Roland MC-909 - Manual (Page 81)

81
How Things Work (in Song mode)
Song Mode
7. Part Mixer section
Here you can adjust the volume, pan, etc., of each part (p. 33).
8. Sampling section
9. Effect section
Applies special effects to the sound (p. 88).
10. Mode section
Press the [SONG] button to enter Song mode.
Pressing one of the other two buttons will switch you to the
corresponding mode.
11. Cursor/Value section
Use these buttons and dial to select songs or input values (p. 18).
12. Sequencer section
13. Turntable emulation
Applies an effect that simulates increasing/decreasing the rotational
speed of a turntable (p. 36).
14. TAP button
Lets you set the BPM (tempo) by pressing the button at the desired
timing (p. 25).
[PART]
(SELECT/MUTE) Selects the function of the Part buttons [1]–
[16].
The buttons work as Part Select buttons
when the indicator is not lighted, and as
Mute buttons when the indicator is lit.
[TEMPO/MUTE
CONTROL] Switches on/off the Tempo/Mute part (a
part that records tempo changes and mute
operations, p. 42).
[MIXER ASSIGN] When you press this button so its indicator
lights, the Mixer screen will appear.
[PART ASSIGN] Selects the parts that are controlled by the
sliders.
The sliders will control parts 1–8 if this indi-
cator is not lighted, or parts 9–16 if the indi-
cator is lit.
[EDIT] When you press this button,
the Sample edit screen will ap-
pear (p. 114).
[SAMPLING/RESAMPLING] When you press this button,
the Sampling menu screen will
appear (p. 112).
[MIX IN] Mix the sound from the INPUT
jacks into the output (p. 34).
[AUTO SYNC] Synchronize a sample with the
pattern (p. 36).
[COMP]–[REVERB] Switch each effect on/off (p. 88).
[KNOB ASSIGN] Selects the effect to be controlled in real
time (p. 91).
[TYPE] Selects the type of effect.
[C1], [C2] Modifies the assigned function in real
time.
[PLAY] Plays a song (p. 82).
[STOP] Stops playback/recording.
[FWD] Advances to the next step.
[BWD] Returns to the previous step.
[TOP] Moves to the beginning of the song.
[REC] Used when recording (p. 83).
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