Document Outline

• Contents
• Program mode: HD-1
  • HD-1 Overview
  • Program P0: Play
    • 0-1: Main
      • 0-1a: Program Select
      • 0-1b: Overview and Page Jump
    • 0-6: KARMA GE
      • 0-6a: Program Select, Load GE Options, KARMA T.Sig, Tempo
      • 0-6b: GE Select
      • 0-6c: RealTime Controls
    • 0-7: Controller View/Effect
      • 0-7a: Program Select
      • 0-7b: Controller View
      • 0-7c: Effects
    • 0-8: Audio Input/Sampling
      • 0-8a: Audio Input
      • 0-8b: Recording Level [dB]
      • 0-8c: Sampling Setup
      • 0-8d: Metronome Setup
    • 0-9: Control Surface
      • Control Assign Switches and Tabs
      • Front-panel LEDs for sliders and knobs
      • Jump/Catch
      • Reset Controls
      • 0-9a: Program Select & Tempo
      • 0-9b: OSC 1/2
      • 0-9c: Audio Inputs
      • 0-9d: External
      • 0-9e: RT/KARMA (Real Time Knobs/KARMA)
      • 0-9f: Tone Adjust
      • Common Tone Adjust Parameters
      • HD-1 Tone Adjust Parameters
      • Default Tone Adjust Settings
  • Program P1: Basic/Vector
    • 1-1: Program Basic
      • 1-1a: Program Name and Tempo
      • 1-1b: Oscillator Mode
      • 1-1c: Voice Assign Mode
      • 1-1d: Key Zone
      • 1-1e: Wave Sequence
      • 1-1f: Half-Damper Control
      • 1-1g: Scale
    • 1-5: Vector Control
      • 1-5a: Vector Volume Control
      • 1-5b: Vector CC Control
      • 1-5c: Vector Graphic
    • 1-6: Vector Envelope
      • 1-6a: Basic
      • 1-6b: Vector Envelope Loop
      • 1-6c: Vector Envelope
      • KARMA and Vector EG interaction
    • 1-8: Set Up Controllers
      • 1-8a: Panel Switch Assign
      • 1-8b: Modulation Knob Assign
    • 1-9: Set Up Pads
      • 1-9a: Pads
      • Assigning notes and chords to pads
      • Copying and Merging Pads
  • Program P2: OSC/Pitch
    • 2-1: OSC1 Basic
      • 2-1a: OSC1 Frequency
      • 2-1b: Note-On Control
      • 2-1c: OSC1 Multisample/Wave Sequence
      • 2-1d: OSC 1 Velocity Zone
      • 2-1e: Drum Kit Frequency
      • 2-1f: Drum Kit
    • 2-2: OSC1 Pitch
      • 2-2a: Pitch
      • 2-2b: Pitch EG
      • 2-2c: LFO1/2
      • 2-2d: Portamento
    • 2-5: OSC2 Basic
    • 2-6: OSC2 Pitch
    • 2-9: Pitch EG
      • Differences from the other EGs
      • Pitch EG is also an AMS source
      • 2-9a: EG Reset
      • 2-9b: Envelope
      • Different curve settings for up and down
      • 2-9c: Level Modulation
      • AMS2
      • 2-9d: Time Modulation
  • Program P3: Filter
    • 3-1: Filter1
      • 3-1a: Filter Routing
      • 3-1b: Filter A
      • 3-1c: Filter B
    • 3-2: Filter1 Modulation
      • 3-2a: Keyboard Track
      • How it works: Keys and Ramps
      • Entering notes from the keyboard
      • +Inf and -Inf ramps
      • Key Follow
      • Filter Keyboard Track is also an AMS source
      • 3-2b: Filter EG
      • 3-2c: Filter A/B Modulation
    • 3-3: Filter1 LFO Modulation
      • 3-3a: LFO 1/2
      • 3-3b: Common LFO
    • 3-4: Filter1 EG
      • Filter EG is also an AMS source
      • 3-4a: EG Reset
      • 3-4b: Envelope
      • 3-4c: Level Modulation
      • 3-4d: Time Modulation
      • AMS2 and AMS3
    • 3-5: Filter2
    • 3-6: Filter2 Modulation
    • 3-7: Filter2 LFO Modulation
    • 3-8: Filter2 EG
  • Program P4: Amp/EQ
    • 4-1: Amp1/Driver1
      • 4-1a: Driver
      • 4-1b: Amp Level
      • 4-1c: Pan
    • 4-2: Amp1 Modulation
      • 4-2a: Keyboard Track
      • How it works: Keys and Ramps
      • Entering notes from the keyboard
      • Differences from other Keyboard Tracks
      • +Inf and -Inf ramps
      • Amp Keytrack is also an AMS source
      • 4-2b: Amp Modulation
      • 4-2c: LFO 1/2
    • 4-3: Amp1 EG
      • 4-3a: EG Reset
      • 4-3b: Envelope
      • Different curve settings for up and down
      • 4-3c: Level Modulation
      • 4-3d: Time Modulation
      • AMS2 and AMS3
    • 4-5: Amp2/Driver2
    • 4-6: Amp2 Mod.
    • 4-7: Amp2 EG
    • 4-9: EQ
      • 4-9a: 3 Band Parametric EQ
  • Program P5: LFO
    • 5-1: OSC1 LFO1
      • 5-1a: OSC 1 LFO 1
      • 5-1b: Frequency Modulation
      • 5-1c: Frequency MIDI/Tempo Sync
    • 5-2: OSC1 LFO2
    • 5-5: OSC2 LFO1
    • 5-6: OSC2 LFO2
    • 5-9: Common LFO
      • 5-9a: Common LFO
      • 5-9b: Frequency Modulation
      • 5-9c: Frequency MIDI/Tempo Sync
  • Program P6: AMS Mixer/Common Key Track
    • 6-1: OSC 1 AMS Mixer
      • 6-1a: AMS Mixer 1
      • A+B
      • Amt A x B
      • Offset
      • Smoothing
      • Shape
      • Quantize
      • Gate
      • 6-1b: AMS Mixer 2
    • 6-5: OSC 2 AMS Mix
    • 6-9: Common Keyboard Track
      • What does Keyboard Tracking do?
      • How it works: Keys and Ramps
      • 6-9a: Keyboard Track 1
      • 6-9b: Keyboard Track 2
  • Program P7: KARMA
    • 7-1: GE Setup/Key Zones
      • 7-1a: Program Name, Load GE Options, KARMA T.Sig, Tempo
    • 7-2: MIDI Filter/CC Offset
      • 7-2a: Program Name and Tempo
      • 7-2b: MIDI Filter
      • 7-2c: CC Offset
    • 7-3: Module Parameters-Control
      • 7-3a: Program Name and Tempo
      • 7-3b: Module Parameter-Control
    • 7-4: Module Parameters-Trigger
      • 7-4a: Program Name and Tempo
      • 7-4b: Module Parameter-Trigger
    • 7-5: GE Real-Time Parameters
      • 7-5a: GE Number & Name, RTC Select, and Tempo
      • 7-5b: GE Real-Time Parameters
    • 7-6: Perf Real-Time Parameters
      • 7-6a: Program Name and Tempo
      • 7-6b: Perf Real-Time Parameters
    • 7-7: Dynamic MIDI
      • 7-7a: Program Name and Tempo
      • 7-7b: Dynamic MIDI
    • 7-8: Random Seeds
      • 7-8a: Program Name and Tempo
      • 7-8b: Start
    • 7-9: Name/Note Map
      • 7-9a: Program Name and Tempo
      • 7-9b: Module A
      • 7-9c: Note Map
  • Program P8: Insert Effect
    • 8-1: Routing
      • 8-1a: Routing Map
      • 8-1b: Program Information & Use DKit
      • 8-1c: Bus Select (IFX/Indiv.Out Assign)
      • 8-1d: FX Control Bus
      • 8-1e: REC Bus
      • 8-1f: OSC MFX Send
    • 8-5: Insert FX
      • 8-5a: Effect/EXi Fixed Resource Meter
      • 8-5b: IFX
    • 8-6: Track View
      • 8-6a: Track View
      • 8-6b: Selected
    • 8-7: IFX 1-12
      • Effects Modulation: Dmod
      • 8-7a: IFX1
      • 8-7b: IFX2…12
    • 8-9: Common FX LFO
      • 8-9a: Common FX LFO1
      • 8-9b: Common FX LFO2
  • Program P9: Master/Total Effect
    • 9-1: Routing
      • 9-1a: MFX1, 2
      • 9-1b: TFX1, 2
      • 9-1c: Master Volume
    • 9-2: MFX1
      • Effects Modulation: Dmod
      • 9-2a: MFX1
    • 9-3: MFX2
    • 9-4: TFX1
    • 9-5: TFX2
  • Program: Page Menu Commands
    • ENTER + 0-9: shortcuts for menu commands
    • Write Program
    • Exclusive Solo
    • Auto Assign KARMA RTC Name
    • Optimize RAM
    • Select Sample No.
