2: slope (velocity slope), 3: review, Combi 7: ed-arp/ctrls (arpeggiator/controls) – KORG MICROX X50 User Manual

Page 54: 1: setup, 6–2: slope (velocity slope), 6–3: review, Combi 7: ed–arp/ctrls (arpeggiator/ controls), 7–1: setup, P.47), Combi 7: ed–arp/ctrls

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6–2: Slope

(Velocity Slope)

6–2a: Top Slope, Bottom Slope

Top Slope

[000…120]

Specifies the number of velocity steps over which the origi-
nal volume will be reached, starting from the Top Velocity.

0:

The volume will be at the original value from the top

velocity.
120:

The volume will decrease as the velocity approaches the

top velocity.

Bottom Slope

[000…120]

Specifies the number of velocity steps over which the origi-
nal volume will be reached, starting from the Bottom Veloc-
ity.

0:

The volume will be at the original value from the bottom

velocity.
120:

The volume will decrease as the velocity approaches the

bottom velocity.

How volume will change according to key velocity

6–2: UTILITY

“Write Combination,” “Solo Selected Timbre” (0–1)

6–3: Review

6–3a: Velocity Zone Map (All)

T1...T8

Displays the range of velocities that each timbre will
respond to.
The range of velocities sounded is shown as a line, and the
slope portion is shaded.

6–3: UTILITY

“Write Combination,” “Solo Selected Timbre” (0–1)

COMBI 7: Ed–Arp/Ctrls

(Arpeggiator/Controls)

These parameters specify how the arpeggiator will function
within the combination. Two arpeggiators can run simulta-
neously.

X50:

The B-mode functions of REALTIME CONTROLS [1]–

[4] knobs, and the functions of assignable switches [SW1]
and [SW2].

microX:

The B-mode functions of REALTIME CONTROLS

[1]–[4] knobs.

This offers a variety of possibilities, such as applying sepa-
rate arpeggio patterns to two sounds that have been
assigned as a keyboard split, or using velocity to switch
between two arpeggio patterns.

7–1: Setup

7–1a: Arpeggiator Run, (Tempo)

Arpeggiator Run A, B (Run A, B)

[Off, On]

When the [ARP ON/OFF] button is on, the arpeggiator(s)
checked here will run if they are assigned to a timbre by
“Assign” (7–1b). (

☞0–4(5)a)

(Tempo)

[040...240, EXT]

Set the tempo of the arpeggiator. This can also be adjusted
by the REALTIME CONTROLS C-mode [TEMPO] knob.
☞p.34 “ (Tempo)” (0–1a)

7–1b: Assign

Assign

[Off, A, B]

Assigns arpeggiator A or B to each timbre 1–8. When the
[ARP ON/OFF] button is on, the arpeggiator specified for
each timbre will operate according to “Arpeggiator Run”
and these settings.

Off:

The arpeggiator will not play this timbre.

A:

This timbre will be played by Arpeggiator A. Make set-

tings in the Arp. A page to select the arpeggio pattern and
set parameters.
B:

This timbre will be played by Arpeggiator B. Make set-

tings in the Arp. B page to select the arpeggio pattern and
set parameters.

If the “Status” (2–1a) of the timbre is INT, each timbre
1–8 to which arpeggiator A or B is assigned will be
sounded by the note data generated by the arpeggiator,
regardless of the “MIDI Channel” (2–1a) setting of the
timbre. If a timbre is set to EXT or EX2, MIDI note data
will be transmitted on the “MIDI Channel” of each tim-
bre.

6–2a

Bottom Slope

Top Slope

Bottom Velocity

Top Velocity

Velocity

Volume

6–3a

7–1a

7–1b

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