KORG Professional Engineer PA3 - Manual (Page 148)

146 Effects
Delay
70: Tape Echo
This effect simulates a tape echo unit with three playback heads.
The distortion and tonal change typical of magnetic tape are also
reproduced.
a: Delay (Tap1) [msec]
a: Src
a: Amt
b: Tap2 Position [%]
b: Tap3 Position [%]
The delay time for Tap 2 and 3 is specified as a proportion (%)
relative to “Delay (Tap1).” Even if you use dynamic modulation
to control “Delay (Tap1),” Tap 2 and 3 will change at the same
proportion.
d: FB Amt
e: FB Amt
f: FB Amt
g: Feedback
The feedback output from Tap 1, 2, and 3 is mixed according to
the “FB Amt,” and then the final amount of feedback is specified
by “Feedback.”
71: Classic Tape Echo
This models a famous analog tape echo unit. On the original device, “echo”
was created by a playback head, and the “delay time” was specified by
adjusting the speed of the motor. The warmth and subtlety of the echoes it
generated made this “lo-fi” unit a favorite with many pro musicians.
72: Auto Reverse
This effect records the input signal and automatically plays it in
reverse (the effect is similar to a tape reverse sound).
a
Delay (Tap1)
[msec]
0...2700
Sets the delay time (tap1)
Src Off...Tempo
Selects the modulation source of the
delay time
Amt
–2700...
+2700 Sets the modulation amount of
delay time
b
Tap2 Position
[%]
0...100
Sets the position of Tap 2 relative to
the Tap 1 delay time the depth of
pitch variation
c
Tap3 Position
[%]
0...100
Sets the position of Tap 3 relative to
the Tap 1 delay time the depth of
pitch variation
d
Tap1 Level 0...100 Sets the Tap1 output level
Pan L, 1...99, R Sets the stereo image of tap1
FB Amt –100...+100 Sets the Tap1 feedback amount
e
Tap2 Level 0...100 Sets the Tap2 output level
Pan L, 1...99, R Sets the stereo image of tap2
FB Amt –100...+100 Sets the Tap2 feedback amount
f
Tap3 Level 0...100 Sets the Tap3 output level
Pan L, 1...99, R Sets the stereo image of tap3
FB Amt –100...+100 Sets the Tap3 feedback amount
g
Feedback 0...100
Sets the amount of feedback for
Taps 1, 2, and 3
Src Off...Tempo
Selects the modulation source of
feedback amount
Amt –100...+100 Sets the feedback amount
h
High Damp [%] 0...100
Sets the damping amount in the
high range
Low Damp [%] 0...100
Sets the damping amount in the low
range
i Saturation 0...100 Sets the distortion amount
j
Input Trim 0...100 Sets the input gain
Pre Tone 0...100 Sets the tone of the input
k
Wow Flutter
[Hz]
0.02...1.00
Sets the frequency at which pitch
variation will occur
Wow Flutter
depth
0...100 Sets the depth of pitch variation
l
Wet/Dry
Dry, 1:99...99:1,
Wet Balance between the wet and dry
signal
Src Off...Tempo
Table , “Dynamic Modulation
sources,” on page 106
Amt –100...+100 Amount of modulation source
Wah Flatter
D -mod
Tap2/3
Position
+ Tape
Saturation
Left
Right
FX Amt
Trim
Pan Level
FX Amt
FX Amt = 100: Mono In - Stereo Out / FX Amt = 0: Stereo In - Stereo Out
Feedback
Feedback Amt
High / Low Damp Pre Tone
Delay
(1)
(2)
(3)
Delay Time
Time [ms] 0...539 Sets the delay time
Feedback 0...100 Sets the amount of feedback
Tone 1...100 Sets the tone of the delay sound
Low Damp [%] 0...100
Sets the damping amount in the low
range
page 142
Input Lvl Dmod [%] –100...+100
Sets the modulation amount of the
input level page 139
Source Off...Tempo
Selects the modulation source for
the input levelpage 139
Wet/Dry
Dry, 1 : 99...
99 : 1, Wet Balance between the wet and dry
signal
Source Off...Tempo
Table , “Selects a modulation source
for Wet/Dry,” on page 107
Amount –100...+100
Table , “Sets the modulation amount
for Wet/Dry,” on page 107
a Rec Mode Single, Multi
Sets the recording mode
b
Reverse Time
[msec]
20...2640
Sets the maximum duration of the
reverse playback
c
Envelope
Select
D-mod, Input
Selects whether the start and end of
recording is controlled via the
modulation source or the input
signal level
Src Off...Tempo
Selects the modulation source that
controls recording when Envelope
Select is set to D-mod
d Threshold 0...100
Sets the recording start level when
Envelope Select is set to Input
e Response 0...100
Sets the speed of the response to
the end of recording
f Direct Mix
Always On,
Always Off,
Cross Fade
Selects how a dry sound is mixed
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
+ Delay
Feedback
Low Damp Tone
Input Level
D-mod
Input
D-mod
Envelope Select
D -mod
Envelope Control
Left
Right
FX Amt
FX Amt
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
+ Auto Reverse
Direct
Mix
Rec/Reverse Play
Control