO Waveform

Step-Tri,
Random

Selects the LFO Waveform

LFO Phase
[degree]

–180...+180

Sets the LFO phase difference
between the left and right

D

-mod

Auto Sensitivity

Envelope

Mode

Pedal(D-mod)

Auto

Wet / Dry

Left

Right

Wet / Dry

+

Wah

Attack / Polarity

Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out

Filter

Left

Right

FX Amt

FX Amt

Stereo In - Stereo Out

Filter

LFO Phase

LFO: Step-Tri/Random

b

LFO Frequency
[Hz]

0.02...20.00

Sets the speed of the LFO

Src

Off...Tempo

Selects the modulation source used
for both LFO speed and step speed

Amt

–20.00...
+20.00

Sets the modulation amount of LFO
speed

c

LFO Step Freq
[Hz]

0.05...50.00

Sets the LFO step speed (speed that
changes in steps

Amt

–50.00...
+50.00

Sets the modulation amount of LFO
step speed

d

MIDI Sync

Off, On

When this is on, the LFO speed is set
by BPM, Base Note, and Times,
instead of Frequency

BPM

MIDI,
40.00...
300.00

MIDI syncs to the system tempo; 40–
300 sets the tempo manually for this
individual effect

Base Note

r...w

Selects the type of notes that
specify the LFO speed

Times

x1...x32

Sets the number of notes that
specify the LFO speed

e

Step Base Note r...w

Selects the type of notes to specify
the LFO step speed

Times

x1...x32

Sets the number of notes to specify
the LFO step speed

f

Manual

0...100

Sets the filter center frequency

Src

Off...Tempo

Selects the modulation source for
the filter center frequency

Amt

–100...+100

Sets the modulation amount for the
filter center frequency

g

Depth

0...100

Sets the modulation depth of filter
center frequency

Src

Off...Tempo

Selects the modulation source of
filter modulation

Amt

–100...+100

Sets the modulation amount of filter
modulation

h

Resonance

0...100

Sets the resonance amount

i

Wet/Dry

-Wet, -
1:99...Dry...99:1
, Wet

Balance between the wet and dry
signal

Src

Off...Tempo

Table , “Dynamic Modulation
sources,” on page 106

Amt

–100...+100

Amount of modulation source

0

+90 +180 [degree]

0 [degree]

–90

–180

LFO Phase

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