Marantz SR4001 User Manual

Page 40

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37

ENGLISH

7.1 CH INPUT

The SR4001/SR5001 is equipped for future
expansion through the use of Multi channel Super
Audio CD multichannel player or DVD-Audio player.
When this is selected, the input signals connected to
the L(front left), R (front right), CENTER, SL (surround
left), SR (surround right) and SBL (surround back left)
and SBR (surround back right) channels of the 7.1
CH. In jacks are output directly to the front (left and
right), center, surround (left and right) and surround
back speaker systems as well as the pre-out jacks
without passing through the surround circuitry.
In addition, the signal input to the SW (subwoofer)
jack is output to the PRE OUT SW (subwoofer) jack.
When 7.1 CH. INPUT is selected, the last video input
used remains routed to the

Monitor Outputs

.

This permits simultaneous viewing with video
sources.

TAPE

CAT

P.SCAN

CAT

-

T.DISP

F.DIRECT

PTY

TUNING

PRESET

-

+

+

7

8

9

+10

REMOTE CONTROLLER

RC5001SR

0

0

HT-EQ

MULTI/

MENU

SPKR A/B

ENTER

EXIT

INFO

CH/

T.TONE
/SET UP

M-SPKR

MUTE

MD

CDR

CD

AMP

AUX2

TUNER

BASS

TREBLE

STEREO

NIGHT

M-CH ST

REC

AUDIO

ANGLE

SUB TITLE

DISC+

CH-SEL

V-OFF

ATT.

AUX1

A/D

MEMO

CL

DVD

DVD

VCR

VCR

DSS

DSS

TV

TV

VOLUME

VOLUME

7.1CH IN

7.1CH IN

2.
4.

1.

MULTI

SPEAKER

MULTI

PURE

SURROUND

STANDBY

PHONES

POWER ON/STANDBY

INPUT SELECTOR

AV SURROUND RECEIVER SR5001

DIRECT

AUTO

HT-EQ

MODE

1.

2.

DIGITAL

R

L

VIDEO

S-VIDEO

AUX 1 INPUT

AUDIO

T-MODE

MEMORY

ATT

MUTE

VOLUME

UP

DOWN

BAND

CLEAR

4.

RECORDING AN ANALOG SOURCE

In normal operation, the audio or video source
selected for listening through the SR4001/SR5001 is
sent to the record outputs.
This means that any program you are watching
or listening to may be recorded simply by placing
machines connected to the outputs for

TAPE OUT

,

CD-R/MD OUT, VCR1 OUT

in the record mode.

To record the input source signal you are currently
watching or listening to

TAPE

-

TUNING

PRESET

-

+

+

REMOTE CONTROLLER

RC5001SR

AMP

AUX2

BASS

TREBLE

AUDIO

ANGLE

SUB TITLE

DISC+

CH-SEL

V-OFF

ATT.

AUX1

MD

MD

CDR

CDR

CD

CD

DVD

DVD

VCR

VCR

TUNER

TUNER

DSS

DSS

TV

TV

1.

MULTI

SPEAKER

SETUP

SIMPLE

MULTI

PURE

SURROUND

STANDBY

PHONES

POWER ON/STANDBY

INPUT SELECTOR

AV SURROUND RECEIVER SR5001

DIRECT

AUTO

HT-EQ

MENU

MODE

1.

1.

Select the input source to record by turning the

INPUT SOURCE

knob on the front panel or

simply press the

input selector

buttons on the

remote.

The input source is now selected and you may

watch or listen to it as desired.

2.

The currently selected input source signal

is output to the

TAPE OUT, CD-R/MD OUT,

VCR1 OUT

outputs for recording.

3.

Start recording to the recording component as

desired.

Recording the video from one source and
the audio from another

You can add the sound from one source to the
video of another source to make your own video
recordings.
Below is an example of recording the sound from
a compact disc player connected to CD IN and the
video from a video camera connected to DSS/VCR2
to video cassette recorder connected to the VCR1
OUT jack.

TAPE

REMOTE CONTROLLER

RC5001SR

MD

CDR

DVD

AMP

AUX2

TUNER

DSS

TV

BASS

TREBLE

AUDIO

ANGLE

SUB TITLE

DISC+

CH-SEL

V-OFF

ATT.

AUX1

CD

CD

VCR

VCR

1.
2.

1.

Switch the video output source to VCR1 by

simply pressing the

input selector

buttons on

the remote.

2.

Switch the audio input source to CD by simply

pressing the

input selector

buttons on the

remote.

3.

Now “CD” has been selected as the audio input

source and “VCR1” as the video input source.

Notes:

• If you change the input source during recording, you

will record the signals from the newly selected input
source.

• You cannot record the surround effects.

• Digital input signals are only output to the digital

outputs. There is no conversion from digital to
analog.

When connecting CD players and other digital

components, do not connect only the digital
terminals, but the analog ones as well.

HT-EQ

MULTI

SPEAKER

DIGITAL

L

VIDEO

S-VIDEO

AUX 1 INPUT

SETUP

SIMPLE

MULTI

PURE

T-MODE

SURROUND

MEMORY

DISPLAY

MUTE

STANDBY

PHONES

POWER ON/STANDBY

INPUT SELECTOR

VOLUME

DOWN

AV SURROUND RECEIVER SR5001

DIRECT

AUTO

HT-EQ

EXIT

MENU

MODE

BAND

CLEAR

ENTER

Press the

HT-EQ

button on the front panel to turn on

the HT-EQ mode.
The tonal balance of a film soundtrack will be
excessively bright and harsh when played back over
audio equipment in the home. This is because fi lm
soundtracks were designed to be played back in
large movie theater environments.
Activating the HT-EQ feature when watching a fi lm
made for movie theaters corrects this and restores
the correct tonal balance.
The HT-EQ feature is available except in the following
modes.
• 7.1 CH INPUT
• PURE-DIRECT
• When VIRTUAL is set for the surround mode

SELECTING ANALOG AUDIO INPUT OR
DIGITAL AUDIO INPUT

TAPE

REMOTE CONTROLLER

RC5001SR

MD

CDR

CD

DVD

AUX2

VCR

TUNER

DSS

TV

AUX1

AMP

AMP

CAT

P.SCAN

CAT

4

5

6

7

8

9

0

+10

+10

HT-EQ

MULTI/

SPKR A/B

CH/

M-SPKR

MUTE

VOLUME

7.1CH IN

STEREO

NIGHT

M-CH ST

MEMO

CL

A/D

A/D

If you have already assigned the digital inputs, you
can temporarily select the audio input mode for each
input source as following procedures.
Press the

AMP

button and press the A/D (0) button.

When this button is pressed, the input mode is
switched in the following sequence.

HDMI Auto

HDMI

Digital Auto

Digital

Analog

HDMI Auto....

In HDMI Auto mode, the types of signals being input
to the digital and analog input jacks for the selected
input source are detected automatically.
If no digital signal is being input, the analog input
jacks are selected automatically.
In Digital and HDMI mode, input is fixed to an
assigned digital input terminal.
In analog mode, the analog input jacks are selected.
This selecting is temporary, so the result will not be
stored in memory.
If you need to change the input mode completely, use
INPUT SETUP in OSD menu system. (see page 26)

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