The power of v-tracks, Track editing basics, About editing phrases – Roland VS-2480 User Manual

Page 90

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6—Understanding the Hard Disk Recorder

90

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Roland VS-2480 Owner’s Manual

The Power of V-Tracks

Although the VS-2480 is a 24-track studio, in a very real sense it’s way more than that.
Since each of its 24 tracks can play any of 16 V-Tracks, a project can actually hold as
many as

384

recordings from which you can choose 24 for playback at any given time.

As you can see, this gives you with a

huge

sonic palette to work with. You can even

construct totally different versions of a project from its massive collection of V-Tracks.

Track Editing Basics

The following sections provide just a brief introduction to the editing of tracks in the
VS-2480. We’ll discuss it in detail beginning in Chapter 18, which starts on Page 235.

There are two basic ways you can edit the contents of a track:

You can work with phrases (Page 87).

You can work on a specific time “region” within a track.

About Editing Phrases

Phrase editing is the quickest way to work with a track’s audio, since it works with pre-
defined chunks of the track. You can perform a range of operations on a phrase—these
are detailed in Chapter 19.

You may also find it handy to manually divide the phrases on a V-Track into new
convenient, easy-to-work-with chunks. Though this can take a little time, it can save
you a

lot

of time later on in the editing process:

If you’re working on a song, and think you’ll be moving a track’s sections around,
you can turn each section into a phrase. This’ll let you simply grab the desired
phrase when it’s time to assemble the track.

If you’re using sound effects, you can turn each one into a separate phrase, making
the positioning of your elements quick and easy.

During editing operations, the word “track” serves as a shorthand for the currently
selected V-Track. When we say we’re editing a track, what we literally mean is that
we’re editing the audio on the track’s currently selected V-Track.

The phrase DIVIDE operation can automatically separate your audio into separate
phrases, as described on Page 260.

On the VS-2480, you can also play phrases using the TRACK STATUS/PHRASE PAD
buttons.

Track 12

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 24

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 11

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 23

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 10

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 22

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 9

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 21

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 8

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 20

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 7

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 19

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 6

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 18

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 5

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 17

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 4

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 16

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 3

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 15

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 2

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 14

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 1

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

Track 13

V.T1
V.T2
V.T3
V.T4
V.T5
V.T6
V.T7
V.T8

V.T9
V.T10
V.T11
V.T12
V.T13
V.T14
V.T15
V.T16

VS2480OMUS.book 90 ページ 2006年2月7日 火曜日 午後4時16分

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