Boss Audio Systems Boss CDSM AMP EFFECTS PROCESSOR GT-100 - Manual (Page 19)

EFFECT
19
DELAY
This effect adds delayed sound to the direct sound, giving more body to
the sound or creating special effects .
Parameter Value Explanation
DELAY
ON/OFF
OFF, ON Turns this effect on/off .
TYPE
This selects which type of delay .
* If you switch patches with the Type set to either DUAL-S, DUAL-P,
or DUAL- L/R and then begin to play immediately after the
patches change, you may be unable to attain the intended effect
in the first portion of what you perform .
* The stereo effect is cancelled if a monaural effect or COSM amp is
connected after a stereo delay effect .*
SINGLE This is a simple monaural delay .
PAN
This delay is specifically for stereo output . This
allows you to obtain the tap delay effect that
divides the delay time, then deliver them to L and
R channels .
INPUT
OUTPUT L
OUTPUT R
Feedback
Dly Time
EffectLev
DELAY
Tap Time
STEREO
The direct sound is output from the left channel,
and the effect sound is output from the right
channel .
DUAL-S
This is a delay comprising two different delays
connected in series . Each delay time can be set in
a range from 1 ms to 1000 ms .
D1 D2
D1: DELAY 1
D2: DELAY 2
DUAL-P
This is a delay comprising two delays connected in
parallel . Each delay time can be set in a range from
1 ms to 1000 ms .
D1
D2
DUAL-L/R
This is a delay with individual settings available for
the left and right channels . Delay 1 goes to the left
channel, Delay 2 to the right .
D1
D2
L
R
REVERSE
This produces an effect where the sound is played
back in reverse .
ANALOG
This gives a mild analog delay sound . The delay
time can be set within the range of 1 to 2000 ms .
TAPE
This setting provides the characteristic wavering
sound of the tape echo . The delay time can be set
within the range of 1 to 3400 ms .
MOD
(MODULATE)
This delay adds a pleasant wavering effect to the
sound .
COMMON
Parameter Value Explanation
DELAY TIME
1 ms–2000 ms,
BPM –
This determines the delay time .
* When set to BPM, the value of each
parameter will be set according to the
value of the “MASTER BPM” specified for
each patch . This makes it easier to achieve
effect sound settings that match the tempo
of the song .
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time .
F .BACK 0–100
This sets the amount of delay sound returned
to the input . A higher value will increase the
number of the delay repeats .
HIGH CUT
630 Hz–12 .5 kHz,
FLAT
This sets the frequency at which the high
cut filter begins to take effect . When “Flat”
is selected, the high cut filter will have no
effect .
EFFECT LEVEL 0–120 Adjusts the volume of the delay sound .
DIRECT MIX 0–100 Adjusts the volume of the direct sound .
PAN
Parameter Value Explanation
TAP TIME 0–100%
Adjusts the delay time of the left channel
delay . This setting adjusts the L channel delay
time relative to the R channel delay time
(considered as 100%) .
DUAL-S, DUAL-P, DUAL-L/R
Parameter Value Explanation
D1:TIME
D2:TIME 1 ms–1000 ms,
BPM –
This determines the delay time .
* When set to BPM, the value of each
parameter will be set according to the
value of the “MASTER BPM” specified for
each patch . This makes it easier to achieve
effect sound settings that match the tempo
of the song .
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time .
D1:F .BACK
D2:F .BACK
0–100
Adjusts the amount of feedback of the DELAY
1 (or DELAY 2) . A higher value will increase
the number of the delay repeats .
D1:HI CUT
D2:HI CUT 630 Hz–12 .5 kHz,
FLAT
This sets the frequency at which the high
cut filter begins to take effect . When “FLAT”
is selected, the high cut filter will have no
effect .
D1:LEVEL
D2:LEVEL
0–120
Adjusts the volume of the DELAY 1 (or DELAY
2) .