    • Select Directory
    • Auto Sampling Setup
    • Copy Tone Adjust
    • Reset Tone Adjust
    • Copy Oscillator
    • Swap Oscillator
    • Copy Vector Envelope
    • Copy Pad Setup
    • Sample Parameters
    • Sync Both EGs
    • Swap LFO 1&2
    • Copy KARMA Module
    • Initialize KARMA Module
    • Copy Scene
    • Swap Scene
    • Capture Random Seed
    • Copy Insert Effect
    • Swap Insert Effect
    • Insert IFX Slot
    • Cut IFX Slot
    • Clean Up IFX Routings
    • Copy MFX/TFX
    • Swap MFX/TFX
    • Write FX Preset
• Program mode: EXi
  • EXi Program P0: Play
    • EXi Common parameters
    • Auto Song Setup
    • 0-1: Main
      • 0-1a: Bank, Program, and Category Select
      • 0-1b: Overview and Page Jump
    • 0-6: KARMA GE
    • 0-7: Controller View/Effects
    • 0-8: Audio Input/Sampling
    • 0-9: Control Surface
      • 0-9e: RT/KARMA (Real Time Knobs/KARMA)
      • 0-9f: Tone Adjust
  • EXi Program P4: Basic/Vector
    • 4-1: Program Basic
      • 4-1a: EXi 1
      • 4-1b: EXi 2
      • 4-1c: Voice Assign Mode
      • 4-1d: Key Zone
      • 4-1e: Scale
      • 4-1f: Note-On Control
      • 4-1g: Half-Damper Control
    • 4-2: EXi Audio Input
      • 4-2a: EXi 1
      • 4-2b: EXi 2
    • 4-5: Vector Control
    • 4-6: Vector Envelope
    • 4-8: Set Up Controllers
    • 4-9: Set Up Pads
  • EXi Program P5: Modulation
    • 5-1: Common Step Seq
      • 5-1a: Step Sequencer
      • 5-1b: Sequencer Reset
      • 5-1c: Value AMS Input
      • 5-1d: Step Parameters
    • 5-2: Common LFO
    • 5-3: Common Keyboard Track
  • EXi Program P6: EQ
  • EXi Program P7: KARMA
  • EXi Program P8: Insert Effect
  • EXi Program P9: Master/Total Effect
  • EXi Program: Page Menu Commands
    • Copy EXi Oscillator
    • Copy Step Sequencer
• EXi: AL-1 Analog Synthesizer
  • AL-1 Overview
    • Unsupported EXi Common parameters
  • EXi Program P0: Play
    • 0-1: Main
      • 0-1b: Overview and Page Jump
  • Program P4: OSC Pitch
    • 4-1: OSC Basic
      • Modeling vintage analog synths
      • 4-1a: Oscillator 1
      • 4-1b: Oscillator 2
      • 4-1c: FM/Sync
      • 4-1d: Edge (OSC 1, OSC 2 & Sub OSC)
    • 4-2: Sub/Noise/Ring Mod
      • 4-2a: Sub Oscillator
      • 4-2b: Ring Modulator
      • 4-2c: Noise Generator
    • 4-3: Mixer
      • 4-3a: Oscillator 1
      • 4-3b: Oscillator 2
      • 4-3c: Sub OSC/Audio Input
      • 4-3d: Ring Mod
      • 4-3e: Noise
    • 4-4: Pitch Common
      • 4-4a: Pitch
      • 4-4b: Portamento
      • 4-4c: LFO
    • 4-5: Pitch EG/Mod
      • 4-5a: OSC 1 & Sub OSC Pitch EG
      • 4-5b: OSC 2 Pitch EG
      • 4-5c: OSC 1 & Sub OSC Pitch Modulation
      • 4-5d: OSC 2 Pitch Modulation
      • 4–5: Page Menu Commands
  • Program P5: Filter
    • 5-1: Filter Basic
      • Interaction between the filters and the mixer
      • 5-1a: Routing
      • 5-1b: Filter A
      • 5-1c: Filter B
    • 5-2: Multi Filter
      • 5-2a: Filter A
      • 5-2b: Mode Crossfade
      • 5-2c: Manual 1
      • 5-2d: Manual 2
    • 5-3: Filter Modulation
      • 5-3a: Keyboard Track
      • 5-3b: Filter EG
      • 5-3c: Filter Modulation
    • 5-4: Filter LFO Mod
      • 5-4a: Filter A
      • 5-4b: Filter B
  • Program P6: Amp
    • 6-1: Amp/Driver
      • 6-1a: Driver
      • 6-1b: Amp Level
      • 6-1c: Pan
    • 6-2: Amp Modulation
      • 6-2a: Keyboard Track
      • 6-2b: Amp Modulation
    • 6-3: Amp EG
      • 6-3a: EG Reset
      • 6-3b: Amp EG
      • 6-3c: Level Modulation
      • 6-3d: Time Modulation
      • AMS2 and AMS3
  • Program P7: EG 1-4
    • 7-1: EG 1 (Filter)
      • 7-1a: EG Reset
      • 7-1b: Envelope
      • 7-1c: Level Modulation
      • 7-1d: Time Modulation
      • AMS2 and AMS3
    • 7-2: EG 2 (Pitch)
    • 7-3: EG 3
    • 7-4: EG 4
  • Program P8: Step Seq/LFO
    • 8-1: Step Sequencer
      • 8-1a: Step Sequencer
      • 8-1b: Sequencer Reset
      • 8-1c: Value AMS Input
      • 8-1d: Step Parameters
    • 8-2: LFO 1
      • 8-2a: LFO 1
      • 8-2b: Frequency Modulation
      • 8-2c: Frequency MIDI/Tempo Sync
    • 8-3: LFO 2
    • 8-4: LFO 3
    • 8-5: LFO 4
  • Program P9: AMS Mixer
    • 9-1: AMS Mixer
      • 9-1a: AMS Mixer 1
      • 9-1b: AMS Mixer 2
  • Tone Adjust
    • AL-1 Tone Adjust parameters
  • EXi AL-1: Page Menu Commands
    • Copy Envelope
    • Swap Envelope
    • Copy LFO
    • Swap LFO
• EXi: CX-3 Tonewheel Organ
  • CX-3 Overview
  • EXi Program P0: Play
    • 0-1: Main
      • 0-1b: Overview and Page Jump
  • Program P4: Basic
    • 4-1: Basic
      • 4-1a: Drawbar Mode
      • 4-1b: Tone
      • 4-1c: Key Click
    • 4-2: Controllers
      • 4-2a: Pitch Bend
      • 4-2b: Expression
      • 4-2c: Wheel Brake
  • Program P5: Split & Drawbars
    • 5-1: Keyboard Split
      • 5-1a: Split
    • 5-2: Drawbars
      • 5-2a: Lower Drawbar Levels
      • 5-2b: Upper Drawbar Levels
    • 5-3: EX Drawbars
      • 5-3a: Lower EX Drawbars
      • 5-3b: Custom Drawbar Settings
      • 5-3c and 5-3d: Upper EX Drawbars
  • Program P6: Percussion
    • 6-1: Percussion
      • 6-1a: Percussion
      • 6-1b: Level
      • 6-1c: Decay
      • 6-1d: Harmonic
    • 6-2: EX Percussion
      • 6-2a: EX Percussion
  • Program P7: Amp, V/C, Rotary Speaker
    • 7-1: Amp & V/C
      • 7-1a: Amp
      • 7-1b: EQ
      • 7-1c: Vibrato/Chorus
      • 7-1d: Preset
      • 7-1e: Custom
      • 7-1f: Main Output
    • 7-2: Rotary Speaker
      • 7-2a: Rotary Speaker
      • 7-2b: Mode/Speed
      • 7-2c: Horn
      • 7-2d: Rotor
      • 7-2e: Horn/Rotor
  • Program P9: AMS Mixer
    • 9-1: AMS Mixer
      • 9-1a: AMS Mixer 1
      • 9-1b: AMS Mixer 2
  • Tone Adjust
    • CX-3 Tone Adjust parameters
  • Changes from the original CX-3
  • EXi CX-3: Page Menu Commands
    • Copy Drawbars
    • Swap Drawbars
• EXi: STR-1 Plucked String
  • STR-1 Overview
  • EXi Program P0: Play
    • 0-1: Main
      • 0-1b: Overview and Page Jump
  • Program P4: String
    • 4-1: Pluck and Noise
      • 4-1a: Pluck
      • 4-1b: Noise Generator
    • 4-2: PCM Oscillator
      • Using PCM in the STR-1
      • 4-2a: Multisamples
    • 4-3: PCM Oscillator Pitch
      • 4-3a: Main
      • 4-3b: Portamento
      • 4-3c: LFO
      • 4-3d: Pitch EG
      • 4-3e: Pitch Modulation
    • 4-4: Excitation Mixer
      • 4-4a: PCM Oscillator
      • 4-4b: Pluck
      • 4-4c: Noise Generator
      • 4-4d: Excitation Filter
    • 4-5: String Main
      • 4-5a: Excitation
      • 4-5b: Harmonic
      • 4-5c: Decay
      • 4-5d: Nonlinearity
    • 4-6: Damping and Dispersion
      • 4-6a: Damping
      • 4-6b: Dispersion
    • 4-7: String Pitch
      • 4-7a: Main
      • 4-7b: Portamento
      • 4-7c: LFO
      • 4-7d: Pitch EG
      • 4-7e: AMS
    • 4-8: Pickups and Feedback
      • 4-8a: Pickup 1
      • 4-8b: Pickup 2
      • 4-8c: Feedback
    • 4-9: Mixer
      • 4-9a: String
      • 4-9b: PCM Oscillator
      • 4-9c: Noise
      • 4-9d: Pickup 1
      • 4-9e: Pickup 2
  • Program P5: Filter
    • 5-1: Filter Basic
      • Interaction between the filters and the mixer
      • 5-1a: Routing
      • 5-1b: Filter A
      • 5-1c: Filter B
    • 5-2: Multi Filter
      • 5-2a: Filter A
      • 5-2b: Mode Crossfade
      • 5-2c: Manual 1
      • 5-2d: Manual 2
    • 5-3: Filter Modulation
      • 5-3a: Keyboard Track
      • 5-3b: Filter EG
      • 5-3c: Filter Modulation
    • 5-4: Filter LFO Mod
      • 5-4a: Filter A
      • 5-4b: Filter B
  • Program P6: Amp
    • 6-1: Amp
      • 6-1a: Amp Level
      • 6-1b: Pan
    • 6-2: Amp Modulation
      • 6-2a: Keyboard Track
      • 6-2b: Amp Modulation
    • 6-3: Amp EG
      • 6-3a: EG Reset
      • 6-3b: Amp EG
      • 6-3c: Level Modulation
      • 6-3d: Time Modulation
      • AMS2 and AMS3
