3 how to use the s-type, 1 assigning channels to vca masters, 1 assigning an input channel to a vca master – Cadac S-Type User Manual

Page 17: 2 using the sends, Assigning channels to vca masters -1, Using the sends -1, 6+rz#wr#xvh#wkh#607\sh, 615 8vlqj#wkh#vhqgv

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How to use the S-Type

3-1

Revision S2005-6

S-Type

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This section of the manual provides instructions and information on how to use the
S-Type. The flexibility of the S-Type allows the operator to achieve the same result in
several ways. In this section you will learn how to perform certain procedures to
achieve a desired result. This does not mean, however, that the same outcome can-
not be achieved by taking a different route.

So to assist you in the most efficient way to become familiar with the S-Type, please
start with the instructions given. As you build up experience, you may well find that
alternative ways are better suited to your work practice.

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On the input channel, press the desired VCA Master numerical button to assign the
input channel to that specific VCA Master fader. These assignment switches can be
found to the left of the equalizer section. Normally you would assign a given number
of input channels to one specific VCA Master, however, it is possible to assign an
input channel to more than one VCA Master should this be required.

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The S-Type allows for routing to eight Sub-Groups with optional PAN control. To route
to a Sub-Group, press the Send ON button for the desired Sub-Group 1-8. Send ON
is indicated by the associated LED illuminating. Press the PAN button if you want to
use the PAN control. The signal can also be routed to the dedicated stereo bus using
the associated stereo push-button (ST) and PAN control, the latter being perma-
nently active on the stereo send.

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The input channel module has a dedicated Auxiliary ON/OFF switch for each Auxil-
iary send. The module has facilities for routing to 8 auxiliary busses. The first of
these are stereo and are controlled by dual concentric potentiometers, the upper for
setting the signal level, and the lower control for positioning the signal in the stereo
field.

The remaining six sends are mono and have associated signal level controls.

All eight auxiliary sends can be individually switched pre or post fader.

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