Understanding the basic mixing stages – Apple Logic Pro 9 User Manual

Page 758

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Understanding the Basic Mixing Stages

Although there are no rules for mixing—except those learned from experience and a
good ear—mixing generally takes place in the stages listed below. The structure of the
sections in this chapter follows the same basic workflow. You may, however, find yourself
moving back and forth between stages as you work on the mix.

Stage 1:

Making Preparations

Take some time to prepare and preview your arrangement before you start mixing.

• Preview the tracks in your arrangement to see if you can group some of them in a

logical manner. If you have lots of drum tracks, for example, it can be useful to group
these tracks and link some of their parameters, which you can then adjust for the whole
group at once. For details, see

Working with Mixer Groups

.

• Preview the tracks in your arrangement using the mute and solo functions. See

Muting

Channel Strips

and

Soloing Channel Strips

.

Stage 2:

Setting Volume Levels

Set the relative levels for each channel strip, to control the volume relationships between
your project’s parts. See

Setting Channel Strip Levels

.

Stage 3:

Setting Pan, Balance, or Surround Position

Set the pan/balance/surround for each channel strip, to control their positions in the
stereo or surround field. See

Setting Pan, Balance, or Surround Position in the Mixer

.

Stage 4:

Adding and Routing Effects

After the basic sound and levels are the way you like them, you can add some effects,
such as reverb or chorus, to your musical parts. You also need to look at how you route
your audio to these effects. See

Adding and Routing Effects in the Mixer

.

Stage 5:

Controlling Signal Flow

There are many ways to control the signal flow in your mix, using inputs/outputs, aux
channel strips, output channel strips, multiple instrument outputs, and so on. See

Controlling Signal Flow in the Mixer

.

Stage 6:

Automating the Mix

Some parts of your project may benefit from real-time changes to levels, effects, or
instrument settings. This is best achieved with track automation. See

Working with

Automation

.

Stage 7:

Bouncing the Project

The last phase—which is not a mixing task, per se—is to render or bounce your project
to one or more files. See

Bouncing Your Project

.

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Chapter 27

Mixing

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