  • Program P7: EG 1-4
    • 7-1: EG 1 (Filter)
    • 7-2: EG 2 (Pitch)
    • 7-3: EG 3
    • 7-4: EG 4
  • Program P8: LFO 1-4
    • 8-1: LFO 1
    • 8-2: LFO 2
    • 8-3: LFO 3
    • 8-4: LFO 4
  • Program P9: AMS Mixers and String Track
    • 9-1: AMS Mixers 1-2
    • 9-2: AMS Mixers 3-4
    • 9-9: String Track
      • 9-9a: Fret Position
      • 9-9b: Strings
      • 9-9c: String Track 1
      • 9-9d: String Track 2
  • STR-1 Tone Adjust
    • STR-1 Tone Adjust parameters
• EXi: MS-20EX
  • MS-20EX Overview
    • On-screen knobs and switches, and the Parameter Details area
      • Parameter Details
      • Using the graphic parameters
      • Assigning AMS modulation
  • EXi Program P0: Play
    • 0-1: Main
      • 0-1b: Overview and Page Jump
  • Program P4: Oscillators & Filters
    • 4-1: Oscillators & Filters
      • 4-1a: Oscillators
      • 4-1b: High Pass Filter
      • 4-1c: Low Pass Filter
      • 4-1d: PITCH
      • 4-1e: PAN & ANALOG
      • 4-1f: Parameter Details
  • Program P5: MG, EG, & Modulation
    • 5-1: MG, EG, & Modulation
      • 5-1a: VOLTAGE CONTROLLED AMPLIFIER
      • 5-1b: MODULATION GENERATOR (MG)
      • 5-1c: ENVELOPE GENERATOR 1
      • 5-1d: ENVELOPE GENERATOR 2
      • 5-1e: EXTERNAL MODULATION 1
      • 5-1f: EXTERNAL MODULATION 2
      • 5-1g: Mixers
      • 5-1h: Parameter Details
  • Program P6: Patch Panel
    • 6-1: Patch Panel
      • Using the Patch Panel
      • Patch Panel modifications
      • Tip: Creating self-triggering patches
      • 6-1a: VCOs 1 and 2
      • 6-1b: HPF and LPF
      • 6-1c: VCA, VOLUME, and outputs
      • 6-1d: MODULATION GENERATOR and SAMPLE & HOLD
      • 6-1e: ENVELOPE GENERATORS 1 and 2
      • 6-1f: Modulation VCA (MVCA)
      • 6-1g: NOISE GENERATOR
      • 6-1h: Mod Wheel and Mod Switch
      • 6-1i: Keyboard Trigger and CV outputs
      • 6-1j: MIXERS 1 and 2
      • 6-1k: EXTERNAL SIGNAL PROCESSOR (ESP)
      • 6-1l: Parameter Details
  • Program P7: EG 3-6
    • 7-1: EG 3
    • 7-2: EG 4
    • 7-3: EG 5
    • 7-4: EG 6
  • Program P8: LFO 1-4
    • 8-1: LFO 1
    • 8-2: LFO 2
    • 8-3: LFO 3
    • 8-4: LFO 4
  • Program P9: AMS Mixers
    • 9-1: AMS Mixers 1-2
    • 9-2: AMS Mixers 3-4
    • EXi MS-20EX: Page Menu Commands
      • Delete All Connections
  • MS-20EX Tone Adjust
    • Common Tone Adjust parameters
    • MS-20EX Tone Adjust parameters
• EXi: PolysixEX
  • PolysixEX Overview
    • On-screen knobs and switches, and the Parameter Details area
      • Parameter Details
      • Using the graphic parameters
      • Assigning AMS modulation
      • Poly, Unison, Chord, and Hold
  • EXi Program P0: Play
    • 0-1: Main
      • 0-1b: Overview and Page Jump
  • Program P4: Main
    • 4-1: Main
      • 4-1a: VCO
      • 4-1b: MG (Modulation Generator)
      • 4-1c: VCF
      • 4-1d: EG
      • 4-1e: VCA
      • 4-1f: OUTPUT
      • 4-1g: PITCH
      • 4-1h: EFFECTS
      • 4-1i: Parameter Details
  • Program P5: Modulation & Arpeggiator
    • 5-1: Modulation & Arpeggiator
      • 5-1a: EXTERNAL MODULATION
      • 5-1b: ARPEGGIATOR
      • 5-1c: ANALOG
      • 5-1d: Parameter Details
  • Program P7: EG 2-3
    • 7-1: EG 2
    • 7-2: EG 3
  • Program P8: LFO 1-2
    • 8-1: LFO 1
    • 8-2: LFO 2
  • Program P9: AMS Mixers
    • 9-1: AMS Mixers 1-2
    • 9-2: AMS Mixers 3-4
  • PolysixEX Tone Adjust
    • Common Tone Adjust parameters
    • PolysixEX Tone Adjust parameters
• Combination mode
  • Combination P0: Play
    • 0-1: Program Select/Mixer
      • 0-1a: Combination Select
      • 0-1b: Timbre Program Select
      • CX-3 & STR-1: Limitations on EXi fixed resources
    • 0-6: KARMA GE
      • 0-6a: Combination Select, Load GE Options, KARMA T.Sig, Tempo
      • 0-6b: GE Select
      • 0-6c: Note/CC Activity
      • 0-6d: Realtime Controls
    • 0-7: Controller View/Effect
      • 0-7a: Combination Select
      • 0-7b: Assignment View
      • 0-7c: Effects
    • 0-8: Audio Input/Sampling
      • 0-8a: Audio Input
      • 0-8b: Recording Level [dB]
      • 0-8c: Sampling Setup
      • 0-8d: Metronome Setup
    • 0-9: Control Surface
      • Control Assign Switches and Tabs
      • Front-panel LEDs for sliders and knobs
      • Jump/Catch
      • Reset Controls
      • 0-9a: Combi Select & Tempo
      • 0-9b: Timbre 1-8/9-16
      • 0-9c: Audio Inputs
      • 0-9d: External
      • 0-9e: RT/KARMA (Real Time Knobs/KARMA)
      • 0-9f: Tone Adjust
      • Common Tone Adjust Parameters
  • Combination P1: EQ/Vector/Controller
    • 1-1: Timbre EQ
      • 1-1a: Combination Name
      • 1-1b: 3 Band Parametric EQ
    • 1-5: Vector Volume Control
      • 1-5a: Combination Name
      • 1-5b: Vector Volume Control
      • 1-5c: Vector Graphic
    • 1-6: Vector CC Control
      • 1-6a: Vector CC Control
    • 1-7: Vector Envelope
      • 1-7a: Basic
      • 1-7b: Vector Envelope Loop
      • 1-7c: Vector Envelope
      • KARMA and Vector EG interaction
    • 1-8: Set Up Controllers
      • 1-8a: Panel Switch Assign
      • 1-8b: Realtime Modulation Knob Assign
    • 1-9: Set Up Pads
      • 1-9a: Pad Chords
      • Assigning notes and chords to pads
      • Copying and Merging Pads
  • Combination P2: Timbre Parameters
    • 2-1: MIDI
      • 2-1a: MIDI
    • 2-2: OSC
      • 2-2a: OSC
    • 2-3: Pitch
      • 2-3a: Pitch
      • 2-3b: Combination’s Scale
    • 2-4: Delay
      • 2-4a: Delay
    • 2-5: Wave Sequence/KARMA
      • 2-5a: Wave Sequence/KARMA
    • 2-6: EXi Audio Input
      • 2-6a: EXi 1
      • 2-6b: EXi 2
  • Combination P3: MIDI Filter/Zones
    • 3-1: MIDI Filter1
      • 3-1a: MIDI Filter1
    • 3-2: MIDI Filter2
      • 3-2a: MIDI Filter2
    • 3-3: MIDI Filter3
      • 3-3a: MIDI Filter3
    • 3-5: Keyboard Zones
      • 3-5a: Zone Map
      • 3-5b: Keyboard Zones
    • 3-6: Velocity Zones
      • 3-6a: Zone Map
      • 3-6b: Velocity Zones
  • Combination P7: KARMA
    • 7-1: GE Setup/Key Zones
      • 7-1a: Combination Name, Load GE Options, KARMA T.Sig, Tempo
      • 7-1b: GE Setup/Key Zones
      • 7-1c: MIDI I/O
    • 7-2: MIDI Filter/CC Offset
      • 7-2a: MIDI Filter
      • 7-2b: CC Offset
    • 7-3: Module Parameters-Control
      • 7-3a: Module Parameter-Control
    • 7-4: Module Parameters-Trigger
      • 7-4a: Module Parameter-Trigger
    • 7-5: GE Real-Time Parameters
      • 7-5a: GE Number & Name, RTC Select, and Tempo
      • 7-5b: GE Real-Time Parameters for Module Control = Master
      • 7-5c: GE Real-Time Parameters for Module Control = A, B, C, D
      • 7-5d: Module Control Scene Matrix
    • 7-6: Perf Real-Time Parameters
      • 7-6a: Perf Real-Time Parameters (1…8)
    • 7-7: Dynamic MIDI
      • 7-7a: Dynamic MIDI (1…8)
    • 7-8: Random Seeds
      • 7-8a: Seed
      • 7-8b: Start/Loop
    • 7-9: Name/Note Map
      • 7-9a: Name
      • 7-9b: Note Map
  • Combination P8: Insert Effect
    • 8-1: Routing1
      • 8-1a: Routing Map
      • 8-1b: Routing1
    • 8-2: Routing2
      • 8-2a: Routing2
    • 8-5: Insert FX
      • 8-5a: IFX
      • 8-5b: Effect/EXi Fixed Resource Meter
    • 8-6: Track View
      • 8-6a: Track View
      • 8-6b: Selected
    • 8-7: IFX 1-12
      • Effects Modulation: Dmod
      • 8-7a: IFX1
      • 8-7b: IFX2…12
    • 8-9: Common FX LFO
      • 8-9a: Common FX LFO1
      • 8-9b: Common FX LFO2
  • Combination P9: Master/Total Effect
    • 9-1: Routing
      • 9-1a: MFX1, 2
      • 9-1b: TFX1, 2
      • 9-1c: Master Volume
    • 9-2: MFX1
      • Effects Modulation: Dmod
      • 9-2a: MFX1
    • 9-3: MFX2
    • 9-4: TFX1
    • 9-5: TFX2
  • Combination: Page Menu Commands
    • ENTER + 0-9: shortcuts for menu commands
    • Write Combination
    • Exclusive Solo
    • Copy From Program
    • Optimize RAM
    • Select Sample No.
