KORG Professional Engineer PA3 - Manual (Page 136)

134 Effects
Modulation and Pitch Shift (Mod./P.Shift)
The effect is off when a value for the modulation source specified for
the “Src” parameter is smaller than 64, and the effect is on when the
value is 64 or higher. The Doppler effect is triggered when the value
changes from 63 or smaller to 64 or higher.
e: Pitch Depth
With the Doppler effect, the pitch is raised when the sound
approaches, and the pitch is lowered when the sound goes away.
This parameter sets this pitch variation.
f: Pan Depth
This parameter sets the width of the stereo image of the effect
sound. With larger values, the sound seems to come and go from
much further away. With positive values, the sound moves from
left to right; with negative values, the sound moves from right to
left.
50: Scratch
This effect is applied by recording the input signal and moving
the modulation source. It simulates the sound of scratches you
can make using a turntable.
a: Scratch Source
b: Response
The Scratch Source parameter enables you to select the modula-
tion source that controls simulation. The value of the modula-
tion source corresponds to the playback position. The Response
parameter enables you to set the speed of the response to the
modulation source.
c: Envelope Select
c: Src
d: Threshold
When “Envelope Select” is set to D-mod, the input signal will be
recorded only when the modulation source value is 64 or higher.
When “Envelope Select” is set to Input, the input signal will be
recorded only when its level is over the Threshold value.
The maximum recording time is 2,730msec. If this is exceeded,
the recorded data will start being erased from the top.
e: Response
This parameter enables you to set the speed of the response to
the end of recording. Set a smaller value when you are recording
a phrase or rhythm pattern, and set a higher value if you are
recording only one note.
f: Direct Mix
With Always On, a dry sound is usually output. With Always
Off, dry sounds are not output. With Cross Fade, a dry sound is
usually output, and it is muted only when scratching.
Set Wet/Dry to 100 to use this parameter effectively.
a Scratch Source Off...Tempo
Selects the modulation source for
simulation control
b Response 0...100
Sets the speed of the response to
the Scratch Src
c
Envelope
Select
D-mod, Input
Selects whether the start and end of
recording is controlled via the
modulation source or the input
signal level
Src Off...Tempo
Selects the modulation source that
controls recording when Envelope
Select is set to D-mod
d Threshold 0...100
Sets the recording start level when
Envelope Select is set to Input
e Response 0...100
Sets the speed of the response to
the end of recording
f Direct Mix
Always On,
Always Off,
Cross Fade
Selects how a dry sound is mixed
g
Wet/Dry
Dry, 1:99...99:1,
Wet Balance between the wet and dry
signal
Src Off...Tempo
Table , “Dynamic Modulation
sources,” on page 106
Amt –100...+100 Amount of modulation source
Pitch
Higher
Doppler - Pitch / Pan Depth
Lower
Original Pitch
Left Center Right
Pitch Depth
Pan Depth
< < < < < <<<<<< >>>>>> > > > > >
Volume Louder Louder
Pan Depth
= (–) value Pan Depth
= (+) value
Input
D-mod
Envelope Select
D -mod
Envelope Control
Left
Right
FX Amt
FX Amt
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
+ Scratch
Direct
Mix
D -mod
Rec Control Scratch
+ Max Zero
Scratch!
D -mod
– Max
JS X
Ribbon
JS+Y
JS–Y
etc…
Zero + Max
Scratch Source
Recorded Sound
Scratch Source
Start Playback Position End