Roland MC-909 - Manual (Page 67)

67
Patch Edit
Patch/Sample Mode
Velo Fade Lower
(TMT Velocity Fade
Width Lower) 0–127 Rate of volume change when you play less strongly than the lower limit of the velocity range
Greater settings for this value will cause the volume to decrease more gradually. Set this to 0
if you want notes outside the velocity range to not sound at all.
Velo Range Lower
(TMT Velocity
Range Lower) 1–Upper Lower limit of velocities that will sound the tone
Set this parameter if you want to use velocity to switch between tones.
Velo Range Upper
(TMT Velocity
Range Upper) Lower–127 Upper limit of velocities that will sound the tone
Set this parameter if you want to use velocity to switch between tones.
* It is not possible to set Lower to a greater value than Upper, nor Upper to a lesser value than
Lower.
Velo Fade Upper
(TMT Velocity Fade
Width Upper) 0–127 Rate of volume change when you play more strongly than the upper limit of the velocity range
Greater settings for this value will cause the volume to decrease more gradually. Set this to 0
if you want notes outside the velocity range to not sound at all.
TMT Control Switch OFF, ON Specifies whether the controller of the matrix control will control TMT (ON) or not (OFF)
By turning Velocity Control (TMT Velocity Control) OFF and turning this parameter on/off,
you can easily switch between sounding all tones and using the matrix control. This is con-
venient when checking the sound.
Bend Range Down -48–0 Specifies the pitch change that occurs when the Pitch Bend lever is moved fully to the left (or
down on some MIDI controllers).
Bend Range Up 0–48 Specifies the pitch change that occurs when the Pitch Bend lever is moved fully to the right (or
up on some MIDI controllers).
Parameter Value Description
What is a Booster?
A Booster amplifies the incoming signal, causing it to distort. This
creates an effect similar to the distortion often used on an electric guitar.
What is a Ring Modulator?
A Ring Modulator mathematically multiplies two Tones, creating a new
sound that includes inharmonic overtones that were not present in either
of the two original Tones. Since the difference in pitch between the two
Tones changes the overtone structure, an un-pitched “metallic” sound
often results. Ring modulation is therefore especially suitable for
creating bells and other metallic sounds.
fig.
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