Talking mod (talking modulator), Talking mod, Effect – KORG MICROX X50 User Manual

Page 118: Talking modulator)

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EFFECT

a: OSC Mode, b: Note Interval, c: Fine

The “OSC Mode” parameter selects the oscillator operation mode.
When Note (Key Follow) is selected, the oscillator’s frequency is
determined based on the note number, allowing you to use it as
an octaver. The “Note Interval” parameter sets the pitch offset
from the original note number by semitone steps. The “Fine”
parameter allows you to fine-tune in steps of cents.

e: Envelope Pre LPF

This parameter sets the upper limit of the frequency range to
which very low harmonics are added. Adjust this parameter if
you do not want to add lower harmonics to the higher range.

13: Talking Mod

(Talking Modulator)

This effect adds an unusual character, like a human voice, to
the input signal. Modulating the tone via dynamic modula-
tion, you can create an interesting effect that sounds as if the
guitar or synthesizer is talking.

d: Top, d: Center, d: Bottom

These parameters assign vowels to the top, center, and bottom
position of the controller.
Example: Suppose that “Top” is set to A, “Center” to I, and “Bot-
tom” to U.
If “Sweep Mode” is set to Dmod and “Control Src” to PBEND
(

microX:

JSX

), moving the [PITCH] wheel from the lowest (down)

position to the highest (up) position (

microX:

moving the joystick

from the right edge toward the left edge) will change the vocal
character through the range “aah,” “iih” and “uuh.”
If Sweep Mode is set to LFO, the sound will change cyclically
from “a” to “i,” “u,” “i,” then “a.”

e: Formant Shift

This parameter adjusts the frequency level to which the effect is
applied. If you wish to apply the effect to a higher-range sound,
set this parameter to a higher value; to apply the effect to a lower-
range sound, set this to a lower value.

h: Resonance

This parameter sets the intensity of resonance for the voice pat-
tern. A larger value will add more character to the sound.

e

Envelope Pre LPF

1...100

Sets the upper limit of the frequency range for which very low har-
monics are added

f

Envelope Sens (Envelope Sensitivity)

0...100

Sets the sensitivity with which very low harmonics are added

g

Envelope Shape
Sets the oscillator’s volume envelope curve

–100...+100

h

W/D (Wet/Dly)

Dry, 1:99...99:1, Wet

Sets the balance between the effect and dry sounds

(Source)

Off...Tempo

Selects the modulation source of the effect balance

(Amount)
Sets the modulation amount of the effect balance

–100...+100

a

Sweep Mode

Dmod, LFO

Switches between modulation source control and LFO control

b

Voice Control

Bottom, 1...49, Center, 51...99, Top

Voice pattern control

c

Control Src (Control Source)

Off...Tempo

Selects the modulation source that controls the voice pattern

d

Top (Voice Top)
Selects a vowel sound at the top end of control

A, I, U, E, O

Center (Voice Center)
Selects a vowel sound in the center of control

A, I, U, E, O

Bottom (Voice Bottom)

A, I, U, E, O

Selects a vowel sound at the bottom end of control

e

Formant Shift

–100...+100

Sets the frequency to which the effect is applied

f

lfoF (LFO Frequency)

0.02...20.00Hz

Sets the LFO speed

Fx:09,

(Source)
Selects the modulation source of LFO speed

Off...Tempo

(Amount)

–20.00...+20.00Hz

Sets the modulation amount of LFO speed

Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out

Left

Right

Wet / Dry

Wet / Dry

+

D

-mod

Voice Top: A

Voice Center: I

Voice Bottom: U

A

-

I

-

U

-

E

-

O

Talking Modulator

LFO

D-mod

LFO

Sweep Mode

g

BPM/MIDI Sync

Off, On

Switches between using the frequency of the LFO speed and using
the tempo and notes

Fx:09,

BPM
Selects MIDI Clock and assigns tempo

MIDI, 40...240

Fx:09

Base (Base Note)

Selects the type of notes that specify the LFO speed

Fx:09

Times

1...16

Sets the number of notes that specify the LFO speed

Fx:09

h

Resonance
Sets the Level of resonance of the voice pattern

0...100

i

W/D (Wet/Dly)

Dry, 1:99...99:1, Wet

Sets the balance between the effect and dry sounds

(Source)

Off...Tempo

Selects the modulation source of the effect balance

(Amount)
Sets the modulation amount of the effect balance

–100...+100

+ Max

Zero

D

-mod

– Max

Voice Bottom

Voice Center

Voice Top

U

I

A

A

O

E

PBEND
JS X
Rbn#16

M.Whl#1
JS+Y#1
JS–Y#2
etc…

Zero

+ Max

Talking Modulator Control

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