KORG MICROX X50 - Manual (Page 69)

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MIDI Channel [01…16]
Specifies the MIDI data that the track will use to transmit
and receive MIDI data. Tracks set to INT which have the
same MIDI channel will sound and be controlled identically
when they receive MIDI data.
Bank(EX2) MSB [000...127]
Bank(EX2) LSB [000...127]
When “Status” is set to EX2, this sets the bank number that
will be transmitted. When “Status” is other than EX2, this
setting has no effect.
■ 2–1(2): UTILITY
☞“Write Multi,” “Copy From Combi” (0–1)
2–3: OSC..8
(OSC T01–08)
2–4: OSC..16
(OSC T09–16)
Indicates settings for each track.
2–3(4)a: Force OSC Mode, OSC Select,
Portamento
Force OSC Mode [PRG, Poly, Mono, LGT]
Selects the “Mode (Voice Assign Mode)” (PROG 1–1b) of the
program selected for each track 1–8, 9–16.
(
☞COMBI 2–2a)
OSC Select [Both, OSC1, OSC2]
Specifies the “Mode (Oscillator Mode)” (PROG 1–1a) of the
program selected for each track 1–8, 9–16. If the “Mode
(Oscillator Mode)” is Double, you can use this setting to
make only one or the other oscillator sound (
☞ COMBI 2–
2a).
Portamento [PRG, Off, 001...127]
Specifies the portamento effect for each track 1–8, 9–16.
(
☞COMBI 2–2a)
When the track whose “Status” (2–1a/2a) is INT or
BTH
, MIDI control change CC#05 (Portamento Time)
and CC#65 (Portamento Switch) can be received to con-
trol this and change the setting. (If the setting is PRG,
CC#05 Portamento Time will not be received.)
When you adjust these values, the settings will be
transmitted via MIDI for tracks whose “Status” is BTH,
EXT
, or EX2. If “Multi Mode” (GLOBAL 0–2a) is set to
for Master , these settings will be transmitted via MIDI
when you switch the multi set number. If this is Off,
CC#65 with a value of 0 will be transmitted. If this is
001–127
, a CC#65 of 127 and CC#05 of 001–127 will be
transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted on the MIDI channel specified
for each track by “MIDI Channel” (2–1a/2a).
■ 2–3(4): UTILITY
☞“Write Multi,” “Copy From Combi” (0–1)
2–5: Ptch..8
(Pitch T01–08)
2–6: Ptch..16
(Pitch T09–16)
Here you can make pitch-related settings for each track.
2–5(6)a: Transpose, Detune, Bend Range
Transpose [–24...+24]
Adjusts the pitch of each track in semitone steps.
12
steps are one octave.
Detune (BPM Adj.) [–1200... +1200]
Adjusts the pitch of each track in one-cent steps from the
normal pitch.
0:
Normal pitch.
You can use the Utility “Detune BPM Adj.” (2–5/6) to
make a calculation in BPM units and set Detune auto-
matically.
“Transpose” and “Detune” settings do not affect the
note data that is transmitted via MIDI. “Transpose” and
“Detune” are controlled by received MIDI RPN mes-
sages. The “Mode (Oscillator Mode)” (PROG 1–1a) of
the programs selected for tracks 1–16 will be controlled
as follows.
• If “Mode (Oscillator Mode)” is Single or Double, MIDI
RPN Coarse Tune messages can be received to control
and change the “Transpose” setting, and Fine Tune
messages to control and change the “Detune” setting.
• If “Mode (Oscillator Mode)” is Drums, MIDI RPN
Coarse Tune and Fine Tune messages can be received
to control and change the “Detune” setting. The range
of control will be ±1 octave when Coarse Tune and
Fine Tune are added. These messages will be received
on the MIDI channel that is specified for each track by
“MIDI Channel” (2–1a/2a).
Bend Range [PRG, –24...+24]
Specifies the range of pitch change that will occur when the
MIDI Pitch Bend Change message is received.
PRG: The pitch range specified by the program will be used.
–24–+24: Regardless of the setting of the program, pitch
bending will use the range you specify here.
Data from Arp.
Operations on the X50/
microX
Received data
Status Internal tone
generator MIDI OUT/
USB
Internal tone
generator MIDI OUT/
USB
INT ● × ● —
EXT, EX2 Ч ● Ч —
BTH ● ● ● —
2–3a
2–5a