    • Select Directory
    • Auto Sampling Setup
    • Copy Tone Adjust
    • Reset Tone Adjust
    • Show EQ Graphic
    • Copy Vector Envelope
    • Copy Pad Setup
    • Detune BPM Adjust
    • Copy KARMA Module
    • Initialize KARMA Module
    • Copy Scene
    • Swap Scene
    • Capture Random Seed
    • Auto Assign KARMA RTC Name
    • Copy Insert Effect
    • Swap Insert Effect
    • Insert IFX Slot
    • Cut IFX Slot
    • Clean Up IFX Routings
    • Drum Kit IFX Patch
    • Copy MFX/TFX
    • Swap MFX/TFX
    • Write FX Preset
• Sequencer mode
  • Sequencer Overview
    • MIDI sequencer
      • MIDI recording features
      • Parameter-related features
      • Editing and operation features
      • Sampling features
      • Hard disk recorder section
      • Common section
    • Setup parameters & Musical data
      • MIDI tracks 1-16
      • Master track
      • Audio tracks
    • Tip: Auto Song Setup
  • Sequencer P0: Play/REC
    • 0-1: MIDI Track Prog Select/Mixer
      • 0-1a: Location, Song/Track Select
      • To record tempo changes
      • Creating a new song
      • 0-1b: Track Program Select
    • 0-2: Audio Track Mixer
      • 0-2a: Audio Track Select
    • 0-3: MIDI Track Loop
      • 0-3a: Track Select
    • 0-5: Preferences
      • 0-5a: Recording Setup
      • 0-5b: Recording Setup (Audio Track)
      • 0-5c: Audio Track Recording Level [dB]
      • 0-5d: Metronome Setup
    • 0-6: KARMA GE
      • 0-6a: Location, Track Select, Load GE Options, KARMA T.Sig, Tempo
      • 0-6b: GE Select
      • 0-6c: Note/CC Activity
      • 0-6d: Real-Time Controls
    • 0-7: Controller View/Effect
      • 0-7a: Location, Song/Track Select
      • 0-7b: Assignment View
      • 0-7c: Effects
    • 0-8: Audio In/Sampling
      • 0-8a: Audio Input
      • 0-8b: Recording Level [dB]
      • 0-8c: Sampling Setup
    • 0-9: Control Surface
      • Control Assign Switches and Tabs
      • Front-panel LEDs for sliders and knobs
      • Jump/Catch
      • Reset Controls
      • 0-9a: Song Select & Tempo
      • 0-9b: MIDI Tracks 1-8 and 9-16
      • 0-9c: Audio Inputs
      • 0-9d: Audio HDR 1-8 and HDR 9-16
      • 0-9e: External
      • 0-9f: RT (Real Time Knobs)/KARMA
      • 0-9g: Tone Adjust
  • Sequencer P1: EQ/Vector/Controller
    • 1-1: MIDI Track EQ
      • 1-1a: Location, Song/Track Select
      • 1-1b: 3 Band Parametric EQ
    • 1-2: Audio Track EQ
      • 1-2a: 3 Band Parametric EQ
    • 1-5: Vector Volume Control
      • 1-5a: Vector Volume Control
      • 1-5b: Vector Graphic
    • 1-6: Vector CC Control
      • 1-6a: Vector CC Control
    • 1-7: Vector Envelope
      • 1-7a: Basic
      • 1-7b: Vector Envelope Loop
      • 1-7c: Vector Envelope
      • KARMA and Vector EG interaction
    • 1-8: Set Up Controllers
      • 1-8a: Panel Switch Assign
      • 1-8b: Modulation Knob Assign
    • 1-9: Set Up Pads
      • 1-9a: Pad Chords
      • Assigning notes and chords to pads
      • Copying and Merging Pads
  • Sequencer P2: Track Parameters
    • 2-1: MIDI
      • 2-1a: MIDI
    • 2-2: OSC
      • 2-2a: OSC
    • 2-3: Pitch
      • 2-3a: Pitch
      • 2-3b: Scale
    • 2-4: Delay
      • 2-4a: Delay
    • 2-5: Wave Sequence/KARMA
      • 2-5a: Wave Sequence/KARMA
    • 2-6: EXi Audio Input
      • 2-6a: EXi 1
      • 2-6b: EXi 2
    • 2-7: Audio Track Delay
      • 2-7a: Delay
  • Sequencer P3: MIDI Filter/Zones
    • 3-1: MIDI Filter1
      • 3-1a: MIDI Filter 1
    • 3-2: MIDI Filter2
      • 3-2a: MIDI Filter 2
    • 3-3: MIDI Filter3
      • 3-3a: MIDI Filter 3
    • 3-5: Keyboard Zones
      • 3-5a: Zone Map
      • 3-5b: Keyboard Zones
    • 3-6: Velocity Zones
      • 3-6a: Zone Map
      • 3-6b: Velocity Zones
  • Sequencer P4: Track Edit
    • 4-1: Track Edit
      • 4-1a: Track data Map
      • 4-1b: Track Select, From Measure, To End of Measure
    • 4-2: MIDI Track Name
      • 4-2a: MIDI Track Names
    • 4-3: AUDIO Track Name
      • 4-3a: Audio Track Names
  • Sequencer P5: Pattern/RPPR
    • 5-1: Pattern Edit
      • 5-1a: Location, Resolution, Tempo, Song/Track Select
      • 5-1b: Pattern, Pattern Select, Metronome, Remove Data
      • 5-1c: USED IN SONG TRACK, USED IN RPPR
    • 5-2: Pattern Name
      • 5-2a: User Pattern Names
    • 5-3: RPPR Setup
      • 5-3a: Song Select, Track Select, Tempo
      • 5-3b: KEY, Keyboard & Assigned graphics
      • 5-3c: RPPR Setup
  • Sequencer P7: KARMA
    • 7-1: GE Setup/Key Zones
      • 7-1a: Location, Track Select, Load GE Options, KARMA T.Sig, Tempo
      • 7-1b: GE Setup
      • 7-1c: MIDI I/O
    • 7-2: MIDI Filter/CC Offset
      • 7-2a: MIDI Filter
      • 7-2b: CC Offset
    • 7-3: Module Parameters-Control
      • 7-3a: Module Parameter-Control
    • 7-4: Module Parameters-Trigger
      • 7-4a: Module Parameter-Trigger
    • 7-5: GE Real-Time Parameters
      • 7-5a: GE No. & Name, GE RTC Select, Tempo
      • 7-5b: GE Real-Time Parameters for Module Control = Master
      • 7-5c: GE Real-Time Parameters for Module Control = A, B, C, D (1-32)
      • 7-5d: Scene Matrix
    • 7-6: Perf Real-Time Parameters
      • 7-6a: Perf Real-Time Parameters
    • 7-7: Dynamic MIDI
      • 7-7a: Dynamic MIDI
    • 7-8: Random Seeds
      • 7-8a: Seed
      • 7-8b: Start/Loop
    • 7-9: Name/Note Map
      • 7-9a: Name
      • 7-9b: Note Map (Custom)
  • Sequencer P8: Insert Effect
    • 8-1: MIDI Routing1
      • 8-1a: Routing Map
      • 8-1b: MIDI Routing1
    • 8-2: MIDI Routing2
      • 8-2a: MIDI Routing2
    • 8-3: Audio Routing1
      • 8-3a: Audio Routing1
    • 8-4: Audio Routing2
      • 8-4a: Audio Routing2
    • 8-5: Insert FX
      • 8-5a: IFX
      • 8-5b: Effect/EXi Fixed Resource Meter
    • 8-6: Track View
      • 8-6a: Track View
      • 8-6b: Selected
    • 8-7: IFX 1-12
      • Effects Modulation: Dmod
      • 8-7a: IFX1
      • 8-7b: IFX2…12
    • 8-9: Common FX LFO
      • 8-9a: Common FX LFO1
      • 8-9b: Common FX LFO2
  • Sequencer P9: Master/Total Effect
    • 9-1: Routing
      • 9-1a: MFX1, 2
      • 9-1b: TFX1, 2
      • 9-1c: Master Volume
    • 9-2: MFX1
      • Effects Modulation: Dmod
      • 9-2a: MFX1
    • 9-3: MFX2
    • 9-4: TFX1
    • 9-5: TFX2
  • Sequencer: Page Menu Commands
    • Memory Status
    • Exclusive Solo
    • Rename Song
    • Delete Song
    • Copy From Song
    • Load Template Song
    • Save Template Song
    • FF/REW Speed
    • Set Location (for Locate Key)
    • GM Initialize
    • Copy from Combination
    • Copy From Program
    • Stereo Pair
    • Optimize RAM
    • Select Sample No.
    • Select Directory
    • Auto HDR/Sampling Setup
    • Bounce All Tracks To Disk
    • Copy Tone Adjust
    • Reset Tone Adjust
    • Show EQ Graphic
    • Copy Vector Envelope
    • Copy Pad Setup
    • Detune BPM Adjust
    • MIDI Step Recording
    • MIDI Event Edit
    • Audio Event Edit
    • Audio Automation Edit
    • Set Song Length
    • Erase Track
    • Copy Track
    • Bounce Track
    • Erase Measure
    • Delete Measure
    • Insert Measure
    • Repeat Measure
    • Copy Measure
    • Move Measure
    • Create Control Data
    • Erase Control Data
    • Quantize
    • Shift/Erase Note
    • Modify Velocity
    • Region Edit
    • Volume Ramp
    • Copy Song’s Tempo to Region
    • Adjust Song’s Tempo to Region
    • Adjust Region to Song’s Tempo (Time Stretch)
    • Step Recording (Loop Type)
    • Event Edit
    • Pattern Parameter
    • Erase Pattern
    • Copy Pattern
    • Bounce Pattern
    • Get From MIDI Track
    • Put To MIDI Track
    • Copy To MIDI Track
    • Copy KARMA Module
    • Initialize KARMA Module
    • Copy Scene
    • Swap Scene
    • Capture Random Seed
    • Auto Assign KARMA RTC Name
    • Copy Insert Effect
    • Swap Insert Effect
    • Insert IFX Slot
    • Cut IFX Slot
    • Clean Up IFX Routings
    • DrumKit IFX Patch
    • Copy MFX/TFX
    • Swap MFX/TFX
    • Write FX Preset
    • Put Effect Setting to Track
  • System Exclusive events supported in Sequencer mode
• Sampling mode
  • Sampling Overview
    • Sampling to RAM, or direct to disk
      • Sampling and RAM
      • Sampling to disk
