Fx1/fx2, Effect, Fx1/fx2 type – Boss Audio Systems Boss CDSM AMP EFFECTS PROCESSOR GT-100 User Manual

Page 9

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EFFECT

9

FX1/FX2

With FX1 and FX2, you can select the effect to be used from the following .

You can select the same effect for FX1 and FX2 .

Parameter

Value

Explanation

ON/OFF

OFF, ON

Turns this effect on/off .

TYPE

Refer to FX1/FX2 TYPE

FX1/FX2 TYPE

This is a list of the effects that can be selected for FX1/FX2 .

Effect Name

Explanation

T . WAH
(Touch Wah)

You can produce a wah effect with the filter changing in response

to the guitar level .

AUTO WAH
(
Auto Wah)

This changes the filtering over a periodic cycle, providing an

automatic wah effect .

SUB WAH

You can control the wah effect in real time by adjusting the [EXP]

pedal or the expression pedal connected to the SUB CTL 1, 2/SUB

EXP jack .

ADV . COMP
(Advanced

Compressor)

This is an effect that produces a long sustain by evening out the

volume level of the input signal . You can also use it as a limiter to

suppress only the sound peaks and prevent distortion .

LIMITER

The limiter attenuates loud input levels to prevent distortion .

SUB OD/DS

This effect distorts the sound to create long sustain .

GRAPHIC EQ
(Graphic

Equalizer)

This adjusts the tone as a equalizer . You can adjust the sound

quality in ten bands .

PARAMETRIC

EQ
(Parametric

Equalizer)

Adjusts the tonal quality . You can adjust the sound quality in four

bands .

TONE MODIFY This changes the tone of the connected guitar .

GUITAR SIM
(Guitar

Simulator)

Simulation of the characteristics of particular guitar components

such as pickups and different guitar bodies allows you to switch

among a number of different guitar types all while using a single

guitar .

SLOW GEAR

This produces a volume-swell effect (“violin-like” sound) .

DEFRETTER

This simulates a fretless guitar .

WAVE SYNTH

This is a synth sound that processes the guitar input signal .

SITAR SIM .
(Sitar

Simulator)

This simulates the sound of the sitar .

OCTAVE

This adds a note one octave lower, creating a richer sound .

PITCH SHIFTER This effect changes the pitch of the original sound (up or down)

within a range of two octaves .

HARMONIST

Harmonist is an effect where the amount of shifting is adjusted

according to an analysis of the guitar input, allowing you to create

harmony based on diatonic scales .

SOUND HOLD

You can have sound played on the guitar be held continuously .

This effect allows you to perform the melody in the upper registers

while holding a note in the lower registers .

AC . PROCES-

SOR
(Acoustic

Processor)

This processor allows you to change the sound produced by the

pickup on an acoustic electric guitar, creating a richer sound

similar to that obtained with a microphone placed close to the

guitar .

PHASER

By adding varied-phase portions to the direct sound, the phaser

effect gives a whooshing, swirling character to the sound .

FLANGER

The flanging effect gives a twisting, jet-airplane-like character to

the sound .

TREMOLO

Tremolo is an effect that creates a cyclic change in volume .

ROTARY

This produces an effect like the sound of a rotary speaker .

UNI-V

This models a Uni-Vibe .
Although this resembles a phaser effect, it also provides a unique

undulation that you can’t get with a regular phaser .

Effect Name

Explanation

PAN

With the volume level of the left and right sides alternately

changing, when playing sound in stereo, you can get an effect that

makes the guitar sound appear to fly back and forth between the

speakers .

SLICER

This consecutively interrupts the sound to create the impression

that a rhythm backing phrase is being played .

VIBRATO

This effect creates vibrato by slightly modulating the pitch .

RING MOD .

This creates a bell-like sound by ring-modulating the guitar sound

with the signal from the internal oscillator . The sound can be

unmusical and lack distinctive pitches .

HUMANIZER

This can create human vowel-like sounds .

2X2 CHORUS

Frequency band division is employed to produce two different

choruses, one for low frequencies and one for higher frequencies,

for both the left and right channels (for a total of four) . This allows

you to achieve a more natural chorus sound .

SUB DELAY

This is a delay with the maximum delay time of 1,000 ms . This

effect is useful for making the sound fatter .

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