With “bass multi” or “guitar to bass” algorithms – Boss Audio Systems BR-800 User Manual

Page 70

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70

Using Insert Effects

With “BASS MULTI” or “GUITAR TO
BASS” algorithms

ORIGINAL

This is the built-in speaker of the amp
you selected with PREAMP TYPE.

1x8”

This is a compact open-back speaker
cabinet with one 8-inch speaker.

1x10”

This is a compact open-back speaker
cabinet with one 10-inch speaker.

1x12”

This is a compact open-back speaker
cabinet with one 12-inch speaker.

2x12”

This is a general open-back speaker
cabinet with two 12-inch speakers.

4x10”

This is an optimal speaker cabinet for a
large enclosed amp with four 10-inch
speakers.

4x12”

This is an optimal speaker cabinet for a
large enclosed amp with four 12-inch
speakers.

8x12”

This is a double stack of two cabinets,
each with four 12-inch speakers.

MIC TYPE

This setting selects the simulated microphone type.

DYN57

This is the sound of the SHURE SM-57.
General dynamic microphone used for
instruments and vocals. Optimal for
use in miking guitar amps.

DYN421

This is the sound of the SENNHEISER
MD-421.

Dynamic microphone with extended low end.

CND451

This is the sound of the AKG C451B.
Small condenser microphone for use
with instruments.

CND87

This is the sound of the NEUMANN
U87.

Condenser microphone with flat response.

FLAT

Simulates a microphone with perfectly
flat response. Produces a sonic image
close to that of listening to the sound
directly from the speakers (on site).

MIC DIS (Mic Distance)

Simulates the distance between the microphone and speaker.

OFF MIC

This setting points the microphone
away from the speaker.

ON MIC

Provides conditions whereby the micro-
phone is directed more towards the speaker.

MIC POS (Mic Position)

This simulates the microphone position.

CENTER

Simulates the condition that the microphone
is set in the middle of the speaker cone.

1–10

Simulates the condition that the micro-
phone is moved away from the center
of the speaker cone.

Parameter/
Range

Explanation

MIC LEV (Mic Level)

0–100

Adjusts the volume of the microphone.

D.LEVEL (Direct Level)

0–100

Adjusts the volume of the direct sound.

Parameter/
Range

Explanation

ON/OFF

OFF, ON

Turns the AMP effect on/off.

TYPE

This sets the type of the preamp.

SUPER FLAT

An amp with flat response.

FLIP TOP

Models the Ampeg B-15.

B MAN

Models the Fender Bassman 100.

CONCERT 810 Models the Ampeg SVT.

BASS 360

Models the acoustic 360.

T.E.

Models the Trace Elliot AH600SMX.

SESSION

Models the SWR SM-400.

AC BASS

An amp ideal for ACOUSTIC BASS.

GAIN

0–100

Adjusts the distortion of the amp.

BASS

0–100

Adjusts the tone for the low frequency
range.

MIDDLE

0–100

Adjusts the tone for the middle frequency
range.

MID FREQ (Middle Frequency) *1

220Hz, 800Hz,
3.0kHz

Specifies the center of the frequency range
that will be adjusted by the Mid Freq.

TREBLE

0–100

Adjusts the tone for the high frequency
range.

PRESENCE *2

0–100

Adjusts the tone for the ultra high frequen-
cy range.

LEVEL

0–100

Adjusts the volume of the entire preamp.

* Be careful not to raise the Level setting too

high.

Parameter/
Range

Explanation

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