    • Sampling features
      • Sampling on the OASYS
      • Editing in Sampling mode
      • Sampling in Program, Combination, and Sequencer modes
      • Note: Changing velocity on the keyboard or pads
      • Sampling frequency and bit resolution
  • Sampling P0: Recording
    • 0-1: Recording
      • 0-1a: Multisample Select (MS)
      • 0-1b: Index, Sample Select, Original Key, Top Key, Create
      • About stereo multisamples and stereo samples
      • 0-1c: Recording Level [dB]
      • 0-1d: REC Sample Setup
      • 0-1e: Create Zone Preference
      • 0-1f: Free Sample Memory/Locations
    • 0-8: Audio Input
      • 0-8a: Input
      • 0-8b: Recording Level [dB]
      • 0-8c: Sampling Setup
      • 0-8d: Metronome Setup
    • 0-9: Control Surface
      • Control Assign Switches and Tabs
      • Front-panel LEDs for sliders and knobs
      • Jump/Catch
      • Reset Controls
      • 0-9a: OSC Mixer
      • 0-9c: Audio Inputs
      • 0-9d: External
      • 0-9e: R. Time Knobs
  • Sampling P1: Sample Edit
    • 1-1: Sample Edit
      • 1-1a: Multisample Select (MS)
      • 1-1b: Index, Sample Select, Range
      • 1-1c: Sample waveform display
      • 1-1d: Edit Range
      • 1-1e: Grid
      • 1-1f: ZOOM
  • Sampling P2: Loop Edit
    • 2-1: Loop Edit
      • 2-1a: Multisample Select (MS)
      • 2-1b: Index, Sample Select, Range
      • 2-1c: Sample waveform display
      • 2-1d: Sample Setup
      • 2-1e: Grid
      • 2-1f: ZOOM
  • Sampling P3: Multisample Edit
    • 3-1: Multisample Edit
      • 3-1a: Multisample Select (MS)
      • 3-1b: Multisample Setup
      • 3-1c: Create Zone Preference
  • Sampling P4: EQ/Controller
    • 4-1: EQ
      • 4-1a: 3 Band Parametric EQ
    • 4-8: Set Up Controllers
      • 4-8a: Panel Switch Assign
      • 4-8b: Modulation Knob Assign
    • 4-9: Set Up Pads
      • 4-9a: Pads 1
      • 4-9b: Pads 2…8
  • Sampling P5: Audio CD
    • 5-1: Audio CD
      • 5-1a: Audio CD Play
      • 5-1b: CD-R/RW Drive Audio Input
      • 5-1c: Ripping
  • Sampling P8: Insert Effect
    • 8-1: Routing
      • 8-1a: Routing Map
      • 8-1b: Bus Select
      • 8-1c: FX Control Bus
      • 8-1d: REC Bus
      • 8-1e: OSC MFX Send
      • 8-1f: Tempo
    • 8-5: Insert FX
      • 8-5a: IFX
      • 8-5b: Resource Meter and Tempo
    • 8-6: Track View
      • 8-6a: Track View
      • 8-6b: Selected
    • 8-7: IFX 1-12
      • 8-7a: IFX1
      • 8-7b: IFX2…12
    • 8-9: Common FX LFO
      • 8-9a: Common FX LFO1
      • 8-9b: Common FX LFO2
  • Sampling P9: Master/Total Effect
    • 9-1: Routing
      • 9-1a: MFX
      • 9-1b: TFX1, 2
      • 9-1c: Master Volume
    • 9-2: MFX1
      • 9-2a: MFX1
    • 9-3: MFX2
    • 9-4: TFX1
    • 9-5: TFX2
  • Sampling: Page Menu Commands
    • Remarks on editing stereo samples
    • Delete Sample
    • Copy Sample
    • Rename Sample
    • Move Sample
    • Sample Mono To Stereo (Change Sample Type)
    • Delete MS (Delete Multisample)
    • Copy MS (Copy Multisample)
    • Rename MS (Rename Multisample)
    • Convert MS (Multisample) To Program
    • MS Mono To Stereo/MS Stereo To Mono (Change Multisample Type)
    • Move MS (Move Multisample)
    • Optimize RAM
    • Select Directory
    • Auto Sampling Setup
    • Truncate (for Sample Edit)
    • Cut
    • Clear
    • Copy
    • Insert
    • Mix
    • Paste
    • Insert Zero
    • Normalize/Level Adjust
    • Volume Ramp
    • Rate Convert
    • Reverse
    • Link
    • Truncate (for Loop Edit)
    • Time Slice
    • Time Stretch
    • Crossfade Loop
    • Pitch BPM Adjust
    • Destination (Audio CD Ripping)
    • Copy Insert Effect
    • Swap Insert Effect
    • Insert IFX Slot
    • Cut IFX Slot
    • Clean Up IFX Routings
    • Copy Master/Total Effect
    • Swap Master/Total Effect
    • Write FX Preset
• Global mode
  • Global P0: Basic Setup
    • 0-1: Basic
      • 0-1a: Basic
      • 0-1b: Effect Global SW
      • 0-1c: KARMA
      • 0-1d: System Preference
      • 0-1e: Memory Protect
    • 0-2: Audio Input
      • 0-2a: Audio Input
      • 0-2b: Audio Output
  • Global P1: MIDI
    • 1-1: MIDI
      • 1-1a: MIDI Setup
      • 1-1b: MIDI Routing Setup
      • 1-1c: MIDI Filter
    • 1-2: External 1
      • 1-2a: External Mode Setup
      • 1-2b: Knobs/Switches/Sliders
    • 1-3: External 2
      • 1-3a: Setup select
      • 1-3b: Pads 1-8
  • Global P2: Controller/Scale
    • 2-1: Controller
      • 2-1a: Foot Switch & Pedal/Damper
      • 2-1b: MIDI CC# Assign -KARMA Controllers
      • 2-1c: MIDI CC# Assign -Vector Joystick / Pads
    • 2-2: User Scale
      • 2-2a: User Octave Scale
      • 2-2b: User All Notes Scale
  • Global P3: Category Name
    • 3-1: Program Category
      • 3-1a: Main Category
      • 3-1b: Sub Category
    • 3-2: Combi Category
    • 3-3: KARMA Category
  • Global P4: Wave Sequence
    • 4-1: Sequence Parameters
      • 4-1a: Basic
      • 4-1b: Graphic
      • 4-1c: Wave Sequence
      • Loop Parameters
      • 4-1d: Modulation
    • 4-2: Per-Step Parameters
      • 4-2a: Basic
      • 4-2b: Graphic
      • 4-2c: Step parameters
      • 4-2d: Command buttons
  • Global P5: Drum Kit
    • 5-1: Sample Setup
      • 5-1a: Drum Kit, Key Select, Assign
      • 5-1b: Drumsample
    • 5-2: Sample Parameters
      • 5-2a: Drumsample Parameters
    • 5-3: Voice Assign/Mixer
      • 5-3a: Voice Assign Mode
      • 5-3b: Mixer
  • Global P6: Plug-in Info
    • 6-1a: Public ID
    • 6-1b: Installed Plug-ins
    • Authorizing plug-ins
  • Global: Page Menu Commands
    • Write Global Setting
    • Set Program User-Bank Type
    • Change all bank references
    • Touch Panel Calibration
    • Half Damper Calibration
    • Pad Calibration
    • LCD Setup
    • Update System Software
    • Expansion Sample Setup
    • Display Public ID
    • Dump Program
    • Dump Combination
    • Dump Drum Kit
    • Dump Wave Sequence
    • Dump Global Setting
    • Dump Sequencer
    • System Exclusive Data Dumps
    • Set Up KARMA External MIDI Routing
    • Reset External Setup
    • Reset Controller MIDI Assign
    • Copy Scale
    • Write Wave Sequence
    • Write Drum Kit
    • Copy Key Setup
    • Swap Key Setup
• Disk mode
  • Files, directories, and icons
  • Disk P0: File
    • 0-1: Load
      • Mounting USB devices
      • Auditioning sounds from disk
      • 0-1a: Drive Select, Command buttons
      • 0-1b: Current Directory
      • 0-1c: Directory Window
    • 0-2: Save
    • 0-3: Utility
    • 0-9: Media Information
      • 0-9a: Media Information
  • Disk P1: Audio CD
    • 1-1: Make Audio CD
      • 1-1a: Track, Total, Free
      • 1-1b: Audio CD Track List
      • 1-1c: Drive Select, Command buttons
    • 1-2: Play Audio CD
      • 1-2a: Audio CD Play
      • 1-2b: CD-R/RW Drive Audio Input
    • 1-9: Media Information
  • Disk: Page Menu Commands
    • Hide unknown files
    • Translation
    • Lock/Unlock selected
    • Load selected
    • Save All (PCG, SNG and KSC)
    • Save PCG & SEQ
    • Save PCG
    • Save SEQ
    • Save Sampling Data
    • Save to Standard MIDI File
    • Save Exclusive
    • Save Effect Preset
    • Export Samples as AIF/WAV
    • Save Audio CD Track List
    • Rename
    • Copy
    • Delete
    • Delete Unused WAV Files
    • Create Directory
    • Set Date/Time
    • Format
    • Convert to ISO9660 Format
    • Rate Convert
    • Check Medium
    • Scan device
    • Swap Track
    • Write to CD
    • Finalize Audio CD
    • Erase CD-RW
• Effect Guide
  • Overview
    • About effects resources
      • Background information
      • Effect/EXi Fixed Resource Meter
    • Effects in each mode
      • Program mode
      • Combination, Sequencer mode
      • Sampling mode
      • Audio Input
    • Dynamic modulation (Dmod) and Tempo Synchronization
      • Dynamic modulation (Dmod)
      • Tempo Synchronization
    • Common FX LFOs
    • FX Control Buses
      • Example: Gated Reverb (Program mode)
      • Example: Compressor (Combination)
      • Example: Vocoder (Program)
      • Example: Rhythmic Vocoder (Combination)
    • Effect I/O
  • Insert Effects (IFX1…IFX12)
    • In/Out
