Roland VG-99 - Manual (Page 123)

123
FX (Effects) Chapter 9 Parameters Guide
Chapter 9
EQ (Equalizer)
This adjusts the tone as a sub equalizer. A parametric type is
adopted for the high-middle and low-middle range.
DELAY
This effect adds delayed sound to the direct sound, giving more
body to the sound or for creating special effects.
Parameter/
Range
Explanation
EQ SW (Equalizer Switch)
OFF, ON Turns the EQ effect on/off.
TOTAL GAIN
-20–+20dB Adjusts the overall volume level of the
equalizer.
LOW GAIN
-20–+20dB Adjusts the low frequency range tone.
HIGH GAIN
-20–+20dB Adjusts the high frequency range tone.
LOW MID FREQ (Low Middle Frequency)
20Hz–10.0kHz Specifies the center of the frequency range
that will be adjusted by the LOW MID
GAIN.
LOW MID Q (Low Middle Q)
0.5–16 Adjusts the width of the area affected by the
EQ centered at the LOW MID FREQ.
Higher values will narrow the area.
LOW MID GAIN (Low Middle Gain)
-20–+20dB Adjusts the low-middle frequency range
tone.
HIGH MID FREQ (High Middle Frequency)
20Hz–10.0kHz Specifies the center of the frequency range that
will be adjusted by the HIGH MID GAIN.
HIGH MID Q (High Middle Q)
0.5–16 Adjusts the width of the area affected by the
EQ centered at the HIGH MID FREQ.
Higher values will narrow the area.
HIGH MID GAIN (High Middle Gain)
-20–+20dB Adjusts the high-middle frequency range tone.
LOW CUT (Low Cut Filter)
FLAT, 55 Hz–800 Hz This lets you cut the low-end component be-
low the set frequency to create a clear, dis-
tinct low end, thereby bringing out the high
end of the effect. When FLAT is selected, the
low cut filter will have no effect.
HIGH CUT (High Cut Filter)
700 Hz–11kHz, FLAT This allows you to get a mild effect sound by
cutting the high-end component above the
set frequency. When it is set to FLAT, the
high cut filter is off or has no effect.
Parameter/
Range
Explanation
DELAY SW
OFF, ON Turns the DELAY effect on/off.
DELAY TYPE
Selects the type of delay.
SINGLE This is a simple monaural delay.
PAN This delay is specifically for stereo output.
This allows you to obtain the tap delay effect
that divides the delay time, then deliver
them to L and R channels.
fig.04-0050
STEREO The direct sound is output from the left
channel, and the effect sound is output from
the right channel.
DUAL-S (Dual Series) This is a delay comprising two different de-
lays connected in series. Each delay time can
be set in a range from 1 ms to 900 ms.
fig.04-0060
DUAL-P (Dual Paral-
lel) This is a delay comprising two delays con-
nected in parallel. Each delay time can be set
in a range from 1 ms to 900 ms.
fig.04-0070
DUAL-L/R This is a delay with individual settings avail-
able for the left and right channels. Delay 1
goes to the left channel, Delay 2 to the right.
fig04-0080
REVRSE This produces an effect where the sound is
played back in reverse.
ANALOG This gives a mild analog delay sound. The
delay time can be set within the range of 1 to
1800 ms
TAPE This setting provides the characteristic wa-
vering sound of the tape echo. The delay time
can be set within the range of 1 to 1800 ms.
WARP This simultaneously controls the delay
sound’s feedback level and volume to pro-
duce a totally unreal delay.
INPUT
OUTPUT L
OUTPUT R
FEEDBACK
DELAY TIME
EFFECT
LEVEL
DELAY
TAP TIME
D1 D2
D1: Delay 1
D2: Delay 2
D1
D2
D1
D2
L
R
INPUT OUTPUT
FB DEPTH
LEVEL
DEPTH
DELAY
RISE TIME
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