3: arp. a (arpeggiator a), 4: arp. b (arpeggiator b), 5: zone (scan zone) – KORG MICROX X50 User Manual

Page 77: 7–3: arp. a (arpeggiator a), 7–4: arp. b (arpeggiator b), 7–5: zone (scan zone), 7–3: arp. a, 7–4: arp. b, 7–5: zone

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7–3: Arp. A

(Arpeggiator A)

7–4: Arp. B

(Arpeggiator B)

Indicates settings for arpeggiator A in the Arp. A page, and
for arpeggiator B in the Arp. B page.

You can use the “Copy Arpeggiator” utility to copy set-
tings from another mode such as Program mode.

7–3(4)a: Arpeggiator–A (B) Setup

Pattern

[Preset-0...Preset-4, U000...U250]

Octave

[1, 2, 3, 4]

Reso (Resolution)

[

, , , , , ]

Gate

[000...100(%), Step]

Velocity

[001...127, Key, Step]

Swing

[–100...+100(%)]

Sort

[Off, On]

Latch

[Off, On]

Key Sync.

[Off, On]

Keyboard

[Off, On]

These are the arpeggiator parameters for the multi set.
(

☞PROG 7: Ed–Arp/Ctrls)

7–3(4): UTILITY

☞“Write Multi,” “Copy From Combi” (0–1), “Copy Arpeg-

giator” (COMBI 7–1)

7–5: Zone

(Scan Zone)

Specifies the range of notes and velocities that will trigger
each arpeggiator A and B.

7–5a: Scan Zone A/B

Zone Map

This shows the “Scan Zone” settings for arpeggiators A and
B (

☞COMBI 7–4a).

A: Key

Btm (A-Bottom Key)

[C–1...G9]

Top (A-Top Key)

[C–1...G9]

Specifies the range of notes (keys) that will trigger
arpeggiator A. “Top” is the upper limit, and “Btm” is the
lower limit.

A: Vel (Velocity)

Btm (A-Bottom Velocity)

[001...127]

Top (A-Top Velocity)

[001...127]

Specifies the range of velocities that will trigger arpeggiator
A. “Top” is the upper limit, and “Btm” is the lower limit.

B: Key

Btm (B-Bottom Key)

[C–1...G9]

Top (B-Top Key)

[C–1...G9]

B: Vel (Velocity)

Btm (B-Bottom Velocity)

[001...127]

Top (B-Top Velocity)

[001...127]

Specifies the range of notes (keys) and velocities that will
trigger arpeggiator B (

☞“A: Key,” “A: Vel”).

X50:

The value of these parameters can also be set by hold-

ing down the [ENTER] button and playing a note on a con-
nected MIDI instrument.

7–5: UTILITY

☞“Write Multi,” “Copy From Combi” (0–1), “Copy Arpeg-

giator” (COMBI 7–1)

7–3a

7–5a

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