KORG MICROX X50 - Manual (Page 71)

64
MULTI 3: MIDI Filter1
Here you can select whether or not to apply filtering to the
MIDI data received by tracks 1–16. For example, even if two
tracks are receiving the same MIDI channels, one can be
made to respond to damper pedal activity while the other
does not.
These settings affect the MIDI messages that are trans-
mitted when you adjust program, pan, volume, porta-
mento and send 1/2 parameters of a track whose
“Status” (2–1a/2a) is set to BTH, EXT, or EX2.
On (checked): Reception of MIDI data is enabled. Tracks
whose “Status” (2–1a/2a) is INT or BTH will receive MIDI
messages whose channel matches and whose types are
checked. The types of effect that are checked will be applied
to the program of each track when the X50/microX’s con-
trollers are operated or when MIDI data is received. (The
effect dynamic modulation function is not affected by these
settings.) Settings that regulate MIDI transmission/recep-
tion of the X50/microX itself are made in “MIDI Filter”
(GLOBAL 1–1b).
If MIDI control changes have been assigned as the function
of the REALTIME CONTROLS knobs or of [SW1] and [SW2]
(only X50), the MIDI filter for these controllers (MIDI Filter
2) will affect these control changes. However if these are the
same as the control changes of MIDI Filter 1, the MIDI Filter
1, 2 settings will take priority. Furthermore, if the same con-
trol change has been assigned to two or more controllers,
checking any one of the MIDI Filter 2 parameters will cause
the setting to apply to that control change.
Off (unchecked): Reception of MIDI data is disabled.
3–1: M1–1..8
(MIDI Filter1–1 T01–08)
3–2: 1–1..16
(MIDI Filter1–1 T09–16)
3–1(2)a: Program Change, After Touch
Program Change [Off, On]
Specifies whether or not MIDI program change messages
will be received.
After Touch [Off, On]
Specifies whether or not MIDI after touch messages will be
received.
■ 3–1(2): UTILITY
☞“Write Multi,” “Copy From Combi” (0–1)
3–3: 1–2..8
(MIDI Filter1–2 T01–08)
3–4: 1–2..16
(MIDI Filter1–2 T09–16)
3–3(4)a: Damper CC#64, Portamento SW
CC#65
Damper CC#64 [Off, On]
Specifies whether or not MIDI control change message #64
Hold (damper pedal) will be received.
Portamento SW CC#65 [Off, On]
Specifies whether or not MIDI control change message #65
Portamento On/Off will be received.
■ 3–3(4): UTILITY
☞“Write Multi,” “Copy From Combi” (0–1)
3–5: 1–3..8
(MIDI Filter2–1 T01–08)
3–6: 1–3..16
(MIDI Filter2–1 T09–16)
3–5(6)a: JS+Y/M.Whl CC#01, JS–Y CC#02
JS+Y/M.Whl CC#01 [Off, On]
X50: Specifies whether MIDI control change CC#1 (the
X50’s modulation wheel, or a REALTIME CONTROLS B-
mode assignment) will be received.
microX: Specifies whether MIDI control change CC#1 (the
+Y direction of the microX’s joystick or a REALTIME CON-
TROLS B-assign setting) will be received.
JS–Y CC#02 [Off, On]
X50: Specifies whether MIDI control change CC#2 (REAL-
TIME CONTROLS B-mode assignment, or the GLOBAL 0–3:
Foot page “Foot Pedal Assign” set to JS –Y (CC#02) to spec-
ify the function of a foot controller connected to the
ASSIGNABLE PEDAL jack) will be received.
microX: Specifies whether MIDI control change CC#2 (the
–Y direction of the microX’s joystick or a REALTIME CON-
TROLS B-assign setting) will be received.
3–1a
3–3a
3–5a