    • Routing
      • Program mode
      • Combination and Sequencer modes
      • Drum Programs in Combination and Sequencer modes
      • Sampling mode
      • Audio Input, S/P DIF IN
      • Audio CD
      • Disk mode
    • Mixer
      • Pan (CC#8)
      • Bus Sel. (Bus Select)
      • Ctrl Bus (FX Control Bus)
      • REC Bus
      • Send1, Send2
    • Controlling the Insert Effects via MIDI
      • Program and Sampling modes
      • Combination mode
      • Sequencer mode
  • Master Effects (MFX1, 2)
    • In/Out
    • Routing
      • Program mode
      • Combination and Sequencer modes
      • Sampling mode
      • Audio Input, S/P DIF IN
      • Audio CD
      • Disk mode
    • Mixer
      • Return1, Return2
      • Chain check box
      • Chain Direction
      • Chain Level
    • Controlling the Master Effects via MIDI
      • Program and Sampling modes
      • Combination and Sequencer modes
  • Total Effects (TFX1, 2)
    • In/Out
    • Routing
    • Mixer
      • Master Volume
    • Using MIDI to control the Total Effects
      • Program and Sampling modes
      • Combination and Sequencer modes
  • Outputs
    • Main Outputs
    • Individual Outputs
  • Effect/Mixer Block Diagrams
  • Examples of the effect graphics
    • 012: Stereo Graphic EQ
    • Parametric EQ/EQ
    • Xover Filters
    • Limiter
    • 002: Stereo Compressor
    • 003: Stereo Expander
    • Multiband Limiter
    • 008: Stereo Master Limiter
    • Dyna Compressor
    • 010: Stereo Noise Reduction
    • Gate
    • 004: St Multiband Compressor
  • Dynamics
    • 000: No Effect
    • 001: Stereo Dyna Compressor
      • ENVELOPE
      • Pre EQ
      • COMPRESSOR
      • OUTPUT
    • 002: Stereo Compressor
      • ENVELOPE
      • SIDE CHAIN EQ
      • COMPRESSOR
      • OUTPUT
    • 003: Stereo Expander
      • ENVELOPE
      • SIDE CHAIN EQ
      • EXPANDER
      • OUTPUT
    • 004: St.Multiband Compressor
      • XOVER FILTER
      • ADJUST
      • Bands 1-4
      • OUTPUT
    • 005: Stereo Limiter
      • ENVELOPE
      • SIDE CHAIN EQ
      • LIMITER
      • OUTPUT
    • 006: Multiband Limiter
      • LIMITER
      • LOW
      • MID
      • HIGH
      • OUTPUT
    • 007: Stereo Multiband Limiter
      • LIMITER
      • LOW
      • MID
      • HIGH
      • OUTPUT
    • 008: Stereo Mastering Limiter
      • LIMITER
      • OUTPUT
      • Using the Stereo Mastering Limiter
    • 009: Stereo Gate
      • ENVELOPE
      • SIDE CHAIN EQ
      • GATE
      • OUTPUT
    • 010: Stereo Noise Reduction
      • ENVELOPE
      • NOISE REDUCTION
      • OUTPUT
  • EQ and Filters
    • 011: Stereo Parametric 4EQ
      • PARAMETRIC EQ
      • GAIN MOD
      • OUTPUT
    • 012: Stereo Graphic 7EQ
      • GRAPHIC EQ
      • OUTPUT
    • 013: Stereo Master 3EQ
      • PARAMETRIC EQ
      • GAIN MOD
      • OUTPUT
    • 014: Stereo Exciter/Enhncr
      • Pre EQ
      • EXCITER
      • ENHANCER
      • OUTPUT
    • 015: Stereo Isolator
      • XOVER FILTER
      • ISOLATOR
      • OUTPUT
    • 016: Stereo Wah/Auto Wah
      • CONTROL
      • LFO
      • WAH
      • OUTPUT
    • 017: St. Vintage/Custom Wah
      • CONTROL
      • LFO
      • WAH
      • OUTPUT
    • 018: Stereo Random Filter
      • FILTER
      • LFO
      • OUTPUT
    • 019: Multi Mode Filter
      • MULTIMODE FILTER
      • DRIVER
      • LFO
      • OUTPUT
    • 020: Stereo Sub Oscillator
      • ENVELOPE
      • SUB OSCILLATOR
      • OUTPUT
    • 021: Talking Modulator
      • CONTROL
      • TALKING MODULATOR
      • LFO
      • OUTPUT
    • 022: Stereo Decimator
      • DECIMATOR
      • BIT SHAPE
      • LFO
      • OUTPUT
    • 023: Stereo Analog Record
      • Pre EQ
      • ANALOG RECORD
      • NOISE
      • CLICK
      • OUTPUT
    • 024: Stereo Wave Shaper
      • WAVE SHAPER
      • EQ
      • OUTPUT
    • 025: Piano Body/Damper
      • SOUND BOARD
      • DAMPER
      • TONE
      • OUTPUT
    • 026: Vocoder
      • Vocoder overview
      • Using the vocoder with a mic input
      • CARRIER
      • MODULATOR
      • VOCODER
      • OUTPUT
  • Overdrive, Amp models, and Mic models
    • 027: OD/Hi-Gain Wah
      • WAH
      • DRIVE
      • EQ
      • OUTPUT
    • 028: OD/HyperGain Wah
      • WAH
      • DRIVE
      • EQ
      • OUTPUT
    • 029: Stereo Guitar Cabinet
      • CABINET SIMULATOR
      • OUTPUT
    • 030: Guitar Amp Model +P4EQ
      • GUITAR AMP MODEL
      • PARAMETRIC EQ
      • OUTPUT
    • 031: Guitar Amp Model +Cabinet
      • GUITAR AMP MODEL
      • CABINET SIMULATOR
      • OUTPUT
      • Recommended Combinations of Guitar Amp Models and Cabinet Simulators
    • 032: Stereo Bass Cabinet
      • CABINET SIMULATOR
      • OUTPUT
    • 033: Bass Amp Model
      • BASS AMP MODEL
      • OUTPUT
    • 034: Bass Amp Model +Cabinet
      • BASS AMP MODEL
      • CABINET SIMULATOR
      • OUTPUT
      • Recommended Combinations of Bass Amp Models and Cabinets
    • 035: Bass Amp TubeDrive +Cab
      • BASS AMP MODEL
      • CABINET SIMULATOR
      • OUTPUT
      • Recommended Combinations of Bass Amp Models and Cabinets
    • 036: Tube PreAmp Modeling
      • TUBE PREAMP1
      • TUBE PREAMP2
      • OUTPUT
    • 037: St. Tube PreAmp Modeling
    • 038: Mic Modeling +PreAmp
      • MIC SIMULATOR
      • TUBE PREAMP
      • OUTPUT
    • 039: St. Mic Modeling +PreAmp
  • Chorus, Flanger, and Phaser
    • 040: Stereo Chorus
      • Pre EQ
      • LFO
      • CHORUS
      • OUTPUT
    • 041: Stereo Harmonic Chorus
      • CHORUS
      • LFO
      • OUTPUT
    • 042: St. Bi-phase Modulation
      • MODULATION
      • LFO1/2
      • OUTPUT
    • 043: Multitap Cho/Delay 4Taps
      • MOD DELAY
      • LFO
      • OUTPUT
    • 044: Multitap Cho/Delay 6Taps
      • MODULATION DELAY
      • LFO
      • OUTPUT
    • 045: Bi Chorus
      • CHORUS1
      • CHORUS2
      • LFO1/2
      • MODE
      • OUTPUT
    • 046: Ensemble
      • ENSEMBLE
      • LFO
      • OUTPUT
    • 047: Polysix Ensemble
      • POLYSIX ENSEMBLE
      • OUTPUT
    • 048: Stereo Flanger
      • FLANGER
      • LFO
      • OUTPUT
    • 049: Stereo Random Flanger
      • FLANGER
      • LFO
      • OUTPUT
    • 050: Stereo Envelope Flanger
      • CONTROL
      • EG
      • FLANGER
      • OUTPUT
    • 051: Stereo Phaser
      • PHASER
      • LFO
      • OUTPUT
    • 052: Stereo Random Phaser
      • PHASER
      • LFO
      • OUTPUT
    • 053: Stereo Envelope Phaser
      • PHASER
      • CONTROL
      • EG
      • PHASER
      • OUTPUT
    • 054: Bi Phaser
      • PHASER1
      • PHASER2
      • LFO1/2
      • MODE
      • OUTPUT
  • Modulation and Pitch Shift
    • 055: Stereo Vibrato
      • AUTOFADE
      • VIBRATO
      • LFO
      • OUTPUT
    • 056: Stereo Auto Fade Mod.
      • AUTOFADE
      • MOD DELAY
      • LFO
      • OUTPUT
    • 057: 2-Voice Resonator
      • CONTROL
      • LFO
      • VOICE1
      • VOICE2
      • OUTPUT
    • 058: Doppler
      • DOPPLER
      • LFO
      • OUTPUT
    • 059: Scratch
      • RECORD
      • PLAYBACK
      • OUTPUT
    • 060: Grain Shifter
      • GRAIN SHIFTER
      • LFO
      • OUTPUT
    • 061: Stereo Tremolo
      • TREMOLO
      • LFO
      • OUTPUT
    • 062: Stereo Envelope Tremolo
      • ENVELOPE
      • TREMOLO
      • LFO
      • OUTPUT
    • 063: Stereo Auto Pan
      • AUTO PAN
      • LFO
      • OUTPUT
    • 064: Stereo Phaser+Tremolo
      • PHASER
      • TREMOLO
      • LFO
      • OUTPUT
    • 065: Stereo Ring Modulator
      • RING MODULATOR
      • LFO
      • OUTPUT
    • 066: Stereo Frequency Shifter
      • FREQUENCY SHIFTER
      • LFO
      • DELAY
      • OUTPUT
    • 067: Detune
      • INPUT
      • PITCH SHIFTER
      • DELAY
      • OUTPUT
    • 068: Pitch Shifter
      • INPUT
      • PITCH SHIFTER
      • DELAY
      • OUTPUT
    • 069: Stereo Pitch Shifter
      • INPUT
      • PITCH SHIFTER
      • DELAY
      • OUTPUT
    • 070: Pitch Shifter BPM
      • INPUT
      • PITCH SHIFTER
      • DELAY
      • OUTPUT
    • 071: Stereo Pitch Shifter BPM
      • INPUT
      • PITCH SHIFTER
      • DELAY
      • OUTPUT
    • 072: Pitch Shift Mod.
