Yamaha FX900 - Manual (Page 6)

4. Tall Tee
Algorithm 9
Preset Effect Program Titles
Algorithm 10
5. Stack
■
Algorithm 11
Thus we have a total of 11 algorithms. As we mentioned
earlier, one effect from each of the FX900's four effect groups
can be assigned to each "block" within the selected
algorithm. This allows the FX900 effects to be combined as
required to produce the desired sound.
Details on algorithm selection and effect assignment are
given on page 13.
■ Memory Configuration
The FX900 has a total of 200 memory locations. "PRESET"
memory locations 0 through 99 are ROM (Read Only
Memory) containing 100 pre-programmed effects that you
can simply select and use. "USER" memory locations 0
through 99 are RAM (Random Access Memory), and can be
used to store original effect programs that you create by
editing the presets. The 100 RAM memory locations
originally contain copies of the preset programs. The first
memory location — memory location number 0 — contains
"initial data" that can be used as a basis for creating your
own original effects programs. The initial data consists of
settings that produce a more or less "normal" effect which
you can easily edit, gradually straying from the norm, to
create your own sound.
PRESET MEMORY USER MEMORY
(ROM) (RAM)
0 — 99 0 — 99
• 0 is "Initial" data. • User-edited programs
• 1 — 99 are preset
effect programs
Memory
«0.
Program Tittft
Memory
No.
Program Title
Distort on Group No. 52 Pitch Twist
No. 1 Massive Dist. No. 53 Briqht Chorus
No. 2 Trióle Stack No. 54 Wanderer
No.3 Fullranae Dist No. 55 Reverb Sweet
No. 4 Southern Rock No. 56 Dew
No. 5 Smooth Dist No. 57 Treble Tremolo
No. 6 Metal Master No. 58 Tape Echo
No. 7 Razor's Edoe No. 59 Hollow Body
No. 8 Power Detune No. 60 Nylon Strinqs
No. 9 Tube Lead No. 61 Comp Chorus
No. 10 FX Distortion Basse roup
No. 11 Sweet Lead No. 62 Fretless Solo
No. 12 Harmonv Lead No. 63 Fretless Pick
No. 13 Rockin' 70's No. 64 Flanqe Bass
No. 14 Multi Lead No. 65 Touch-wah Bass
No. 15 Mid Peak No. 66 Slap Bass
No. 16 3-wav Dist No. 67 Bass Distortion
No. 17 Led Distortion No. 68 Island Bass
No. 18 Tiaht Distortion No. 69 Straiqht Pick
No. 19 Pan Distortion No. 70 Flanqe Pick
No. 20 Hard Sitar No. 71 Quick Chase
No. 21 Flanae Sitar Synthesizer Group
No. 22 Shaoeless Bells No. 72 EP Ambience
No. 23 Tiaht Rock No. 73 Punchy Piano
No. 24 Crunch No. 74 Thick Orqan
No. 25 Slide Distortion No. 75 Rock Orqan
No. 26 Touch Dist No. 76 Slow Rotor
No. 27 Cluster Dist. 1 No. 77 Clavi-flanqe
No. 28 Cluster Dist. 2 No. 78 Pluck-wah
No. 29 Cluster Dist. 3 No. 79 Silkv Clav
No. 30 Talkin' Dist. No. 80 Pad Fill
No. 31 Wide-Pan Dist. No. 81 Wind Enhancer
No. 32 Wah Distortion No. 82 Brass Lifter
No. 33 Soarkler No. 83 Horn Solo
No. 34 Meteor No. 84 Polished Strinqs
storlion Group No. 85 Fat Bass
No. 35 Simolv Sweet No. 86 3D-pan Bass
No. 36 Compressed Solo Divmsi Fere/ Raaoriilnii
Oraiap
No. 37 Briqht Backer
No. 38 Shimmer Echo
No. 87 Rock Drum
No. 39 Crisp Chops No. 88 Heavy Drum
No. 40 Touch Of Jazz No. 89 Warehouse Drum
No. 41 50's Booqie No. 90 Percussion Gate
No. 42 Touch Wah No. 91 Percussion-wah
No. 43 Dry Clean No. 92 Vocal Reyerb 1
No. 44 Crisp Q No. 93 Vocal Reyerb 2
No. 45 Spicy Repeat Sound Effects Group
No. 46 Fifths No. 94 Dinosaur
No. 47 Liqht Harmonv No. 95 Teleporter
No. 48 Silver Strinqs No. 96 Escalator
No. 49 Stereo Tremolo No. 97 War Drum
No. 50 Funk Groove No. 98 Infinite Echo
No. 51 City Theme No. 99 Steam Machine
No. 0 kiftiâi Data
' Details on the algorithms and individual effects used in each
effect program are given in the chart beginning on page
156.