      • PITCH SHIFTER
      • LFO
      • OUTPUT
    • 073: Organ Vibrato/Chorus
      • CONTROL
      • PRESET
      • CUSTOM
      • OUTPUT
    • 074: Rotary Speaker
      • CONTROL
      • HORN
      • ROTOR
      • MIC
      • OUTPUT
    • 075: Rotary Speaker Pro OD
      • CONTROL
      • OVERDRIVE
      • HORN
      • ROTOR
      • Speaker Simulator
      • MIC
      • OUTPUT
    • 076: Rotary Speaker Pro CX
      • CONTROL
      • HORN
      • ROTOR
      • MIC
      • OUTPUT
  • Delay
    • 077: L/C/R Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 078: L/C/R Long Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 079: Stereo/Cross Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 080: Stereo/Cross Long Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 081: Stereo Multitap Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 082: Stereo Modulation Delay
      • CONTROL
      • LFO
      • MOD DELAY
      • OUTPUT
    • 083: Stereo Dynamic Delay
      • CONTROL
      • DELAY
      • OUTPUT
    • 084: Stereo Auto Panning Delay
      • DELAY
      • LFO
      • AUTO PAN
      • OUTPUT
    • 085: Tape Echo
      • INPUT
      • WOW & FLUTTER
      • TAPE ECHO
      • OUTPUT
    • 086: Multiband Mod. Delay
      • Dmod
      • XOVER FILTER
      • BAND1 DELAY
      • BAND2 DELAY
      • BAND3 DELAY
      • BAND4 DELAY
      • BAND1 LFO
      • BAND2 LFO
      • BAND3 LFO
      • BAND4 LFO
      • OUTPUT
    • 087: Reverse Delay
      • INPUT
      • REVERSE DELAY
      • OUTPUT
    • 088: Hold Delay
      • REC CONTROL
      • RESET CONTROL
      • HOLD DELAY
      • OUTPUT
    • 089: Auto Reverse
      • CONTROL
      • REVERSE
      • OUTPUT
    • 090: Sequence BPM Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 091: L/C/R BPM Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 092: L/C/R BPM Long Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 093: Stereo BPM Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 094: Stereo BPM Long Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 095: Stereo BPM Multitap Delay
      • INPUT
      • DELAY
      • OUTPUT
    • 096: Stereo BPM Mod. Delay
      • CONTROL
      • LFO
      • MOD DELAY
      • OUTPUT
    • 097: St. BPM Auto Panning Dly
      • DELAY
      • LFO
      • AUTO PAN
      • OUTPUT
    • 098: Tape BPM Echo
      • INPUT
      • WOW FLUTTER
      • TAPE ECHO
      • OUTPUT
    • 099: Reverse BPM Delay
      • INPUT
      • REVERSE DELAY
      • OUTPUT
  • Reverb and Early Reflections
    • 100: Overb
      • Pre EQ
      • REVERB
      • MODULATION
      • OUTPUT
    • 101: Reverb Hall
    • 102: Reverb Smooth Hall
    • 103: Reverb Wet Plate
    • 104: Reverb Dry Plate
      • Pre EQ
      • REVERB
      • OUTPUT
    • 105: Reverb Room
    • 106: Reverb Bright Room
      • Pre EQ
      • REVERB
      • OUTPUT
    • 107: Early Reflections
      • Pre EQ
      • EARLY REFLECTIONS
      • OUTPUT
    • 108: Early Reflections Hi Dens
      • Pre EQ
      • EARLY REFLECTIONS
      • OUTPUT
  • Mono-Mono Serial
    • 109: P4EQ - Exciter
      • PARAMETRIC EQ
      • EXCITER
      • OUTPUT
    • 110: P4EQ - Wah
      • Routing
      • P4EQ
      • WAH
      • OUTPUT
    • 111: P4EQ - Chorus/Flanger
      • PARAMETRIC EQ
      • CHORUS/FLANGER
      • OUTPUT
    • 112: P4EQ - Phaser
      • PARAMETRIC EQ
      • PHASER
      • OUTPUT
    • 113: P4EQ - Multitap Delay
      • PARAMETRIC EQ
      • MULTITAP DELAY
      • OUTPUT
    • 114: Comp - Wah
      • Routing
      • Pre EQ
      • COMPRESSOR
      • CONTROL
      • LFO
      • WAH
      • OUTPUT
    • 115: Comp - Amp Sim
      • Routing
      • COMPRESSOR
      • AMP SIM
      • OUTPUT
    • 116: Comp - OD/HiGain
      • Routing
      • COMPRESSOR
      • OD/HI-GAIN
      • OUTPUT
    • 117: Comp - P4EQ
      • Routing
      • COMPRESSOR
      • PARAMETRIC EQ
      • OUTPUT
    • 118: Comp - Chorus/Flanger
      • Routing
      • COMPRESSOR
      • CHORUS/FLANGER
      • OUTPUT
    • 119: Comp - Phaser
      • Routing
      • COMPRESSOR
      • PHASER
      • PHASER
      • OUTPUT
    • 120: Comp - Multitap Delay
      • Routing
      • Pre EQ
      • COMPRESSOR
      • MULTITAP DELAY
      • OUTPUT
    • 121: Limiter - P4EQ
      • Routing
      • LIMITER
      • PARAMETRIC EQ
      • OUTPUT
    • 122: Limiter - Chorus/Flanger
      • Routing
      • LIMITER
      • CHORUS/FLANGER
      • OUTPUT
    • 123: Limiter - Phaser
      • Routing
      • LIMITER
      • PHASER
      • OUTPUT
    • 124: Limiter - Multitap Delay
      • Routing
      • LIMITER
      • MULTITAP DELAY
      • OUTPUT
    • 125: Exciter - Comp
      • Routing
      • EXCITER
      • COMPRESSOR
      • OUTPUT
    • 126: Exciter - Limiter
      • Routing
      • EXCITER
      • LIMITER
      • OUTPUT
    • 127: Exciter - Chorus/Flanger
      • EXCITER
      • CHORUS/FLANGER
      • OUTPUT
    • 128: Exciter - Phaser
      • EXCITER
      • PHASER
      • OUTPUT
    • 129: Exciter - Multitap Delay
      • EXCITER
      • MULTITAP DELAY
      • OUTPUT
    • 130: OD/Hi Gain - Amp Sim
      • Routing
      • OD/HI-GAIN
      • AMP SIM
      • OUTPUT
    • 131: OD/Hi Gain - Cho/Flanger
      • Routing
      • OD/HI-GAIN
      • CHORUS/FLANGER
      • OUTPUT
    • 132: OD/Hi Gain - Phaser
      • Routing
      • OD/HI-GAIN
      • PHASER
      • OUTPUT
    • 133: OD/Hi Gain - Multitap Dly
      • OD/HI-GAIN
      • MULTITAP DELAY
      • OUTPUT
    • 134: Wah - Amp Sim
      • Routing
      • WAH
      • AMP SIM
      • OUTPUT
    • 135: Decimator - Amp Sim
      • Routing
      • DECIMATOR
      • BIT SHAPE
      • AMP SIM
      • OUTPUT
    • 136: Decimator - Comp
      • Routing
      • DECIMATOR
      • BIT SHAPE
      • COMPRESSOR
      • OUTPUT
    • 137: Amp Sim - Tremolo
      • AMP SIM
      • TREMOLO
      • OUTPUT
    • 138: Cho/Flanger - Multitap Dly
      • CHORUS/FLANGER
      • MULTITAP DELAY
      • OUTPUT
    • 139: Phaser - Chorus/Flanger
      • PHASER
      • CHORUS/FLANGER
      • OUTPUT
    • 140: Reverb - Gate
      • REVERB
      • GATE
      • OUTPUT
  • Mono/Mono Parallel
    • 4 band EQ
    • Compressor
    • Limiter
    • Exciter
    • OD/HI-GAIN
    • WAH
    • Chorus/Flanger
    • Phaser
    • Multi-tap BPM Delay
    • 141: P4EQ // P4EQ
    • 142: P4EQ // Comp
    • 143: P4EQ // Limiter
    • 144: P4EQ // Exciter
    • 145: P4EQ // OD/Hi Gain
    • 146: P4EQ // Wah
    • 147: P4EQ // Chorus/Flanger
    • 148: P4EQ // Phaser
    • 149: P4EQ // Multitap BPM Dly
    • 150: Comp // Comp
    • 151: Comp // Limiter
    • 152: Comp // Exciter
    • 153: Comp // OD/Hi Gain
    • 154: Comp // Wah
    • 155: Comp // Chorus/Flanger
    • 156: Comp // Phaser
    • 157: Comp // Multitap BPM Dly
    • 158: Limiter // Limiter
    • 159: Limiter // Exciter
    • 160: Limiter // OD/Hi Gain
    • 161: Limiter // Wah
    • 162: Limiter // Chorus/Flanger
    • 163: Limiter // Phaser
    • 164: Limiter // Mtap BPM Dly
    • 165: Exciter // Exciter
    • 166: Exciter // OD/Hi Gain
    • 167: Exciter // Wah
    • 168: Exciter // Chorus/Flanger
    • 169: Exciter // Phaser
    • 170: Exciter // Mtap BPM Dly
    • 171: OD/Hi Gain // OD/Hi Gain
    • 172: OD/Hi Gain // Wah
    • 173: OD/Hi Gain // Cho/Flanger
    • 174: OD/Hi Gain // Phaser
    • 175: OD/Hi Gain // Mt BPM Dly
    • 176: Wah // Wah
    • 177: Wah // Chorus/Flanger
    • 178: Wah // Phaser
    • 179: Wah // Multitap BPM Dly
    • 180: Cho/Flange // Cho/Flanger
    • 181: Cho/Flange // Phaser
    • 182: Cho/Flange // Mt BPM Dly
    • 183: Phaser // Phaser
    • 184: Phaser // Mtap BPM Dly
    • 185: Mt.BPM Dly // Mt.BPM Dly
• KARMA GE guide
  • About the KARMA GE guide
    • How to read the “GE Guide”
    • How GE parameter names are displayed
  • About KARMA
    • Overview
    • Theory Of Operation
    • KARMA Architecture (Diagram)
  • GE (Generated Effect) Group
    • Overview
    • GE Global Parameters
  • Note Series Group
    • Overview
    • Parameters
  • Phase Group
    • Overview
    • About Phase Patterns
    • General Parameters
    • Phase Specific Parameters
    • End Loop Parameters
    • Pattern Parameters
  • Rhythm Group
    • Overview
    • About Rhythm Patterns
    • Global Parameters
    • Pattern Grid & Associated Parameters
    • Random Weighting Parameters - Pools
    • Random Weighting Parameters - Ties
    • Associated Parameters
  • Duration Group
    • Overview
    • About Duration Patterns
    • Pattern Grid & Associated Parameters
    • Associated Parameters
    • Random Weighting Parameters - Pools
    • Random Weighting Parameters - Ties
    • Associated Parameters
  • Index Group
    • Overview
    • About Index Patterns
    • Pattern Grid & Associated Parameters
    • Associated Parameters
    • Random Weighting Parameters
    • Associated Parameters
  • Cluster Group
    • Overview
    • About Cluster Patterns
    • Pattern Grid & Associated Parameters
    • Random Weighting Parameters
    • Associated Parameters
  • Velocity Group
    • Overview
    • About Velocity Patterns
    • Global Parameters
    • Pattern Grid & Associated Parameters
    • Random Weighting Parameters
    • Associated Parameters
  • CCs/Pitch Group
    • Overview
    • About CC/Bend/Pitch Patterns
    • Pattern Grid & Associated Parameters
    • Random Weighting Parameters
    • Global Parameters
    • Associated Parameters
  • WaveSeq Group
    • Overview
    • About WaveSeq Patterns
    • Global Parameters
    • Pattern Grid & Associated Parameters
    • Random Weighting Parameters
    • Associated Parameters
  • Envelope Group
    • Overview
    • About Envelopes
    • Parameters
    • Level Combinations
    • Time Combinations
  • Repeat (Melodic Repeat) Group
    • Overview
    • General Parameters
    • Range Parameters
    • GE Mode = Real-Time Parameters
  • Bend Group
    • Overview
    • General Parameters
    • GE Mode = Real-Time Parameters
  • Drum Group
    • Overview
    • About Drum Patterns
    • Pattern Editing Grid & Associated Parameters
    • Associated Parameters
    • Random Weighting Parameters- Pools
    • Random Weighting Parameters- Rests
    • Associated Parameters
  • Direct Index Group
    • Overview
    • General Parameters
    • Duration Parameters
    • Repeat Parameters
    • Bend Parameters
  • Appendices
    • Using Auto-Bend
    • Random Weighting Curves
• Appendices
  • Alternate Modulation Sources (AMS)
    • Alternate Modulation Overview
      • Alternate Modulation Sources
      • AMS Mixers
    • AMS (Alternate Modulation Source) List
      • Physical and MIDI controllers
      • HD-1
      • EXi Common
      • EXi AL-1
      • EXi CX-3
      • EXi STR-1
      • EXi MS-20EX
      • EXi PolysixEX
    • Alternate Modulation settings
      • The effects of AMS on various parameters, and example applications
  • Dynamic Modulation Sources (Dmod)
    • Dynamic Modulation Source List
  • Controller Assignments
    • SW1/2 Assignments
      • List of SW 1/2 assignments
    • Realtime Knobs 5-8 Assignments
      • List of Knob 5-8 assignments
      • Knobs 1-4
    • Foot Switch Assignments
      • List of Foot Switch assignments
    • Foot Pedal Assignments
      • List of Foot Pedal assignments
  • Dynamic MIDI Sources & Destinations
    • Dynamic MIDI Sources
      • Controller Group:
      • Note Group:
      • Velocity Group:
    • Dynamic MIDI Destinations
  • MIDI transmission when the OASYS’s controllers are operated
    • Fixed assignments
    • Program mode
    • Combination mode
    • Sequencer mode
    • Sampling mode
  • OASYS and MIDI CCs
    • Responses to standard MIDI controllers
    • Parameters controlled by MIDI CCs #70-79
  • MIDI applications
    • About MIDI
    • Connecting MIDI devices & computers
      • Controlling an external MIDI tone generator from the OASYS
      • Controlling the OASYS's tone generator from an external MIDI device
      • Controlling two or more external MIDI tone generators from the OASYS
      • The "Convert Position" setting
      • Connecting an external MIDI sequencer or computer
      • Local Control On settings
    • Messages transmitted and received by the OASYS
      • MIDI channels
      • Note on/off
      • Program Change/Bank Select
      • After touch
      • Pitch bend
      • Control change
      • Selecting program/combination banks
      • Using the joystick to apply modulation
      • Controlling portamento
      • Controlling volume
      • Controlling pan (stereo position)
      • Controlling effects
      • Using various controllers
      • Controlling Program tone & envelope shapes
      • Vector control
      • KARMA function control
      • Pad 1-8 control
      • Using RPN (Registered Parameter Numbers)
      • About system exclusive messages
      • Universal system exclusive
      • Transmitting sound settings data (Data Dump)
      • Editing sounds via SysEx
      • If notes are "stuck"
      • Playing the OASYS multi-timbrally from an external device
      • Synchronizing the playback of the KARMA function or sequencer
      • Recording musical data from an external device
      • Recording the MIDI output of the OASYS’s controllers, KARMA function, and internal sequencer to an external sequencer/computer
      • Using the REALTIME KNOBS 1-8 to record MIDI control changes on an external MIDI sequencer/computer
      • Recording the KARMA function or RPPR function on an external MIDI sequencer/computer
      • About GM (General MIDI)
      • About standard MIDI files
  • MIDI Implementation
  • Error and confirmation messages
    • A (ADC-Are You Sure)
      • ADC Overload
      • Are you sure?
    • B (Buffer)
      • Buffer overrun error occurred
      • Buffer underrun error occurred
    • C (Can't calibrate-Completed)
      • Can't calibrate
      • Can't execute Audio Track recording
      • Can't insert event in stereo track
      • Can't load divided PCG file
      • Can't open pattern Continue?
      • CLIP!
      • CLOCK ERROR!
      • Completed
    • D (Destination-Disk)
      • Destination and source are identical
      • Destination from-measure within the limits of source
      • Destination is empty
      • Destination measure is empty
      • Destination multisample already exists
      • Destination multisample and source multisample are identical
      • Destination sample already exists
      • Destination sample data used in source sample Can’t overwrite
      • Destination sample is empty
      • Destination song is empty
      • Directory is not empty Cleanup directory Are you sure?
      • Disc full
      • Disk not formatted
    • E (Error-Exceeded)
      • Error in formatting medium
      • Error in reading from medium
      • Error in writing to medium
      • Exceeded 16 Programs
    • F (File-Front)
      • File already exists
      • File contains unsupported data
      • File is read-only protected
      • File name conflicts
      • File unavailable
      • File/path not found
      • Front sample data used in rear sample Can’t overwrite
    • I (Illegal-Index)
      • Illegal file description
      • Illegal SMF data
      • Illegal SMF division
      • Illegal SMF format
      • Inconvertible file exists
      • Index number over limit
    • M (Master-Multisample)
      • Master Track can't be recorded alone
      • Master Track is empty
      • Measure number over limit
      • Measure size over limit
      • Medium changed
      • Medium unavailable
      • Medium write protected
      • Memory full
      • Memory overflow
      • Memory Protected
      • MIDI data receiving error
      • Mount Error
      • Multisample L and R are identical
    • N (No data-Not enough song memory)
      • No data
      • No medium
      • No recording track specified
      • No space available on medium
      • No space available on medium Do you want to make a divided file?
      • Not enough empty slot to copy
      • Not enough memory
      • Not enough memory to load
      • Not enough memory to open pattern
      • Not enough multisample memory
      • Not enough region locations available
      • Not enough relative parameter memory
      • Not enough sample memory
      • Not enough sample/multisample locations available
      • Not enough song locations available
      • Not enough song memory
      • No unused WAVE files found
    • O (Obey copyright rules-Oscillator)
      • Obey Copyright Rules
      • Oscillator Mode conflicts (Check PROG P1)
    • P (Pattern-Program)
      • Pattern conflicts with events
      • Pattern exists across destination to-end- of-measure or source from-measure
      • Pattern exists in destination or source track - Open pattern?
      • Pattern used in song - Continue ?
      • Program Bank Type conflicts
      • Program Type conflicts
    • R (Rear sample-Root)
      • Rear sample is empty
      • Root directory is full
    • S (Sample-Source)
      • Sample data used in other sample(s) Continue?
      • Sample L and R are identical
      • Sample length is shorter than minimum
      • Sample used in other multisample(s) Continue?
      • Selected file/path is not correct
      • Slice point over limit Can't divide
      • Source file is not 44100Hz or 48000Hz Can’t convert
      • Source IFX is all empty
    • T (The clock-Track)
      • The clock battery voltage is low. Please replace the battery, and set the date and time in Disk mode.
      • The Expansion Sample Setup has now been changed. In order for your changes to take effect, please turn the power off, and then on again. [OK]
      • There are un-saved audio files from your previous recording session. Do you want to restore these files, or delete them from the disk? [Restore] [Delete]
      • There is not readable data
      • The system update has now been installed. To complete the process, you must now restart the OASYS. Please turn the power off, and then on again.
      • This file is already loaded
      • Track is full
    • U (Unable to create directory-USB Hub)
      • Unable to create directory
      • Unable to save file
      • Update Error
      • USB HUB Power exceeded Please disconnect USB device
    • W (Wave)
      • WAVE files on this external medium will not be played with sequencer audio track playback. Copy SNG and WAVE Directory to Internal HDD, and load SNG from internal HDD
    • Y (You)
      • You can't undo this operation Are you sure?
      • You can't undo last operation Are you sure?
  • Disk mode information
    • AIFF and WAVE format details: importing
      • AIFF files
      • WAVE files
    • AIFF and WAVE format details: exporting
      • AIFF files
      • WAVE files
    • About KORG format files
      • KORG format file structure
      • KMP (KORG Multisample Parameter) files
      • KSF (KORG Sample File) files
      • KSC (Korg SCript) files
    • CD-R/RW disks on the OASYS: UDF and packet-writing
      • About packet writing
      • Compatible media
      • Formatting
      • Deleting and updating files
      • Writing to CD media may take time
      • Reading OASYS CDs on other devices
      • Troubleshooting converted CD-Rs
  • Option boards/Memory/Calendar battery
    • Please note when installing an option board/memory
    • Cautions when installing the calendar battery
    • About option boards/memory/calendar battery
    • Checking after installation
    • Installing an option board/memory/calendar battery
      • Opening and closing the front panel
      • Installing the EXB-DI
      • Installing memory
      • Installing the calendar battery
    • EXB-DI option
      • Example connections
  • Updating the system
    • 1. Downloading the system file
    • 2. Updating the system
  • Using the included Restore CDs to restore the system and factory sounds
    • Contents of the Restore CDs
    • Restoring the OASYS factory data
• Voice Name List
  • Combinations
    • INT-A
    • INT-B
    • INT-C
  • Programs
    • Bank INT-A [HD-1]
    • Bank INT-B [HD-1]
    • Bank INT-C [HD-1]
    • Bank INT-D [HD-1]
    • Bank INT-E [HD-1] EXs1
    • Bank INT-F [EXi]
    • Bank USER-D [EXi] LAC-1
    • Bank USER-E [EXi]
    • Bank USER-F [EXi]
    • Bank G / g(1)…g(9) / g(d)
    • Bank USER-A [HD-1] EXs2
  • Drum Kits
  • GM Drum Kits
  • KARMA GEs
    • Category: Arpeggio
    • Category: Melodic
    • Category: Harmonic (Poly)
    • Category: Chord Rhythmic
    • Category: Strumming
    • Category: Pick
    • Category: Bass Pattern
    • Category: Gated
    • Category: Drum
    • Category: Wavesequence
    • Category: CC
    • Category: Real-Time
    • KARMA RTC Names
  • External Setups
    • 000: NI Pro53
    • 001: Atmosphere
    • 002: B4
    • 003: FM7 (requires FM7 controller file)
    • 004: Subtractor (Reason)
    • 005: NNXT (Reason)
    • 006: Dr.Rex (Reason)
    • 007: Redrum (Reason) 8-channel mixer
    • 008: Redrum (Reason) 8-channel Editor
    • 009: Malstrom (Reason)
    • 010: Mixer (Reason)
    • 011: NN-19 (Reason)
    • 012: Legacy MS-20
    • 013: Legacy Polysix
    • 014: NI Elektrik Piano
    • 015: USB Ultra Focus
    • 016: 8-channel MIDI Mixer
  • Multisamples
    • ROM mono
    • ROM stereo
    • EXs1 mono
    • EXs1 stereo
    • EXs2 mono
    • EXs2 stereo
  • Drumsamples
    • ROM mono
    • EXs1 mono
    • EXs1 stereo
  • Wave Sequences
    • INT
  • Preset Patterns
  • Template Songs
  • Demo Songs